Arts of Wonder电子书

售价：¥

12人正在读 | 0人评论

9.8

作者：Kosky, Jeffrey L.

出版社：University of Chicago Press

出版时间：2012-11-12

字数：41.0万

所属分类：进口书 > 外文原版书 > 艺术/建筑/历史

温馨提示：数字商品不支持退换货，不提供源文件，不支持导出打印

为你推荐

哈利·波特与历史

￥47.60

Uma superfície de gelo ancorada no riso: a atualidade do grotesco em Hilda Hilst

￥0.01

Delphi Complete Works of James Joyce (Illustrated)

￥24.44

America First: —100 Stories from Our History—

￥23.54
Man and Superman

￥8.09

The Burning Wheel

￥8.09

Back to Methuselah

￥8.09

Harry Potter - The Ultimate Book of Facts

￥34.24

读书简介
目录
累计评论(0条)

读书简介
目录
累计评论(0条)

"e;The fate of our times is characterized by rationalization and intellectualization and, above all, by 'the disenchantment of the world.'"e; Max Weber's statement remains a dominant interpretation of the modern condition: the increasing capabilities of knowledge and science have banished mysteries, leaving a world that can be mastered technically and intellectually. And though this idea seems empowering, many people have become disenchanted with modern disenchantment. Using intimate encounters with works of art to explore disenchantment and the possibilities of re-enchantment, Arts of Wonder addresses questions about the nature of humanity, the world, and God in the wake of Weber's diagnosis of modernity.?Jeffrey L. Kosky focuses on a handful of artists-Walter De Maria, Diller + Scofidio, James Turrell, and Andy Goldworthy-to show how they introduce spaces hospitable to mystery and wonder, redemption and revelation, and transcendence and creation. What might be thought of as religious longings, he argues, are crucial aspects of enchanting secularity when developed through encounters with these works of art. Developing a model of religion that might be significant to secular culture, Kosky shows how this model can be employed to deepen interpretation of the art we usually view as representing secular modernity. A thoughtful dialogue between philosophy and art, Arts of Wonder will catch the eye of readers of art and religion, philosophy of religion, and art criticism.

目录展开