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Drum-Taps电子书

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作       者:Walt Whitman

出  版  社:Dead Dodo Poetry

出版时间:2015-08-21

字       数:6.9万

所属分类: 进口书 > 外文原版书 > 艺术/建筑/历史

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Dodo Collections brings you another classic from Walt Whitman, ‘Drum-Taps’. Drum-taps is a collection of poetry by Walt Whitman first published in 1865. The collection originally consisted of 53 poems (not including the 18 poems of Sequel to Drum-Taps added later in the year). Walter "Walt" Whitman (May 31, 1819 – March 26, 1892) was an American poet, essayist and journalist. A humanist, he was a part of the transition between transcendentalism and realism, incorporating both views in his works. Whitman is among the most influential poets in the American canon, often called the father of free verse. His work was very controversial in its time, particularly his poetry collection Leaves of Grass, which was described as obscene for its overt sexuality. Born in Huntington on Long Island, Whitman worked as a journalist, a teacher, a government clerk, and—in addition to publishing his poetry—was a volunteer nurse during the American Civil War. Early in his career, he also produced a temperance novel, Franklin Evans (1842). Whitman's major work, Leaves of Grass, was first published in 1855 with his own money. The work was an attempt at reaching out to the common person with an American epic. He continued expanding and revising it until his death in 1892. After a stroke towards the end of his life, he moved to Camden, New Jersey, where his health further declined. When he died at age 72, his funeral became a public spectacle. Whitman's sexuality is often discussed alongside his poetry. Though biographers continue to debate his sexuality, he is usually described as either homosexual or bisexual in his feelings and attractions. However, there is disagreement among biographers as to whether Whitman had actual sexual experiences with men. Whitman was concerned with politics throughout his life. He supported the Wilmot Proviso and opposed the extension of slavery generally. His poetry presented an egalitarian view of the races, though his attitude in life reflected many of the racial prejudices common to nineteenth-century America and his opposition to slavery was not necessarily based on belief in the equality of races per se. At one point he called for the abolition of slavery, but later he saw the abolitionist movement as a threat to democracy.
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DRUM-TAPS

INTRODUCTION

FIRST O SONGS FOR A PRELUDE.

EIGHTEEN SIXTY-ONE.

BEAT! BEAT! DRUMS!

FROM PAUMANOK STARTING I FLY LIKE A BIRD

SONG OF THE BANNER AT DAYBREAK.

RISE O DAYS FROM YOUR FATHOMLESS DEEPS.

VIRGINIA—THE WEST.

CITY OF SHIPS.

THE CENTENARIAN’S STORY.

CAVALRY CROSSING A FORD.

BIVOUAC ON A MOUNTAIN SIDE.

AN ARMY CORPS ON THE MARCH.

BY THE BIVOUAC’S FITFUL FLAME.

COME UP FROM THE FIELDS FATHER.

VIGIL STRANGE I KEPT ON THE FIELD ONE NIGHT.

A MARCH IN THE RANKS HARD-PREST, AND THE ROAD UNKNOWN.

A SIGHT IN CAMP IN THE DAYBREAK GRAY AND DIM.

AS TOILSOME I WANDER’D VIRGINIA’S WOODS.

NOT THE PILOT.

YEAR THAT TREMBLED AND REEL’D BENEATH ME.

THE WOUND-DRESSER.

LONG, TOO LONG AMERICA.

GIVE ME THE SPLENDID SILENT SUN.

DIRGE FOR TWO VETERANS.

OVER THE CARNAGE ROSE PROPHETIC A VOICE.

I SAW OLD GENERAL AT BAY.

THE ARTILLERYMAN’S VISION.

ETHIOPIA SALUTING THE COLOURS.

NOT YOUTH PERTAINS TO ME.

RACE OF VETERANS.

WORLD TAKE GOOD NOTICE.

O TAN-FACED PRAIRIE-BOY.

LOOK DOWN FAIR MOON.

RECONCILIATION.

HOW SOLEMN AS ONE BY ONE.

AS I LAY WITH MY HEAD IN YOUR LAP CAMERADO.

DELICATE CLUSTER.

TO A CERTAIN CIVILIAN.

LO, VICTRESS ON THE PEAKS.

SPIRIT WHOSE WORK IS DONE.

ADIEU TO A SOLDIER.

TURN O LIBERTAD.

TO THE LEAVEN’D SOIL THEY TROD.

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