万本电子书0元读

万本电子书0元读

顶部广告

中国当代电影中的纪实现实主义电子书 租阅

I declare that this dissertation;is the result of my own work and includes nothing which isthe outcome of work done in collaboration; is not substantially the same as any that I have submitted for adegree or diploma or other qualification at any other university; and thatno part of it has already been or in being concurrently submitted for anysuch degree, diploma or other qualification; does not exceed the prescribed limit of 80,000 words.。

售       价:¥

纸质售价:¥20.50购买纸书

124人正在读 | 0人评论 6.2

作       者:姜丰

出  版  社:复旦大学出版社

出版时间:2010-04-01

字       数:45.4万

所属分类: 文艺 > 艺术 > 影视/媒体艺术

温馨提示:此类商品不支持退换货,不支持下载打印

为你推荐

  • 读书简介
  • 目录
  • 累计评论(条)
  • 读书简介
  • 目录
  • 累计评论(条)
I declare that this dissertation;is the result of my own work and includes nothing which isthe outcome of work done in collaboration; is not substantially the same as any that I have submitted for adegree or diploma or other qualification at any other university; and thatno part of it has already been or in being concurrently submitted for anysuch degree, diploma or other qualification; does not exceed the prescribed limit of 80,000 words. 《中国当代电影中的纪实现实主义》内容简介:I declare that this dissertation;is the result of my own work and includes nothing which isthe outcome of work done in collaboration; is not substantially the same as any that I have submitted for adegree or diploma or other qualification at any other university; and thatno part of it has already been or in being concurrently submitted for anysuch degree, diploma or other qualification; does not exceed the prescribed limit of 80,000 words. I have used hanyu pinyin for all Chinese names and phrasesthroughout the dissertation, except for names of characters as theyappear in the film's English subtitles. The hanyu pinyin and the original Chinese characters are listed in the "Glossary of Chinese Terms" forcross -reference. All translations of quoted Chinese texts are mine unless otherwisestated.
目录展开

Preface

Acknowledgements

Dissertation Summary

Chapter One Introduction

1. New Chinese Film: The Inadequacy of Labels in Describing the New Film Practices in China

2. Mapping Contemporary Chinese Film

3. Discursive Parameters

Chapter Two Identifying Docu-realism in Terms of History, Philosophy and Aesthetics

1. Historically: Inside and Outside China

2. Philosophically: The Redemption of Physical Reality

3. Aesthetic Principles

Chapter Three Zhang Yuan: A Breakthrough in Presenting Reality — Escape from the Encirclement of Melo-realism

1. Zhang Yuan and New Approaches to Reality

2. Sons·Cinéma-vérité·Cinema-direct

3. Seventeen Years and the New Documentary Movement

Chapter Four Jia Zhangke: Distinguis hing Nostalgia from the Fifth Generation's Exoticism

1. Xiaowu: The Common Man's Consciousness and the Popular Perspective

2. Platform: Loose Narration and De-dramatization

3. Unknown Pleasure: Redemption of Real Life Through Sound

Chapter Five Wang Xiaoshuai, Wang Chao, Lu Xuechang, Zhang Ming: Constructing Docu-realist Aesthetics in Film Construction

1. Shot·Deep focus·Mise-en-scène

2. Colour·Light·Physical Reality

3. Editing·Montage·Long-take

Conclusion

Appendix Main Docu-realist Film Directors and Their Works

Bibliography

Glossary

累计评论(条) 个书友正在讨论这本书 发表评论

发表评论

发表评论,分享你的想法吧!

买过这本书的人还买过

读了这本书的人还在读

回顶部