Cine-ar fi crezut c? lumea afacerilor poate fi at?t de fascinant? ?i plin? de dramatism? 350 de milioane de dolari investite ?ntr-un model de automobil plin de imperfec?iuni, f?r? s? fie g?sit m?car un responsabil pentru acest e?ec; ascensiunea spectaculoas? a unei mici companii produc?toare de h?rtie fotografic? p?n? la actualul gigant Xerox, ?nceput? de o m?n? de oameni care ?i-au riscat chiar ?i averea personal? pentru o inova?ie revolu?ionar?; b?t?lia titanic? dus? de Rezerva Federal? a Statelor Unite pentru ap?rarea lirei sterline de atacurile speculatorilor; sunt doar c?teva dintre exemplele ce arat? c?, ?n lumea afacerilor ?i a Wall Streetului, oamenii pot da dovad? fie de geniu, spirit de cooperare ?i ?n?elepciune, fie de ?nc?p???nare ?i lips? de ra?iune, indiferent de miza aflat? ?n joc. Un avertisment c? istoria se poate oric?nd repeta.

The beautiful but innocent Paolina Mansfield almost loses her life when the ship that she is a passenger on is tragically wrecked in a storm off the coast of Italy. All aboard, including her father were lost, except just for herself and her handsome rescuer, Sir Harvey Drake, who is a descendant of the famous Sir Francis Drake himself. Already reduced to the point of penury by her father’s addiction to endless gambling, Paolina now has nothing left in her life and no family or friends to come to her aid. But Sir Harvey, by his own admission a ‘gentleman adventurer’, devises a grand plan for her that would save them both, as he also has many financial problems of own in Endland. As Paolina is so beautiful and captivating, he intends to marry her off to a wealthy suitor in Italy and share the resulting riches with her.? Presented to the highest echelons of Venice Society as his sister, Paolina’s demure beauty instantly bewitches some of Venice’s most illustrious and eligible gentlemen and she is overwhelmed by amorous approaches especially from the sinister and extremely rich Duke of Ferrara. Yet she is deeply unhappy. Because it seems that Paolina is condemned to marry someone she does not and cannot love and she has already lost her heart to her swashbuckling but penniless saviour.

Widowed Mrs. Mansforde and her younger daughter Philomena (or 'Mena' for short) are pleasantly surprised when elder daughter Lais returns unannounced to the family home. They have not seen her for an age, not even at her father's funeral. And the news she brings is not so pleasant as it seems that she too has been widowed, but already has another wealthy and prestigious husband in her sights, the highly respected Duke of Kernthorpe. The Duke, who is much older than Lais, has invited her to bring her mother to meet him, an invitation that Lais does not extend to young Mena, seeing how beautiful she has become. Mrs. Mansforde insists that Mena goes with her and then it is decided that she will pose as her mother's employed companion. Once at the Duke's Castle Mena goes for a walk in the garden and then sees a stallion and rider galloping towards her. The horse is clearly out of control and throws the rider so Mena rushes over to see if he has been hurt. He is a handsome young man and when he looks up at Mena he thinks, because she is so beautiful, that she must be a Greek Goddess. He is then most impressed when Mena calms the stallion down by talking to him in a quiet gentle voice. At the Duke's Castle love is to take each of the three women, Mena, Lais and their mother, by surprise and brings them ultimate happiness in the form of entirely unexpected suitors. And it seems that Fate has brought them together at the magnificent but mysterious Kerne Castle.

Young Lady Lettice Burne is outstandingly beautiful with fair hair like sunshine and a flawless pink-and-white complexion. Yet her father, the Earl of Alderburne, desperate to find a wealthy suitor for her to pay off his mountain of accumulated debts, is resigned to the fact that she is immature and empty-headed and therefore unlikely to make the brilliant marriage that he had envisaged for her. So, when the handsome, dashing and rich Maximus Kirby expresses interest in her hand, the Earl is eager to send her to join him in Singapore. Maximus Kirby has been hugely successful in the Far East in trading and has started many profitable businesses that have brought unexpected prosperity to many poor communities. Lettice cannot possibly go to him in Singapore alone. So her sister Lady Dorinda goes, posing as her companion – albeit reluctantly, knowing that she is assuming her usual guise of ‘ugly sister’ thanks to the disfiguring eczema on her face and body that she has suffered from since childhood. To Dorinda’s delight and astonishment the tropical climate miraculously cures her skin complaint and now everybody can see that she is every bit as beautiful as Lettice, including Maximus Kirby. Once in Singapore Dorinda and Lettice face great dangers which Maximus Kirby and Dorinda have to defeat and Lettice becomes more and more determined that she will not marry Maximus Kirby. And will Lady Dorinda finally find the love and the ‘Magnificent Marriage’ that her disease has always denied her?

Uno de los más apuestos y codiciados solteros de Londres, lord Melsonby se encuentra inesperadamente, atrapado en el problema de la hermosa fugitiva, Perlita Lyford, heredera de una fortuna inmensa, huérfana de madre y pierde por último, ?su progenitor, que la deja al cuidado? de una? prima hermana suya, lady Whitton. Lo que su padre no sabía, es que ella se había casado con sir Gerbold, un hombre mucho más joven que ella, y cuando lady Whitton, se murió… él vio la oportunidad de echar mano a su fortuna y de autoproclamarse su tutor. Es este hombreperverso y cruel, que Perlita huye, que solamente quiere casarse con ella, para quedarse con su dinero. Perlita, desesperada e infeliz con el destino que le esperaba, en uno de sus usuales viajes, consiguió escaparse del faetón y llegar a una modesta posada llamada La Cabeza del Rey y enseguida encuentra a lord Melsonby y le pide ayuda. Ahí, empieza un enredo fascinante, entre él y la misteriosa dama, donde se ven mezclados en una romántica aventura, ?que los conduce desde la resplandeciente sociedad victoriana, hasta una peligrosa intriga en Marruecos. Esta es una más, de las muchas obras magistrales, de la más famosa autora moderna del romanticismo, Barbara Cartland .

Lord Heywood regresa de las Guerras Napoleónicas para descubrir que ha heredado un patrimonio, pero no dinero. Cuando visita la propiedad, encuentra a una bella joven viviendo allí, huyendo de su hogar. Mientras está allí, está decidida a ayudarlo a encontrar un artículo valioso, que no forme parte de la propiedad para vender, ?pero por el camino, también encuentran el amor!? Instintivamente, Lord Heywood la apretó en sus brazos y la atrajo aún más cerca, y al hacerlo, se dio cuenta de que la amaba perdidamente. Cuando Miriam levantó la cara para hacer una pregunta, un rayo de luz hizo que Lord Heywood viera sus ojos asustados, su cara muy pálida y sus labios separados. Ella lo necesitaba. Nuestra heroína había estado viviendo en las habitaciones de su difunta madre y estaba decidida a descubrir quién era y por qué había vivido en una casa vacía.? A ella le gustaba el color turqués de la ropa de la cama y cuando de repente ve a lord Heywood, se queda mirándolo con recelo a su héroe. Estaba atrapada por el amor de su vida.? Una historia de intensa pasión y de incertidumbre, donde el amor al fin, siempre vence…???????????????????????

This eBook features the unabridged text of ‘The Complete Poems by George Eliot - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Complete Works of George Eliot’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Eliot includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Complete Poems by George Eliot - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Eliot’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the text Please visit www.delphiclassics.com to learn more about our wide range of titles

Dodo Collections brings you another classic from Walt Whitman, ‘The Wound Dresser’. Walt Whitman’s “The Wound-Dresser” is a sixty-five-line free-verse poem in four sections describing the suffering in the Civil War hospitals and the poet’s suffering, faithfulness to duty, and developing compassion as he tended to soldiers’ physical wounds and gave comfort. Published at war’s end, the poem opens with an old veteran speaking, imaginatively suggesting some youths gathered about who have asked him to tell of his most powerful memories. The children request stories of battle glory, but the poet quickly dismisses these as ephemeral. He then narrates a journey through a military hospital such as Whitman experienced in Washington, D.C., during the second half of the war. Walter "Walt" Whitman (May 31, 1819 – March 26, 1892) was an American poet, essayist and journalist. A humanist, he was a part of the transition between transcendentalism and realism, incorporating both views in his works. Whitman is among the most influential poets in the American canon, often called the father of free verse. His work was very controversial in its time, particularly his poetry collection Leaves of Grass, which was described as obscene for its overt sexuality. Born in Huntington on Long Island, Whitman worked as a journalist, a teacher, a government clerk, and—in addition to publishing his poetry—was a volunteer nurse during the American Civil War. Early in his career, he also produced a temperance novel, Franklin Evans (1842). Whitman's major work, Leaves of Grass, was first published in 1855 with his own money. The work was an attempt at reaching out to the common person with an American epic. He continued expanding and revising it until his death in 1892. After a stroke towards the end of his life, he moved to Camden, New Jersey, where his health further declined. When he died at age 72, his funeral became a public spectacle. Whitman's sexuality is often discussed alongside his poetry. Though biographers continue to debate his sexuality, he is usually described as either homosexual or bisexual in his feelings and attractions. However, there is disagreement among biographers as to whether Whitman had actual sexual experiences with men. Whitman was concerned with politics throughout his life. He supported the Wilmot Proviso and opposed the extension of slavery generally. His poetry presented an egalitarian view of the races, though his attitude in life reflected many of the racial prejudices common to nineteenth-century America and his opposition to slavery was not necessarily based on belief in the equality of races per se. At one point he called for the abolition of slavery, but later he saw the abolitionist movement as a threat to democracy.

This eBook features the unabridged text of ‘Rudin by Ivan Turgenev - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Collected Works of Ivan Turgenev’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Turgenev includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Rudin by Ivan Turgenev - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Turgenev’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the text Please visit www.delphiclassics.com to learn more about our wide range of titles

Take your first step to becoming a professional short fiction writer—Buy this book! In an engaging and conversational style, award-winning author Douglas Smith teaches you how to market and sell short stories—and much, much more. Even experienced writers will find value here as Smith takes you from your first sale to using your stories to build a writing career. CONTENTS: The Fundamentals: The different types of writers. The benefits of short fiction. Rights and licensing. Selling Your Stories: Knowing when it's ready. Choosing markets. Submitting stories. Avoiding mistakes. How editors select stories. Dealing with rejections. When to give up on a story. After a Sale: Contracts. Working with editors. What your first sale means. Dealing with reviews. A Writer's Magic Bakery: Selling reprints. Foreign markets. Audio markets. Selling a collection. The indie option. Becoming Established: Leveraging your stories. Discoverability and promotion. Career progression in short fiction. With an introduction by multi-award winning writer and editor, Kristine Kathryn Rusch. "We short story writers have needed a book like this for decades. ... It’s spectacular." —Kristine Kathryn Rusch, Award-winning Author & Editor “If you are the least bit interested in having a career as a fiction writer then I can tell you what to read: Douglas Smith’s Playing the Short Game: How to Market & Sell Short Fiction. From now on this is my go-to book for all things related to starting and maintaining my fiction writing career.” —Filip Wiltgren, The Guide to a Professional Writing Career

Much has been explored about Shakespeare and his life, but little is known about how this small-town boy with a grammar-school education came to pen masterworks like Hamlet and King Lear. In Meet William Shakespeare, playwright J. Ajlouny creates authentic and plausible explanations that answer centuries-old questions about the man and his work. The result is an educational and fun portrait of Shakespeare, as told by The Bard himself.

El Rey se acercó a la cama de Xenia y miró su lujoso cabello rojo que brillaba a la luz de las velas y sus tiernos labios, que temblaban porque tenía miedo. "?Sabes lo hermosa que eres?" él dijo. Xenia sabía que el momento finalmente había llegado, el momento en que ella debía decirle la verdad. "?Te amo!". ?Pero él lloró antes de que ella pudiera hablar. ?l dijo: "Estoy loco… locamente enamorado … nunca en la vida so?é que me sentiría así … y tengo algo que ... decirte…" Ella lo sintió ponerse serio y lentamente lo vio retroceder. Xenia respiró profundamente… ?Cómo podría ella decirle ? Ella se decía a sí misma. ?Cómo podría ella barrer la felicidad de sus ojos? Estaba arrebatada por su amor… y sin embargo atrapada por otro destino…?

Gilda Wyngate befindet sich nach dem Tod ihres Vaters in gro?en finanziellen Schwierigkeiten und ist v?llig verzweifelt. Zu allem Unglück erh?lt das junge M?dchen unverhofft Besuch von ihrer egoistischen und habgierigen Schwester Heloise, die ihr zum Verwechseln ?hnlich sieht. Heloise ist fest entschlossen, den begehrtesten Junggesellen Londons, den Marquis von Staverton, zu heiraten - doch bestimmt nicht aus Liebe. Diese Einstellung befremdet Gilda sehr. Doch sie ?ndert ihre Denkweise, als sie Heloise tot auffindet-gestorben an einer ?berdosis Laudanum. In ihrer bedrückenden Notlage entschlie?t sie sich, den Platz ihrer Schwester einzunehmen.

This eBook features the unabridged text of ‘Fathers and Sons by Ivan Turgenev - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Collected Works of Ivan Turgenev’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Turgenev includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Fathers and Sons by Ivan Turgenev - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Turgenev’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the text Please visit www.delphiclassics.com to learn more about our wide range of titles

This eBook features the unabridged text of ‘Smoke by Ivan Turgenev - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Collected Works of Ivan Turgenev’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Turgenev includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Smoke by Ivan Turgenev - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Turgenev’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the text Please visit www.delphiclassics.com to learn more about our wide range of titles

Few men have endured the indignity of having their very existence challenged as thoroughly as William Shakespeare, late of Stratford-upon-Avon. From scholars to amateur enthusiasts, many cannot bring themselves to believe he wrote his own body of work. Playwright J. Ajlouny presents the arguments for and against, all statements and proofs drawn from the historical record. Everybody must decide for himself, but The Trial of William Shakespeare makes the controversy both intriguing and fun.

Il Principe (The Prince) is a political treatise by the Florentine public servant and political theorist Niccolò Machiavelli. Originally called De Principatibus (About Principalities), it was written in 1513, but not published until 1532, five years after Machiavelli's death. The treatise is not representative of the work published during his lifetime, but it is the most remembered, and the work responsible for bringing "Machiavellian" into wide usage as a pejorative term. It has also been suggested by some critics that the piece is, in fact, a satire.

The Law, original French title La Loi, is a 1849 book by Frédéric Bastiat. It was published one year after the third French Revolution of 1848 and one year before his death of tuberculosis at age 49. The essay was influenced by John Locke's Second Treatise on Government and in turn influenced Henry Hazlitt's Economics in One Lesson. It is the work for which Bastiat is most famous along with The candlemaker's petition and the Parable of the broken window. In The Law, Bastiat states that "each of us has a natural right — from God — to defend his person, his liberty, and his property". The State is a "substitution of a common force for individual forces" to defend this right. The law becomes perverted when it punishes one's right to self-defense in favor of another's acquired right to plunder.

On Liberty is a philosophical work by 19th century English philosopher John Stuart Mill, first published in 1859. To the Victorian readers of the time it was a radical work, advocating moral and economic freedom of individuals from the state.

IN ancient times, when the city of Rome was at the height of its power and splendor, it was the custom, as it is in fact now with the inhabitants of wealthy capitals, for the principal families to possess, in addition to their city residences, rural villas for summer retreats, which they built in picturesque situations, at a little distance from the city, sometimes in the interior of the country, and sometimes upon the seashore. There were many attractive places of resort of this nature in the neighborhood of Rome. Among them was Antium.??The beauty and the salubrity of Antium made it a very attractive place of summer resort for the people of Rome; and in process of time, when the city attained to an advanced stage of opulence and luxury, the Roman noblemen built villas there, choosing situations, in some instances, upon the natural terraces and esplanades of the promontory, which looked off over the sea, and in others cool and secluded retreats in the valleys, on the land. It was in one of these villas that NERO was born.??NERO's father belonged to a family which had enjoyed for several generations a considerable degree of distinction among the Roman nobility, though known by a somewhat whimsical name. The family name was Brazenbeard, or, to speak more exactly, it was Aheno-barbus, which is the Latin equivalent for that word. ?

YOU have heard of Homer, and of the two wonderful poems, the Iliad and the Odyssey, which bear his name. No one knows whether these poems were composed by Homer, or whether they are the work of many different poets. And, in fact, it matters very little about their authorship. Everybody agrees that they are the grandest poems ever sung or written or read in this world; and yet, how few persons, comparatively, have read them, or know any thing about them except at second-hand! ? Homer commences his story, not at the beginning, but "in the midst of things;" hence, when one starts out to read the Iliad without having made some special preparation beforehand, he finds it hard to understand, and is tempted, in despair, to stop at the end of the first book. Many people are, therefore, content to admire the great masterpiece of poetry and story-telling simply because others admire it, and not because they have any personal acquaintance with it.? Now, it is not my purpose to give you a "simplified version" of the Iliad or the Odyssey. There are already many such versions; but the best way for you, or any one else, to read Homer, is to read Homer. If you do not understand Greek, you can read him in one of the many English translations. You will find much of the spirit of the original in the translations by Bryant, by Lord Derby, and by old George Chapman, as well as in the admirable prose rendering by Butcher and Lang; but you can get none of it in any so-called simplified version.??My object in writing this "Story of the Golden Age" has been to pave the way, if I dare say it, to an enjoyable reading of Homer, either in translations or in the original. I have ta-ken the various legends relating to the causes of the Trojan war, and, by assuming certain privileges never yet denied to story-tellers, have woven all into one continuous narrative, ending where Homer's story begins. The hero of the Odyssey—a character not always to be admired or commended—is my hero. And, in telling the story of his boyhood and youth, I have taken the opportunity to repeat, for your enjoyment, some of the most beautiful of the old Greek myths. If I have, now and then, given them a coloring slightly different from the original, you will remember that such is the right of the story-teller, the poet, and the artist. The essential features of the stories remain unchanged. I have, all along, drawn freely from the old tragedians, and now and then from Homer himself; nor have I thought it necessary in every instance to mention authorities, or to apologize for an occasional close imitation of some of the best translations. The pictures of old Greek life have, in the main, been derived from the Iliad and the Odyssey, and will, I hope, help you to a better understanding of those poems when you come to make acquaintance directly with them.??Should you become interested in the "Story of the Golden Age," as it is here related, do not be disappointed by its somewhat abrupt ending; for you will find it continued by the master-poet of all ages, in a manner both inimitable and unapproachable. If you are pleased with the discourse of the porter at the gate, how much greater shall be your delight when you stand in the palace of the king, and hearken to the song of the royal minstrel! ?