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Film Lighting电子书

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60人正在读 | 0人评论 9.8

作       者:Kris Malkiewicz

出  版  社:Touchstone

出版时间:2012-02-07

字       数:55.7万

所属分类: 进口书 > 外文原版书 > 艺术/建筑/历史

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  • 读书简介
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Newly revised and updated, Film Lighting is an indispensible sourcebook for the aspiring and practicing cinematographer, based on extensive interviews with leading cinematographers and gaffers in the film industry. Film lighting is a living, dynamic art influenced by new technologies and the changing styles of leading cinematographers. A combination of state-of-the-art technology and in-depth interviews with industry experts, Film Lighting provides an inside look at how cinematographers and film directors establish the visual concept of the film and use the lighting to create a certain atmosphere.Kris Malkiewicz uses firsthand material from the experts he interviewed while researching this book. Among these are leading cinematographers Dion Beebe, Russell Carpenter, Caleb Deschanel, Robert Elswit, Mauro Fiore, Adam Holender, Janusz Kaminski, Matthew Libatique, Rodrigo Prieto, Harris Savides, Dante Spinotti, and Vilmos Zsigmond. This updated version of Film Lighting fills a growing need in the industry and will be a perennial, invaluable resource.
目录展开

Cover

Description

Title Page

Copyright Page

Acknowledgments

Contents

Preface to the Second Edition

Chapter One: The Cinematographer as Collaborator

Working with the Director

The Hiring Process

Taking on the Project

Style

Serving the Story

Working with the Art Director

Working with the Designers

Rehearsals

Composition

Working with the Crew

Chapter Two: Lighting Equipment

Types of Light Sources

Tungsten Lights

HMI Lights

Fluorescent Lights

LED Lights

Fresnel Lights

Ellipsoidal Reflector Spotlights

Xenon Lights

Beam Projectors

Moving Lights

PAR Lights

Open-Face and Area Lights

Soft Lights

Compact Lights

Accessories to Luminaires

Light Packages

Power Supply

Chapter Three: Image Manipulation

Film Stock

Digital Cameras

Brightness Range Manipulation

Measuring and Evaluating Light

Picture and Waveform Monitors

Color Gelatins

Image Manipulation by Filters, Nets, and Other Optical Media

Working with Smoke

Image Manipulation in the Laboratory

Processing

Timing and Printing

Digital Intermediate

Chapter Four: Anatomy of Lighting

Key Light, Fill Light, and Backlight Concepts

Key Light

Fill Light

Backlight

Chapter Five: Strategy of Lighting

Hard Versus Soft

Controlling Hard Light

Using and Controlling the Various Types of Soft Light

Box-Type Soft Light

Diffused Light

Bounced Light

Ambient Light

Low Key, High Key

Studio Versus Location

Lighting for Multiple Cameras

Lighting for Digital Video

Chapter Six: Lighting a Scene

Lighting Approach to a Scene

Sources of Light

Long Shot and Close-up

Studio Day Interior

Night Interior

Treatment of Walls

Using Practical Lamps

Special Practicals

Mirrors

Process Shots

Lighting Faces

Beauty Lighting

Lighting for Skin Tones

Close-up Accessories

Eye Light

Chapter Seven: Lighting on Location

Location Exterior

Daylight

Sunset

Day-for-Night

Night-for-Night

Location Interior

Location Interior/Exterior

Location Lighting with Fluorescents

Theater Interior Lighting

Vehicle Lighting

Chapter Eight: Learning to Light

Notes on the Contributors

Glossary

Bibliography

Index

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