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Cover
Title Page
Dedication
Contents
Foreword
Preface
ONE: Acting
1: Film and Stage—Two Sides of the Same Coin
2: The Development of Film-Acting Styles
3: The Approach
4: Acting Defined
5: Listening/Sensing
6: The Character
7: Focus and Concentration
8: Energy
9: The Emotions
10: Spontaneity
TWO: Working on the Role
11: Preparation
12: Facts and Conditions
13: Imagination
14: Learn the Role—Not the Lines
Station Break
THREE: Tools
15: Rhythm and Change
16: Dynamics
17: Movement
18: The Need
19: Selectivity
20: Personalization
21: Animate and Inanimate Object Images
22: The Nonsense: Exercise—Unorthodoxy
23: Comedy and Drama from the Actor’s Point of View
24: Cold Reading and Auditions
25: Working with the Director
26: Working from the Outside In—Or Not
27: In a Nutshell
FOUR: The Machinery of Film and Tape
28: Day One on the Set
29: The Motion Picture Studio and the Soundstage
30: Some Specifics of Film
31: Shooting a Scene
32: The Television Studio
33: The Multiple-Camera Show
34: Stunts
FIVE: The Film/Tape Career
35: Beginning Your Career
36: Film and Television Unions for Actors
37: The Star
38: Exercises for Acting for the Camera
Epilogue
Index
Acknowledgments
About the Author
Praise for: Acting for the Camera
Theater-Trained Actors
Copyright
About the Publisher
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