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American Realism电子书

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15人正在读 | 0人评论 9.8

作       者:Gerry Souter

出  版  社:Parkstone International

出版时间:2012-05-08

字       数:34.7万

所属分类: 进口书 > 外文原版书 > 艺术/建筑/历史

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  • 读书简介
  • 目录
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  • 读书简介
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  • 累计评论(0条)
The concept of ‘Realism’ as applied to a style of art embraces too much with too little. You might as well try to define ‘Dance’ without looking at ballet, tap, jazz, clog or folk. It is true in art there is Cubism, Futurism, Impressionism, Fauvism, Expressionism and many more lesser ‘isms’ and each bears certain characteristics, or cleaves to certain constraints or expansions that define the style. Each of these styles has practitioners who themselves are defined by the results of their identification with the specific creative method. Each painter has also brought an individual contribution to the interpretation of the style. The key differences between these ‘isms’ and ‘Realism’ is time, place and state of mind.
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INTRODUCTION

EASTMAN JOHNSON (1824-1906)

WINSLOW HOMER (1836-1910)

THOMAS EAKINS (1844-1916)

WILLIAM MICHAEL HARNETT (1848-1892)

FREDERIC REMINGTON (1861-1909)

ROBERT HENRI (1865-1929) AND THE“ASHCAN ARTISTS”

Robert Henri

Everett Shinn

George Luks

William Glackens

John Sloan

George Bellows

Summary of the Ashcan Artists

EDWARD HOPPER (1882-1967)

THOMAS HART BENTON (1889-1975)

GRANT WOOD (1892-1942)

CHARLES BURCHFIELD (1893-1967)

ANDREW WYETH (1917-2009)

BIBLIOGRAPHY

INDEX

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