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PREFACE
CHAPTER I - THE OBJECT IN VIEW
An Inevitable Comparison
A Model Lesson in Novel-Writing
The Teachable and the Unteachable
CHAPTER II - A GOOD STORY TO TELL
Where do Novelists get their Stories from?
Is there a Deeper Question?
What about the Newspapers?
CHAPTER III - HOW TO BEGIN
Formation of the Plot
The Agonies and Joys of "Plot-Construction"
Care in the Use of Actual Events
The Natural History of a Plot
Sir Walter Besant on the Evolution of a Plot
Plot-Formation in Earnest
Characters first: Plot afterwards
The Natural Background
CHAPTER IV - CHARACTERS AND CHARACTERISATION
The Chief Character
How to Portray Character
Methods of Characterisation
The Trick of "Idiosyncrasies"
CHAPTER V - STUDIES IN LITERARY TECHNIQUE
Narrative Art
Movement
Aids to Description
THE POINT OF VIEW
SELECTING THE MAIN FEATURES
DESCRIPTION BY SUGGESTION
FACTS TO REMEMBER
CHAPTER VI - STUDIES IN LITERARY TECHNIQUE
Colour: Local and Otherwise
What About Dialect?
On Dialogue
Points in Conversation
"Atmosphere"
CHAPTER VII - PITFALLS
Items of General Knowledge
Specific Subjects
Topography and Geography
Scientific Facts
Grammar
CHAPTER VIII - THE SECRET OF STYLE
Communicable Elements
Incommunicable Elements
CHAPTER IX - HOW AUTHORS WORK
Quick and Slow
How many Words a Day?
Charles Reade and Anthony Trollope
The Mission of Fancy
Fancies of another Type
Some of our Younger Writers
Curious Methods
(Untitled)
CHAPTER X - IS THE SUBJECT-MATTER OF NOVELS EXHAUSTED?
The Question Stated
"Change" not "Exhaustion"
Why we talk about Exhaustion
CHAPTER XI - THE NOVEL v. THE SHORT STORY
Practise the Short Story
Short Story Writers on their Art
CHAPTER XII - SUCCESS: AND SOME OF ITS MINOR CONDITIONS
The Truth about Success
Minor Conditions of Success
APPENDIX I
THE PHILOSOPHY OF COMPOSITION
APPENDIX II
BOOKS WORTH READING
BONUS
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