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Shakespeare's Works: 37 plays, plus poetry, with line numbers电子书

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作       者:William Shakespeare

出  版  社:Seltzer Books

出版时间:2018-03-01

字       数:418.3万

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This file includes all of Shakespeare's plays, with line numbers (11 tragedies, 12 comedies, 10 histories, and 4 romances), plus his poetry (Sonnets, Venus and Adonis, Rape of Lucrece, Lover's Complaint, and Passionate Pilgrim. According to Wikipedia: "William Shakespeare (baptised 26 April 1564 – died 23 April 1616) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "The Bard"). His surviving works consist of 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language, and are performed more often than those of any other playwright."
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COMPLETE WORKS OF SHAKESPEARE, WITH LINE NUMBERS: 11 TRAGEDIES, 12 COMEDIES, 10 HISTORIES, 4 ROMANCES, AND POETRY

ANTONY AND CLEOPATRA

DRAMATIS PERSONAE

ACT I

SCENE I Alexandria. A room in Cleopatra's palace.

SCENE II The same. Another room.

SCENE III The same. Another room.

SCENE IV Rome. Octavius Caesar's house.

SCENE V Alexandria. Cleopatra's palace.

ACT II

SCENE I Messina. Pompey's house.

SCENE II Rome. The house of Lepidus.

SCENE III The same. Octavius Caesar's house.

SCENE IV The same. A street.

SCENE V Alexandria. Cleopatra's palace.

SCENE VI Near Misenum.

SCENE VII On board Pompey's galley, off Misenum.

ACT III

SCENE I A plain in Syria.

SCENE II Rome. An ante-chamber in Octavius Caesar's house.

SCENE III Alexandria. Cleopatra's palace.

SCENE IV Athens. A room in Mark Antony's house.

SCENE V The same. Another room.

SCENE VI Rome. Octavius Caesar's house.

SCENE VII Near Actium. Mark Antony's camp.

SCENE VIII A plain near Actium.

SCENE IX Another part of the plain.

SCENE X Another part of the plain.

SCENE XI Alexandria. Cleopatra's palace.

SCENE XII Egypt. Octavius Caesar's camp.

SCENE XIII Alexandria. Cleopatra's palace.

ACT IV

SCENE I Before Alexandria. Octavius Caesar's camp.

SCENE II Alexandria. Cleopatra's palace.

SCENE III The same. Before the palace.

SCENE IV The same. A room in the palace.

SCENE V Alexandria. Mark Antony's camp.

SCENE VI Alexandria. Octavius Caesar's camp.

SCENE VII Field of battle between the camps.

SCENE VIII Under the walls of Alexandria.

SCENE IX Octavius Caesar's camp.

SCENE X Between the two camps.

SCENE XI Another part of the same.

SCENE XII Another part of the same.

SCENE XIII Alexandria. Cleopatra's palace.

SCENE XIV The same. Another room.

SCENE XV The same. A monument.

ACT V

SCENE I Alexandria. Octavius Caesar's camp.

SCENE II Alexandria. A room in the monument.

CORIOLANUS

DRAMATIS PERSONAE

ACT I

SCENE I Rome. A street.

SCENE II Corioli. The Senate-house.

SCENE III Rome. A room in Marcius' house.

SCENE IV Before Corioli.

SCENE V Corioli. A street.

SCENE VI Near the camp of Cominius.

SCENE VII The gates of Corioli.

SCENE VIII A field of battle.

SCENE IX The Roman camp.

SCENE X The camp of the Volsces.

ACT II

SCENE I Rome. A public place.

SCENE II The same. The Capitol.

SCENE III The same. The Forum.

ACT III

SCENE I Rome. A street.

SCENE II A room in CORIOLANUS'S house.

SCENE III The same. The Forum.

ACT IV

SCENE I Rome. Before a gate of the city.

SCENE II The same. A street near the gate.

SCENE III A highway between Rome and Antium.

SCENE IV Antium. Before Aufidius's house.

SCENE V The same. A hall in Aufidius's house.

SCENE VI Rome. A public place.

SCENE VII A camp, at a small distance from Rome.

ACT V

SCENE I Rome. A public place.

SCENE II Entrance of the Volscian camp before Rome. Two Sentinels on guard.

SCENE III The tent of Coriolanus.

SCENE IV Rome. A public place.

SCENE V The same. A street near the gate.

SCENE VI Antium. A public place.

HAMLET

Dramatis Personae

ACT I

SCENE I. Elsinore. A platform before the castle.

SCENE II A room of state in the castle.

SCENE III A room in Polonius' house.

SCENE IV The platform.

SCENE V Another part of the platform.

ACT II

SCENE I A room in POLONIUS' house.

SCENE II A room in the castle.

ACT III

SCENE I A room in the castle.

SCENE II A hall in the castle.

SCENE III A room in the castle.

SCENE IV The Queen's closet.

ACT IV

SCENE I A room in the castle.

SCENE II Another room in the castle.

SCENE III Another room in the castle.

SCENE IV A plain in Denmark.

SCENE V Elsinore. A room in the castle.

SCENE VI Another room in the castle.

SCENE VII Another Room In The Castle.

ACT V

SCENE I A churchyard.

SCENE II A hall in the castle.

JULIUS CAESAR

Dramatis Personae

ACT I

SCENE I. Rome. A street.

SCENE II. A public place.

SCENE III. The same. A street.

ACT II

SCENE I. Rome. BRUTUS's orchard.

SCENE II. CAESAR's house.

SCENE III. A street near the Capitol.

SCENE IV. Another part of the same street, before the house of BRUTUS.

ACT III

SCENE I. Rome. Before the Capitol; the Senate sitting above.

SCENE II. The Forum.

SCENE III. A street.

ACT IV

SCENE I. A house in Rome.

SCENE II. Camp near Sardis. Before BRUTUS's tent.

SCENE III. Brutus's tent.

ACT V

SCENE I. The plains of Philippi.

SCENE II. The same. The field of battle.

SCENE III. Another part of the field.

SCENE IV. Another part of the field.

SCENE V. Another part of the field.

KING LEAR

DRAMATIS PERSONAE

ACT I

SCENE I King Lear's palace.

SCENE II The Earl of Gloucester's castle.

SCENE III The Duke of Albany's palace.

SCENE IV A hall in the same.

SCENE V Court before the same.

ACT II

SCENE I Gloucester's castle.

SCENE II Before Gloucester's castle.

SCENE III A wood.

ACT III

SCENE I A heath.

SCENE II Another part of the heath. Storm still.

SCENE III Gloucester's castle.

SCENE IV The heath. Before a hovel.

SCENE V Gloucester's castle.

SCENE VI A chamber in a farmhouse adjoining the castle.

SCENE VII Gloucester's castle.

ACT IV

SCENE I The heath.

SCENE II Before Albany's palace.

SCENE III The French camp near Dover.

SCENE IV The same. A tent.

SCENE V Gloucester's castle.

SCENE VI Fields near Dover.

SCENE VII A tent in the French camp.

ACT V

SCENE I The British camp, near Dover.

SCENE II A field between the two camps.

SCENE III The British camp near Dover.

MACBETH

DRAMATIS PERSONAE

ACT I

SCENE I A desert place.

SCENE II A camp near Forres.

SCENE III A heath near Forres.

SCENE IV Forres. The palace.

SCENE V Inverness. Macbeth's castle.

SCENE VI Before Macbeth's castle.

SCENE VII Macbeth's castle.

ACT II

SCENE I Court of Macbeth's castle.

SCENE II The same.

SCENE III The same.

SCENE IV Outside Macbeth's castle.

ACT III

SCENE I Forres. The palace.

SCENE II The palace.

SCENE III A park near the palace.

SCENE IV The same. Hall in the palace.

SCENE V A Heath.

SCENE VI Forres. The palace.

ACT IV

SCENE I A cavern. In the middle, a boiling cauldron.

SCENE II Fife. Macduff's castle.

SCENE III England. Before the King's palace.

ACT V

SCENE I Dunsinane. Ante-room in the castle.

SCENE II The country near Dunsinane.

SCENE III Dunsinane. A room in the castle.

SCENE IV Country near Birnam wood.

SCENE V Dunsinane. Within the castle.

SCENE VI Dunsinane. Before the castle.

SCENE VII Another part of the field.

SCENE VIII Another part of the field.

OTHELLO

DRAMATIS PERSONAE

ACT I

SCENE I Venice. A street.

SCENE II Another street.

SCENE III A council-chamber.

ACT II

SCENE I A Sea-port in Cyprus. An open place near the quay.

SCENE II A street.

SCENE III A hall in the castle.

ACT III

SCENE I Before the castle.

SCENE II A room in the castle.

SCENE III The garden of the castle.

SCENE IV Before the castle.

ACT IV

SCENE I Cyprus. Before the castle.

SCENE II A room in the castle.

SCENE III Another room In the castle.

ACT V

SCENE I Cyprus. A street.

SCENE II A bedchamber in the castle: DESDEMONA in bed asleep; a light burning.

ROMEO AND JULIET

DRAMATIS PERSONAE

PROLOGUE

ACT I

SCENE I Verona. A public place.

SCENE II A street.

SCENE III A room in Capulet's house.

SCENE IV A street.

SCENE V A hall in Capulet's house.

ACT II

PROLOGUE

SCENE I A lane by the wall of Capulet's orchard.

SCENE II Capulet's orchard.

SCENE III Friar Laurence's cell.

SCENE IV A street.

SCENE V Capulet's orchard.

SCENE VI Friar Laurence's cell.

ACT III

SCENE I A public place.

SCENE II Capulet's orchard.

SCENE III Friar Laurence's cell.

SCENE IV A room in Capulet's house.

SCENE V Capulet's orchard.

ACT IV

SCENE I Friar Laurence's cell.

SCENE II Hall in Capulet's house.

SCENE III Juliet's chamber.

SCENE IV Hall in Capulet's house.

SCENE V Juliet's chamber.

ACT V

SCENE I Mantua. A street.

SCENE II Friar Laurence's cell.

SCENE III A churchyard; in it a tomb belonging to the Capulets.

TIMON OF ATHENS

DRAMATIS PERSONAE

ACT I

SCENE I Athens. A hall in Timon's house.

SCENE II A banqueting-room in Timon's house.

ACT II

SCENE I A Senator's house.

SCENE II The same. A hall in Timon's house.

ACT III

SCENE I A room in Lucullus' house.

SCENE II A public place.

SCENE III A room in Sempronius' house.

SCENE IV The same. A hall in Timon's house.

SCENE V The same. The senate-house. The Senate sitting.

SCENE VI The same. A banqueting-room in Timon's house.

ACT IV

SCENE I Without the walls of Athens.

SCENE II Athens. A room in Timon's house.

SCENE III Woods and cave, near the seashore.

ACT V

SCENE I The woods. Before Timon's cave.

SCENE II Before the walls of Athens.

SCENE III The woods. Timon's cave, and a rude tomb seen.

SCENE IV Before the walls of Athens.

TITUS ANDRONICUS

DRAMATIS PERSONAE

ACT I

SCENE I Rome. Before the Capitol.

ACT II

SCENE I Rome. Before the Palace.

SCENE II A forest near Rome. Horns and cry of hounds heard.

SCENE III A lonely part of the forest.

SCENE IV Another part of the forest.

ACT III

SCENE I Rome. A street.

SCENE II A room in Titus's house. A banquet set out.

ACT IV

SCENE I Rome. Titus's garden.

SCENE II The same. A room in the palace.

SCENE III The same. A public place.

SCENE IV The same. Before the palace.

ACT V

SCENE I Plains near Rome.

SCENE II Rome. Before Titus's house.

SCENE III Court of Titus's house. A banquet set out.

TROILUS AND CRESSIDA

DRAMATIS PERSONAE

PROLOGUE

ACT I

SCENE I Troy. Before Priam's palace.

SCENE II The Same. A street.

SCENE III The Grecian camp. Before Agamemnon's tent.

ACT II

SCENE I A part of the Grecian camp.

SCENE II Troy. A room in Priam's palace.

SCENE III The Grecian camp. Before Achilles' tent.

ACT III

SCENE I Troy. Priam's palace.

SCENE II The same. Pandarus' orchard.

SCENE III The Grecian camp. Before Achilles' tent.

ACT IV

SCENE I Troy. A street.

SCENE II The same. Court of Pandarus' house.

SCENE III The same. Street before Pandarus' house.

SCENE IV The same. Pandarus' house.

SCENE V The Grecian camp. Lists set out.

ACT V

SCENE I The Grecian camp. Before Achilles' tent.

SCENE II The same. Before Calchas' tent.

SCENE III Troy. Before Priam's palace.

SCENE IV Plains between Troy and the Grecian camp.

SCENE V Another part of the plains.

SCENE VI Another part of the plains.

SCENE VII Another part of the plains.

SCENE VIII Another part of the plains.

SCENE IX Another part of the plains.

SCENE X Another part of the plains.

ALL'S WELL THAT ENDS WELL

DRAMATIS PERSONAE

ACT I

SCENE I Rousillon. The COUNT's palace.

SCENE II Paris. The KING's palace.

SCENE III Rousillon. The Count's palace.

ACT II

SCENE I Paris. The King's palace.

SCENE II Rousillon. The Count's palace.

SCENE III Paris. The King's palace.

SCENE IV Paris. The King's palace.

SCENE V Paris. The King's palace.

ACT III

SCENE I Florence. The Duke's palace.

SCENE II Rousillon. The Count's palace.

SCENE III Florence. Before the Duke's palace.

SCENE IV Rousillon. The Count's palace.

SCENE V Florence. Without the walls. A tucket afar off.

SCENE VI Camp before Florence.

SCENE VII Florence. The Widow's house.

ACT IV

SCENE I Without the Florentine camp.

SCENE II Florence. The Widow's house.

SCENE III The Florentine camp.

SCENE IV Florence. The Widow's house.

SCENE V Rousillon. The Count's palace.

ACT V

SCENE I Marseilles. A street.

SCENE II Rousillon. Before the Count's palace.

SCENE III Rousillon. The Count's palace.

EPILOGUE

AS YOU LIKE IT

DRAMATIS PERSONAE

ACT I

SCENE I Orchard of Oliver's house.

SCENE II Lawn before the Duke's palace.

SCENE III A room in the palace.

ACT II

SCENE I The Forest of Arden.

SCENE II A room in the palace.

SCENE III Before Oliver's house.

SCENE IV The Forest of Arden.

SCENE V The Forest.

SCENE VI The forest.

SCENE VII The forest.

ACT III

SCENE I A room in the palace.

SCENE II The forest.

SCENE III The forest.

SCENE IV The forest.

SCENE V Another part of the forest.

ACT IV

SCENE I The forest.

SCENE II The forest.

SCENE III The forest.

ACT V

SCENE I The forest.

SCENE II The forest.

SCENE III The forest.

SCENE IV The forest.

EPILOGUE

THE COMEDY OF ERRORS

DRAMATIS PERSONAE

ACT I

SCENE I A hall in Duke Solinus's palace.

SCENE II The Mart.

ACT II

SCENE I The house of Antipholus of Ephesus.

SCENE II A public place.

ACT III

SCENE I Before the house of Antipholus of Ephesus.

SCENE II The same.

ACT IV

SCENE I A public place.

SCENE II The house of Antipholus of Ephesus.

SCENE III A public place.

SCENE IV A street.

ACT V

SCENE I A street before a Priory.

LOVE'S LABOUR'S LOST

DRAMATIS PERSONAE

ACT I

SCENE I The king of Navarre's park.

SCENE II The same.

ACT II

SCENE I The same.

ACT III

SCENE I The same.

ACT IV

SCENE I The same.

SCENE II The same.

SCENE III The same.

ACT V

SCENE I The same.

SCENE II The same.

MEASURE FOR MEASURE

DRAMATIS PERSONAE

ACT I

SCENE I An apartment in the DUKE'S palace.

SCENE II A street.

SCENE III A monastery.

SCENE IV A nunnery.

ACT II

SCENE I A hall in ANGELO's house.

SCENE II Another room in the same.

SCENE III A room in a prison.

SCENE IV A room in ANGELO's house.

ACT III

SCENE I A room in the prison.

SCENE II The street before the prison.

ACT IV

SCENE I The moated grange at ST. LUKE's.

SCENE II A room in the prison.

SCENE III Another room in the same.

SCENE IV A room in ANGELO's house.

SCENE V Fields without the town.

SCENE VI Street near the city gate.

ACT V

SCENE I The city gate.

THE MERCHANT OF VENICE

Dramatis Personae

ACT I

SCENE I. Venice. A street.

SCENE II: Belmont. A room in PORTIA'S house.

SCENE III Venice. A public place.

ACT II

SCENE I Belmont. A room in PORTIA'S house.

SCENE II Venice. A street.

SCENE III The same. A room in SHYLOCK'S house.

SCENE IV The same. A street.

SCENE V The same. Before SHYLOCK'S house.

SCENE VI The same.

SCENE VII Belmont. A room in PORTIA'S house.

SCENE VIII Venice. A street.

SCENE IX Belmont. A room in PORTIA'S house.

ACT III

SCENE I Venice. A street.

SCENE II Belmont. A room in PORTIA'S house.

SCENE III Venice. A street.

SCENE IV Belmont. A room in PORTIA'S house.

SCENE V The same. A garden.

ACT IV

SCENE I Venice. A court of justice.

SCENE II The same. A street.

ACT V

SCENE I Belmont. Avenue to PORTIA'S house.

THE MERRY WIVES OF WINDSOR

DRAMATIS PERSONAE

ACT I

SCENE I Windsor. Before PAGE's house.

SCENE II The same.

SCENE III A room in the Garter Inn.

SCENE IV A room in DOCTOR CAIUS' house.

ACT II

SCENE I Before PAGE'S house.

SCENE II A room in the Garter Inn.

SCENE III A field near Windsor.

ACT III

SCENE I A field near Frogmore.

SCENE II A street.

SCENE III A room in FORD'S house.

SCENE IV A room in PAGE'S house.

SCENE V A room in the Garter Inn.

ACT IV

SCENE I A street.

SCENE II A room in FORD'S house.

SCENE III A room in the Garter Inn.

SCENE IV A room in FORD'S house.

SCENE V A room in the Garter Inn.

SCENE VI Another room in the Garter Inn.

ACT V

SCENE I A room in the Garter Inn.

SCENE II Windsor Park.

SCENE III A street leading to the Park.

SCENE IV Windsor Park.

SCENE V Another part of the Park.

A MIDSUMMER NIGHT'S DREAM

DRAMATIS PERSONAE

ACT I

SCENE I Athens. The palace of THESEUS.

SCENE II Athens. QUINCE'S house.

ACT II

SCENE I A wood near Athens.

SCENE II Another part of the wood.

ACT III

SCENE I The wood. TITANIA lying asleep.

SCENE II Another part of the wood.

ACT IV

SCENE I The same. LYSANDER, DEMETRIUS, HELENA, and HERMIA lying asleep.

SCENE II Athens. QUINCE'S house.

ACT V

SCENE I Athens. The palace of THESEUS.

MUCH ADO ABOUT NOTHING

DRAMATIS PERSONAE

ACT I

SCENE I Before Leonato's house.

SCENE II A room in Leonato's house.

SCENE III The same.

ACT II

SCENE I A hall in Leonato's house.

SCENE II The same.

SCENE III Leonato's orchard.

ACT III

SCENE I Leonato's garden.

SCENE II A room in Leonato's house

SCENE III A street.

SCENE IV Hero's apartment.

SCENE V Another room in Leonato's house.

ACT IV

SCENE I A church.

SCENE II A prison.

ACT V

SCENE I Before Leonato's house.

SCENE II Leonato's garden.

SCENE III A church.

SCENE IV A room in Leonato's house.

THE TAMING OF THE SHREW

Dramatis Personae

INDUCTION

SCENE I Before an alehouse on a heath.

SCENE II A bedchamber in the LORD'S house.

ACT I

SCENE I Padua. A public place.

SCENE II Padua. Before HORTENSIO'S house.

ACT II

SCENE I Padua. A room in BAPTISTA'S house.

ACT III

SCENE I Padua. BAPTISTA'S house.

SCENE II Padua. Before BAPTISTA'S house.

ACT IV

SCENE I PETRUCHIO'S country house.

SCENE II Padua. Before BAPTISTA'S house.

SCENE III A room in PETRUCHIO'S house.

SCENE IV Padua. Before BAPTISTA'S house.

SCENE V A public road.

ACT V

SCENE I Padua. Before LUCENTIO'S house.

SCENE II Padua. LUCENTIO'S house.

TWELFTH NIGHT

DRAMATIS PERSONAE

ACT I

SCENE I DUKE ORSINO's palace.

SCENE II The sea-coast.

SCENE III OLIVIA'S house.

SCENE IV DUKE ORSINO's palace.

SCENE V OLIVIA'S house.

ACT II

SCENE I The sea-coast.

SCENE II A street.

SCENE III OLIVIA's house.

SCENE IV DUKE ORSINO's palace.

SCENE V OLIVIA's garden.

ACT III

SCENE I OLIVIA's garden.

SCENE II OLIVIA's house.

SCENE III A street.

SCENE IV OLIVIA's garden.

ACT IV

SCENE I Before OLIVIA's house.

SCENE II OLIVIA's house.

SCENE III OLIVIA's garden.

ACT V

SCENE I Before OLIVIA's house.

KING JOHN

DRAMATIS PERSONAE

ACT I.

SCENE I. Northampton. A Room of State in the Palace.

ACT II.

SCENE I. France. Before the walls of Angiers.

ACT III.

SCENE I. France. The FRENCH KING'S tent.

SCENE II. The same. Plains near Angiers

SCENE III. The same.

SCENE IV. The same. The FRENCH KING's tent.

ACT IV.

SCENE I. Northampton. A Room in the Castle.

SCENE II. The same. A Room of State in the Palace.

SCENE III. The same. Before the castle.

ACT V.

SCENE I. Northampton. A Room in the Palace.

SCENE II. Near Saint Edmunds-bury. The French Camp.

SCENE III. The same. The Field of Battle.

SCENE IV. The same. Another part of the same.

SCENE V. The same. The French camp.

SCENE VI. An open place in the neighborhood of Swinstead Abbey.

SCENE VII. The orchard of Swinstead Abbey.

KING RICHARD II

DRAMATIS PERSONAE

ACT I

SCENE I London. KING RICHARD II's palace.

SCENE II The DUKE OF LANCASTER'S palace.

SCENE III The lists at Coventry.

SCENE IV The court.

ACT II

SCENE I Ely House.

SCENE II The palace.

SCENE III Wilds in Gloucestershire.

SCENE IV A camp in Wales.

ACT III

SCENE I Bristol. Before the castle.

SCENE II The coast of Wales. A castle in view.

SCENE III Wales. Before Flint castle.

SCENE IV LANGLEY. The DUKE OF YORK's garden.

ACT IV

SCENE I Westminster Hall.

ACT V

SCENE I London. A street leading to the Tower.

SCENE II. The DUKE OF YORK'S palace.

SCENE III A royal palace.

SCENE IV The same.

SCENE V Pomfret castle.

SCENE VI Windsor castle.

KING HENRY IV PART 1

DRAMATIS PERSONAE

ACT I

SCENE I London. The palace.

SCENE II London. An apartment of the Prince's.

SCENE III London. The palace.

ACT II

SCENE I Rochester. An inn yard.

SCENE II The highway, near Gadshill.

SCENE III Warkworth castle

SCENE IV The Boar's-Head Tavern, Eastcheap.

ACT III

SCENE I Bangor. The Archdeacon's house.

SCENE II London. The palace.

Scene III Eastcheap. The Boar's-Head Tavern.

ACT IV

SCENE I The rebel camp near Shrewsbury.

SCENE II A public road near Coventry.

SCENE III The rebel camp near Shrewsbury.

SCENE IV York. The ARCHBISHOP'S palace.

ACT V

SCENE I KING HENRY IV's camp near Shrewsbury.

SCENE II The rebel camp.

SCENE III Plain between the camps.

SCENE IV Another part of the field.

SCENE V Another part of the field.

KING HENRY IV PART 2

DRAMATIS PERSONAE

INDUCTION

ACT I

SCENE I The same.

SCENE II London. A street.

SCENE III York. The Archbishop's palace.

ACT II

SCENE I London. A street.

SCENE II London. Another street.

SCENE III Warkworth. Before the castle.

SCENE IV London. The Boar's-head Tavern in Eastcheap.

ACT III

SCENE I Westminster. The palace.

SCENE II Gloucestershire. Before Shallow's house.

ACT IV

SCENE I Yorkshire. Gaultree Forest.

SCENE II Another part of the forest.

SCENE III Another part of the forest.

SCENE IV Westminster. The Jerusalem Chamber.

SCENE V Another chamber.

ACT V

SCENE I Gloucestershire. Shallow's house.

SCENE II Westminster. The palace.

SCENE III Gloucestershire. Shallow's orchard.

SCENE IV London. A street.

SCENE V A public place near Westminster Abbey.

EPILOGUE

KING HENRY V

DRAMATIS PERSONAE

PROLOGUE

ACT I

SCENE I London. An ante-chamber in the KING'S palace.

SCENE II The same. The Presence chamber.

ACT II

PROLOGUE

SCENE I London. A street.

SCENE II Southampton. A council-chamber.

SCENE III London. Before a tavern.

SCENE IV France. The KING'S palace.

ACT III

PROLOGUE

SCENE I France. Before Harfleur.

SCENE II The same.

SCENE III The same. Before the gates.

SCENE IV The FRENCH KING's palace.

SCENE V The same.

SCENE VI The English camp in Picardy.

SCENE VII The French camp, near Agincourt.

ACT IV

PROLOGUE

SCENE I The English camp at Agincourt.

SCENE II The French camp.

SCENE III The English camp.

SCENE IV The field of battle.

SCENE V Another part of the field.

SCENE VI Another part of the field.

SCENE VII Another part of the field.

SCENE VIII Before KING HENRY'S pavilion.

ACT V

PROLOGUE

SCENE I France. The English camp.

SCENE II France. A royal palace.

EPILOGUE

KING HENRY VI PART 1

DRAMATIS PERSONAE

ACT I

SCENE I Westminster Abbey.

SCENE II France. Before Orleans.

SCENE III London. Before the Tower.

SCENE IV Orleans.

SCENE V The same.

SCENE VI The same.

ACT II

SCENE I Before Orleans.

SCENE II Orleans. Within the town.

SCENE III Auvergne. The COUNTESS's castle.

SCENE IV London. The Temple-garden.

SCENE V The Tower of London.

ACT III

SCENE I London. The Parliament-house.

SCENE II France. Before Rouen.

SCENE III The plains near Rouen.

SCENE IV PARIS. THE PALACE.

ACT IV

SCENE I Paris. A hall of state.

SCENE II Before Bourdeaux.

SCENE III Plains in Gascony.

SCENE IV Other plains in Gascony.

SCENE V The English camp near Bourdeaux.

SCENE VI A field of battle.

SCENE VII Another part of the field.

ACT V

SCENE I London. The palace.

SCENE II France. Plains in Anjou.

SCENE III Before Angiers.

SCENE IV Camp of the YORK in Anjou.

SCENE V London. The palace.

KING HENRY VI PART 2

DRAMATIS PERSONAE

ACT I

SCENE I London. The palace.

SCENE II GLOUCESTER'S house.

SCENE III The palace.

SCENE IV GLOUCESTER's garden.

ACT II

SCENE I Saint Alban's.

SCENE II London. YORK'S garden.

SCENE III A hall of justice.

SCENE IV A street.

ACT III

SCENE I The Abbey at Bury St. Edmund's.

SCENE II Bury St. Edmund's. A room of state.

SCENE III A bedchamber.

ACT IV

SCENE I The coast of Kent.

SCENE II Blackheath.

SCENE III Another part of Blackheath.

SCENE IV London. The palace.

SCENE V London. The Tower.

SCENE VI London. Cannon Street.

SCENE VII London. Smithfield.

SCENE VIII Southwark.

SCENE IX Kenilworth Castle.

SCENE X Kent. IDEN's garden.

ACT V

SCENE I Fields between Dartford and Blackheath.

SCENE II Saint Alban's.

SCENE III Fields near St. Alban's.

KING HENRY VI PART 3

DRAMATIS PERSONAE

ACT I

SCENE I London. The Parliament-house.

SCENE II Sandal Castle.

SCENE III Field of battle betwixt Sandal Castle and Wakefield.

SCENE IV Another part of the field.

ACT II

SCENE I A plain near Mortimer's Cross in Herefordshire.

SCENE II Before York.

SCENE III A field of battle between Towton and Saxton, in Yorkshire.

SCENE IV Another part of the field.

SCENE V Another part of the field.

SCENE VI Another part of the field.

ACT III

SCENE I A forest in the north of England.

SCENE II London. The palace.

SCENE III France. KING LEWIS XI's palace.

ACT IV

SCENE I London. The palace.

SCENE II A plain in Warwickshire.

SCENE III Edward's camp, near Warwick.

SCENE IV London. The palace.

SCENE V A park near Middleham Castle In Yorkshire.

SCENE VI London. The Tower.

SCENE VII Before York.

SCENE VIII London. The palace.

ACT V

SCENE I Coventry.

SCENE II A field of battle near Barnet.

SCENE III Another part of the field.

SCENE IV Plains near Tewksbury.

SCENE V Another part of the field.

SCENE VI London. The Tower.

SCENE VII London. The palace.

KING RICHARD III

DRAMATIS PERSONAE

ACT I

SCENE I London. A street.

SCENE II The same. Another street.

SCENE III The palace.

SCENE IV London. The Tower.

ACT II

SCENE I London. The palace.

SCENE II The palace.

SCENE III London. A street.

SCENE IV London. The palace.

ACT III

SCENE I London. A street.

SCENE II Before Lord Hastings' house.

SCENE III Pomfret Castle.

SCENE IV The Tower of London.

SCENE V The Tower-walls.

SCENE VI The same.

SCENE VII Baynard's Castle.

ACT IV

SCENE I Before the Tower.

SCENE II London. The palace.

SCENE III The same.

SCENE IV Before the palace.

SCENE V Lord Derby's house.

ACT V

SCENE I Salisbury. An open place.

SCENE II The camp near Tamworth.

SCENE III Bosworth Field.

SCENE IV Another part of the field.

SCENE V Another part of the field.

KING HENRY VIII

DRAMATIS PERSONAE

THE PROLOGUE

ACT I

SCENE I London. An ante-chamber in the palace.

SCENE II The same. The council-chamber.

SCENE III An ante-chamber in the palace.

SCENE IV A Hall in York Place.

ACT II

SCENE I Westminster. A street.

SCENE II An ante-chamber in the palace.

SCENE III An ante-chamber of the QUEEN'S apartments.

SCENE IV A hall in Black-Friars.

ACT III

SCENE I London. QUEEN KATHARINE's apartments.

SCENE II Ante-chamber to KING HENRY VIII's apartment.

ACT IV

SCENE I A street in Westminster.

SCENE II Kimbolton.

ACT V

SCENE I London. A gallery in the palace.

SCENE II Before the council-chamber. PURSUIVANTS, PAGES, &c. attending.

SCENE III The Council-Chamber.

SCENE IV The palace yard.

SCENE V The palace.

EPILOGUE

CYMBELINE

DRAMATIS PERSONAE

ACT I

SCENE I Britain. The garden of Cymbeline's palace.

SCENE II The same. A public place.

SCENE III A room in Cymbeline's palace.

SCENE IV Rome. Philario's house.

SCENE V Britain. A room in Cymbeline's palace.

SCENE VI The same. Another room in the palace.

ACT II

SCENE I Britain. Before Cymbeline's palace.

SCENE II Imogen's bedchamber in Cymbeline's palace: a trunk in one corner of it.

SCENE III An ante-chamber adjoining Imogen's apartments.

SCENE IV Rome. Philario's house.

SCENE V Another room in Philario's house.

ACT III

SCENE I Britain. A hall in Cymbeline's palace.

SCENE II Another room in the palace.

SCENE III Wales: a mountainous country with a cave.

SCENE IV Country near Milford-Haven.

SCENE V A room in Cymbeline's palace.

SCENE VI Wales. Before the cave of Belarius.

SCENE VII Rome. A public place.

ACT IV

SCENE I Wales: near the cave of Belarius.

SCENE II Before the cave of Belarius.

SCENE III A room in Cymbeline's palace.

SCENE IV Wales: before the cave of Belarius.

ACT V

SCENE I Britain. The Roman camp.

SCENE II Field of battle between the British and Roman camps.

SCENE III Another part of the field.

SCENE IV A British prison.

SCENE V Cymbeline's tent.

PERICLES, PRINCE OF TYRE

DRAMATIS PERSONAE

ACT I.

CHORUS

SCENE I. Antioch. A room in the palace.

SCENE II. Tyre. A room in the palace.

SCENE III. Tyre. An ante-chamber in the Palace.

SCENE IV. Tarsus. A room in the Governor's house.

ACT II.

CHORUS

SCENE I. Pentapolis. An open place by the sea-side.

SCENE II. The same. A public way, or platform leading to the lists.

SCENE III. The same. A hall of state: a banquet prepared.

SCENE IV. Tyre. A room in the Govenor's house.

SCENE V. Pentapolis. A room in the palace.

ACT III.

CHORUS

SCENE I.

SCENE II. Ephesus. A room in Cerimon's house.

SCENE III. Tarsus. A room in CLEON'S house.

SCENE IV. Ephesus. A room in CERIMON'S house.

ACT IV.

CHORUS

SCENE I. Tarsus. An open place near the sea-shore.

SCENE II. Mytilene. A room in a brothel.

SCENE III. Tarsus. A room in CLEON'S house.

SCENE IV.

SCENE V. Mytilene. A street before the brothel.

SCENE VI. The same. A room in the brothel.

ACT V.

CHORUS

SCENE I. On board PERICLES' ship, off Mytilene.

SCENE II. Enter GOWER, before the temple of DIANA at Ephesus.

SCENE III. The temple of DIANA at Ephesus

THE TEMPEST

DRAMATIS PERSONAE

ACT I

SCENE I On a ship at sea: a tempestuous noise of thunder and lightning heard.

SCENE II The island. Before PROSPERO'S cell.

ACT II

SCENE I Another part of the island.

SCENE II Another part of the island.

ACT III

SCENE I Before PROSPERO'S Cell.

SCENE II Another part of the island.

SCENE III Another part of the island.

ACT IV

SCENE I Before PROSPERO'S cell.

ACT V

SCENE I Before PROSPERO'S cell.

EPILOGUE

THE WINTER'S TALE

DRAMATIS PERSONAE

ACT I

SCENE I Antechamber in LEONTES' palace.

SCENE II A room of state in the same.

ACT II

SCENE I A room in LEONTES' palace.

SCENE II A prison.

SCENE III A room in LEONTES' palace.

ACT III

SCENE I A sea-port in Sicilia.

SCENE II A court of Justice.

SCENE III Bohemia. A desert country near the sea.

ACT IV

SCENE I:

SCENE II Bohemia. The palace of POLIXENES.

SCENE III A road near the SHEPHERD'S cottage.

SCENE IV The SHEPHERD'S cottage.

ACT V

SCENE I A room in LEONTES' palace.

SCENE II Before LEONTES' palace.

SCENE III A chapel in PAULINA'S house.

POETRY

SONNETS

1. From fairest creatures we desire increase

2. When forty winters shall beseige thy brow

3. Look in thy glass, and tell the face thou viewest

4. Unthrifty loveliness, why dost thou spend

5. Those hours, that with gentle work did frame

6. Then let not winter's ragged hand deface

7. Lo! in the orient when the gracious light

8. Music to hear, why hear'st thou music sadly?

9. Is it for fear to wet a widow's eye

10. For shame! deny that thou bear'st love to any

11. As fast as thou shalt wane, so fast thou growest

12. When I do count the clock that tells the time

13. O, that you were yourself! but, love, you are

14. Not from the stars do I my judgment pluck

15. When I consider every thing that grows

16. But wherefore do not you a mightier way

17. Who will believe my verse in time to come

18. Shall I compare thee to a summer's day?

19. Devouring Time, blunt thou the lion's paws

20. A woman's face with Nature's own hand painted

21. So is it not with me as with that Muse

22. My glass shall not persuade me I am old

23. As an unperfect actor on the stage

24. Mine eye hath play'd the painter and hath stell'd

25. Let those who are in favour with their stars

26. Lord of my love, to whom in vassalage

27. Weary with toil, I haste me to my bed

28. How can I then return in happy plight

29. When, in disgrace with fortune and men's eyes

30. When to the sessions of sweet silent thought

31. Thy bosom is endeared with all hearts

32. If thou survive my well-contented day

33. Full many a glorious morning have I seen

34. Why didst thou promise such a beauteous day

35. No more be grieved at that which thou hast done

36. Let me confess that we two must be twain

37. As a decrepit father takes delight

38. How can my Muse want subject to invent

39. O, how thy worth with manners may I sing

40. Take all my loves, my love, yea, take them all

41. Those petty wrongs that liberty commits

42. That thou hast her, it is not all my grief

43. When most I wink, then do mine eyes best see

44. If the dull substance of my flesh were thought

45. The other two, slight air and purging fire

46. Mine eye and heart are at a mortal war

47. Betwixt mine eye and heart a league is took

48. How careful was I, when I took my way

49. Against that time, if ever that time come

50. How heavy do I journey on the way

51. Thus can my love excuse the slow offence

52. So am I as the rich, whose blessed key

53. What is your substance, whereof are you made

54. O, how much more doth beauty beauteous seem

55. Not marble, nor the gilded monuments

56. Sweet love, renew thy force; be it not said

57. Being your slave, what should I do but tend

58. That god forbid that made me first your slave

59. If there be nothing new, but that which is

60. Like as the waves make towards the pebbled shore

61. Is it thy will thy image should keep open

62. Sin of self-love possesseth all mine eye

63. Against my love shall be, as I am now

64. When I have seen by Time's fell hand defaced

65. Since brass, nor stone, nor earth, nor boundless sea

66. Tired with all these, for restful death I cry

67. Ah! wherefore with infection should he live

68. Thus is his cheek the map of days outworn

69. Those parts of thee that the world's eye doth view

70. That thou art blamed shall not be thy defect

71. No longer mourn for me when I am dead

72. O, lest the world should task you to recite

73. That time of year thou mayst in me behold

74. But be contented: when that fell arrest

75. So are you to my thoughts as food to life

76. Why is my verse so barren of new pride

77. Thy glass will show thee how thy beauties wear

78. So oft have I invoked thee for my Muse

79. Whilst I alone did call upon thy aid

80. O, how I faint when I of you do write

81. Or I shall live your epitaph to make

82. I grant thou wert not married to my Muse

83. I never saw that you did painting need

84. Who is it that says most? which can say more

85. My tongue-tied Muse in manners holds her still

86. Was it the proud full sail of his great verse

87. Farewell! thou art too dear for my possessing

88. When thou shalt be disposed to set me light

89. Say that thou didst forsake me for some fault

90. Then hate me when thou wilt; if ever, now

91. Some glory in their birth, some in their skill

92. But do thy worst to steal thyself away

93. So shall I live, supposing thou art true

94. They that have power to hurt and will do none

95. How sweet and lovely dost thou make the shame

96. Some say thy fault is youth, some wantonness

97. How like a winter hath my absence been

98. From you have I been absent in the spring

99. The forward violet thus did I chide

100. Where art thou, Muse, that thou forget'st so long

101. O truant Muse, what shall be thy amends

102. My love is strengthen'd, though more weak in seeming

103. Alack, what poverty my Muse brings forth

104. To me, fair friend, you never can be old

105. Let not my love be call'd idolatry

106. When in the chronicle of wasted time

107. Not mine own fears, nor the prophetic soul

108. What's in the brain that ink may character

109. O, never say that I was false of heart

110. Alas, 'tis true I have gone here and there

111. O, for my sake do you with Fortune chide

112. Your love and pity doth the impression fill

113. Since I left you, mine eye is in my mind

114. Or whether doth my mind, being crown'd with you

115. Those lines that I before have writ do lie

116. Let me not to the marriage of true minds

117. Accuse me thus: that I have scanted all

118. Like as, to make our appetites more keen

119. What potions have I drunk of Siren tears

120. That you were once unkind befriends me now

121. 'Tis better to be vile than vile esteem'd

122. Thy gift, thy tables, are within my brain

123. No, Time, thou shalt not boast that I do change

124. If my dear love were but the child of state

125. Were 't aught to me I bore the canopy

126. O thou, my lovely boy, who in thy power

127. In the old age black was not counted fair

128. How oft, when thou, my music, music play'st

129. The expense of spirit in a waste of shame

130. My mistress' eyes are nothing like the sun

131. Thou art as tyrannous, so as thou art

132. Thine eyes I love, and they, as pitying me

133. Beshrew that heart that makes my heart to groan

134. So, now I have confess'd that he is thine

135. Whoever hath her wish, thou hast thy 'Will

136. If thy soul cheque thee that I come so near

137. Thou blind fool, Love, what dost thou to mine eyes

138. When my love swears that she is made of truth

139. O, call not me to justify the wrong

140. Be wise as thou art cruel; do not press

141. In faith, I do not love thee with mine eyes

142. Love is my sin and thy dear virtue hate

143. Lo! as a careful housewife runs to catch

144. Two loves I have of comfort and despair

145. Those lips that Love's own hand did make

146. Poor soul, the centre of my sinful earth

147. My love is as a fever, longing still

148. O me, what eyes hath Love put in my head

149. Canst thou, O cruel! say I love thee not

150. O, from what power hast thou this powerful might

151. Love is too young to know what conscience is

152. In loving thee thou know'st I am forsworn

153. Cupid laid by his brand, and fell asleep

154. The little Love-god lying once asleep

A LOVER'S COMPLAINT

THE PASSIONATE PILGRIM

1. Did not the heavenly rhetoric of thine eye

2. Sweet Cytherea, sitting by a brook

3. If love make me forsworn, how shall I swear to love

4. Scarce had the sun dried up the dewy morn

5. Fair is my love, but not so fair as fickle

6. If music and sweet poetry agree

7. Fair was the morn when the fair queen of love

8. Sweet rose, fair flower, untimely pluck'd, soon vaded

9. Venus, with young Adonis sitting by her

10. Crabbed age and youth

11. Beauty is but a vain and doubtful good

12. Good night, good rest. Ah! neither be my share

13. Lord, how mine eyes throw gazes to the east!

THE PHOENIX AND THE TURTLE

THRENOS.

THE RAPE OF LUCRECE

DEDICATION

THE ARGUMENT

THE POEM

VENUS AND ADONIS

DEDICATION

THE POEM

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