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Preface
SCOPE OF THE BOOK
RATIONALE FOR THE DIAGRAMS AND DRAWINGS
FURTHER COMMENTS AND ACKNOWLEDGMENTS
CHAPTER ONE The Playing Space
THE SCRIPTS AND THE PLAYING SPACE
THE SURVIVING TRAGEDIES OF AESCHYLUS AND EARLY TRAGIC PERFORMANCE
CHOROS, ACTORS/CHARACTERS, AND PLAYING SPACE IN THE EARLIER TRAGEDIES OF AESCHYLUS
Persians
Suppliants
Seven against Thebes
COMPOSITION FOR THE PLAYING SPACE IN AESCHYLUS'S ORESTEIA
Agamemnon
Libation Bearers
Eumenides
REALIZING THE TRAGIC PLAYING SPACE AFTER AESCHYLUS
ALTARS AND TOMBS IN THE PLAYING SPACE AFTER AESCHYLUS
PERFORMERS AND VEHICLES IN THE PLAYING SPACE
THREE KINDS OF VOCAL DELIVERY IN TRAGEDY
MOVEMENT AND DANCING IN THE PLAYING SPACE
ACTORS/CHARACTERS AND CHOROS:CHANTING, SINGING, AND DANCING IN THE PLAYING SPACE
Appendix A CHRONOLOGY OF THE SURVIVING PLAYS
CHAPTER TWO The Chorus
THE CHOROS IN EPIC
COMPOSITION FOR THE CHOROS
MUSIC: METER OR MEASURE, MELODY, AND MODE
Meter
Melody and Modes
DANCING
STROPHE, ANTISTROPHE, AND CHOREIA
DITHYRAMBS
THE THEATRICAL CHOROI:DEFINITIONS AND DISTINCTIONS
Appendix B TIME LINE FOR CHAPTER 2
Conclusion
References
Index
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