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CHAPTER THE NINETEENTH.
CHAPTER THE TWENTIETH.
GLEE FOR KING CHARLES.
CHAPTER THE TWENTY-FIRST.
CHAPTER THE TWENTY-SECOND.
CHAPTER THE TWENTY-THIRD.
CHAPTER THE TWENTY-FOURTH.
CHAPTER THE TWENTY-FIFTH.
CHAPTER THE TWENTY-SIXTH.
CHAPTER THE TWENTY-SEVENTH.
CHAPTER THE TWENTY-EIGHTH.
CHAPTER THE TWENTY-NINTH.
CHAPTER THE THIRTIETH.
CHAPTER THE THIRTY-FIRST.
CHAPTER THE THIRTY SECOND.
CHAPTER THE THIRTY-THIRD.
CHAPTER THE THIRTY-FOURTH.
CHAPTER THE THIRTY-FIFTH.
CHAPTER THE THIRTY-SIXTH.
CHAPTER THE THIRTY-SEVENTH.
CHAPTER THE THIRTY-EIGHTH.
THE FAIR MAID OF PERTH
CONTENTS
INTRODUCTORY.
PREFACE.
CHAPTER I.
CHAPTER II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.
CHAPTER VI.
CHAPTER VII.
CHAPTER VIII.
CHAPTER IX.
CHAPTER X.
CHAPTER XI
CHAPTER XII.
CHAPTER XIII.
CHAPTER XIV.
CHAPTER XV.
CHAPTER XVI.
CHAPTER XVII.
CHAPTER XVIII.
CHAPTER XIX.
CHAPTER XX.
CHAPTER XXI.
CHAPTER XXII.
CHAPTER XXIII.
CHAPTER XXIV.
CHAPTER XXV.
CHAPTER XXVI.
CHAPTER XXVII.
CHAPTER XXVIII.
CHAPTER XXIX.
CHAPTER XXX.
CHAPTER XXXI.
CHAPTER XXXII.
CHAPTER XXXIII.
CHAPTER XXXIV.
CHAPTER XXXV.
CHAPTER XXXVI.
ANNE OF GEIERSTEIN
CONTENTS
VOLUME I.
EDITOR’S INTRODUCTION
INTRODUCTION
CHAPTER I.
CHAPTER II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.
CHAPTER VI.
CHAPTER VII.
CHAPTER VIII.
CHAPTER IX.
CHAPTER X.
CHAPTER XI.
CHAPTER XII.
CHAPTER XIII.
CHAPTER XIV.
CHAPTER XV.
CHAPTER XVI.
CHAPTER XVII.
CHAPTER XVIII.
AUTHOR’S NOTES.
EDITOR’S NOTES.
GLOSSARY.
VOLUME II.
CHAPTER I.
CHAPTER II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.
CHAPTER VI.
CHAPTER VII.
CHAPTER VIII.
CHAPTER IX.
CHAPTER X.
CHAPTER XI.
CHAPTER XII.
CHAPTER XIII.
CHAPTER XIV.
CHAPTER XV.
CHAPTER XVI.
CHAPTER XVII.
CHAPTER XVIII.
AUTHOR’S NOTES.
EDITOR’S NOTES.
GLOSSARY.
COUNT ROBERT OF PARIS
CONTENTS
ADVERTISEMENT. - (1833.)
INTRODUCTORY ADDRESS.
CHAPTER THE FIRST.
CHAPTER THE SECOND.
CHAPTER THE THIRD.
CHAPTER THE FOURTH.
CHAPTER THE FIFTH.
CHAPTER THE SIXTH.
CHAPTER THE SEVENTH.
CHAPTER THE EIGHTH.
CHAPTER THE NINTH.
CHAPTER THE TENTH.
CHAPTER THE ELEVENTH.
CHAPTER THE TWELFTH.
CHAPTER THE THIRTEENTH.
CHAPTER THE FOURTEENTH.
CHAPTER THE FIFTEENTH.
CHAPTER THE SIXTEENTH.
CHAPTER THE SEVENTEENTH.
CHAPTER THE EIGHTEENTH.
CHAPTER THE NINETEENTH.
CHAPTER THE TWENTIETH.
CHAPTER THE TWENTY-FIRST.
CHAPTER THE TWENTY-SECOND.
CHAPTER THE TWENTY-THIRD.
CHAPTER THE TWENTH-FOURTH.
CHAPTER THE TWENTY-FIFTH.
CHAPTER THE TWENTY-SIXTH.
CHAPTER THE TWENTY-SEVENTH.
CHAPTER THE TWENTY-EIGHTH.
CHAPTER THE TWENTY-NINTH.
CHAPTER THE THIRTIETH.
CHAPTER THE THIRTY-FIRST.
CHAPTER THE THIRTY-SECOND.
CHAPTER THE THIRTY-THIRD.
CHAPTER THE THIRTY-FOURTH.
CASTLE DANGEROUS
CONTENTS
INTRODUCTION. - (1832.)
APPENDIX.
CHAPTER THE FIRST.
CHAPTER THE SECOND.
CHAPTER THE THIRD.
CHAPTER THE FOURTH.
CHAPTER THE FIFTH.
CHAPTER THE SIXTH.
CHAPTER THE SEVENTH.
CHAPTER THE EIGHTH.
CHAPTER THE NINTH.
CHAPTER THE TENTH.
CHAPTER THE ELEVENTH.
CHAPTER THE TWELFTH.
CHAPTER THE THIRTEENTH.
CHAPTER THE FOURTEENTH.
CHAPTER THE FIFTEENTH.
CHAPTER THE SIXTEENTH.
CHAPTER THE SEVENTEENTH.
CHAPTER THE EIGHTEENTH.
CHAPTER THE NINETEENTH.
CHAPTER THE TWENTIETH.
The Shorter Fiction
CHRONICLES OF THE CANONGATE
CONTENTS
INTRODUCTION TO CHRONICLES OF THE CANONGATE.
INTRODUCTION.
APPENDIX TO INTRODUCTION.
CHRONICLES OF THE CANONGATE - INTRODUCTORY.
CHAPTER I. MR. CHRYSTAL CROFTANGRY’S ACCOUNT OF HIMSELF.
CHAPTER II. IN WHICH MR. CROFTANGRY CONTINUES HIS STORY.
CHAPTER III. MR. CROFTANGRY, INTER ALIA, REVISITS GLENTANNER.
CHAPTER IV. MR. CROFTANGRY BIDS ADIEU TO CLYDESDALE.
CHAPTER V. MR. CROFTANGRY SETTLES IN THE CANONGATE.
CHAPTER VI. MR. CROFTANGRY’S ACCOUNT OF MRS. BETHUNE BALIOL.
CHAPTER VII. MRS. BALIOL ASSISTS MR. CROFTANGRY IN HIS LITERARY
THE HIGHLAND WIDOW
CHAPTER I.
CHAPTER II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.
THE TWO DROVERS.
CHAPTER I.
CHAPTER II.
NOTES.
NOTES TO CHRONICLES OF THE CANONGATE.
NOTES TO THE HIGHLAND WIDOW.
THE SURGEON’S DAUGHTER.
INTRODUCTION. - (1831.)
APPENDIX TO INTRODUCTION.
MR. CROFTANGRY’S PREFACE.
THE SURGEON’S DAUGHTER.
CHAPTER THE FIRST.
CHAPTER THE SECOND.
CHAPTER THE THIRD.
CHAPTER THE FOURTH.
CHAPTER THE FIFTH.
CHAPTER THE SIXTH.
CHAPTER THE SEVENTH.
CHAPTER THE EIGHTH.
CHAPTER THE NINTH.
CHAPTER THE TENTH.
CHAPTER THE ELEVENTH.
CHAPTER THE TWELFTH.
CHAPTER THE THIRTEENTH.
CHAPTER THE FOURTEENTH.
MR. CROFTANGRY’S CONCLUSION
MY AUNT MARGARET’S MIRROR
CONTENTS
INTRODUCTION.
AUNT MARGARET’S MIRROR.
THE MIRROR.
CHAPTER I.
CHAPTER II.
THE TAPESTRIED CHAMBER
THE TAPESTRIED CHAMBER
DEATH OF THE LAIRD’S JOCK.
MISCELLANEOUS SHORT PIECES
CONTENTS
THE INFERNO OF ALTISIDORA
CHRISTOPHER CORDUROY
DEPRAVITY AMONG ANIMALS
PHANTASMAGORIA
A HIGHLAND ANECDOTE
WANDERING WILLIE’S TALE
The Plays
GOETZ VON BERLICHINGEN
CONTENTS
DRAMATIS PERSONÆ
ACT I.
ACT II.
ACT III.
ACT IV.
ACT V.
HALIDON HILL
CONTENTS
PREFACE TO HALIDON HILL.
DRAMATIS PERSONAE.
ACT I.
ACT II.
MACDUFF’S CROSS
CONTENTS
INTRODUCTION.
DRAMATIS PERSONS.
PRELUDE.
MACDUFF’S CROSS.
THE DOOM OF DEVORGOIL
CONTENTS
PREFACE.
DRAMATIS PERSONAE.
ACT I.
ACT II.
ACT III.
AUCHINDRANE
CONTENTS
PREFACE.
DRAMATIS PERSONÆ.
ACT I.
ACT II.
ACT III.
THE HOUSE OF ASPEN
CONTENTS
ADVERTISEMENT.
DRAMATIS PERSONS.
ACT I.
ACT II.
ACT III.
ACT IV.
ACT V.
The Poetry Collections
TRANSLATIONS AND IMITATIONS FROM GERMAN BALLADS
CONTENTS
WILLIAM & HELLEN
THE WILD HUNTSMAN
THE FIRE-KING
FREDERICK & ALICE
THE BATTLE OF SEMPACH
THE NOBLE MORINGER
THE ERL-KING
THE CHASE
THE MINSTRELSY OF THE SCOTTISH BORDER
CONTENTS
VOLUME I.
INTRODUCTION.
PART FIRST. HISTORICAL BALLADS.
SIR PATRICK SPENS.
AULD MAITLAND.
BATTLE OF OTTERBOURNE.
THE SANG OF THE OUTLAW MURRAY.
JOHNIE ARMSTRANG.
BOND OF MANRENT.
THE LOCHMABEN HARPER.
JAMIE TELFER OF THE FAIR DODHEAD.
THE RAID OF THE REIDSWIRE.
KINMONT WILLIE
DICK O’ THE COW.
JOCK O’ THE SIDE.
HOBBIE NOBLE.
ARCHIE OF CA’FIELD.
ARMSTRONG’S GOODNIGHT.
THE FRAY OF SUPORT.
LORD MAXWELL’S GOODNIGHT.
BOND OF MANRENT.
THE LADS OF WAMPHRAY.
VOLUME II.
LESLY’S MARCH.
THE BATTLE OF PHILIPHAUGH.
THE GALLANT GRAHAMS.
THE BATTLE OF PENTLAND HILLS.
THE BATTLE OF LOUDONHILL.
THE BATTLE OF BOTHWELL-BRIDGE.
PART SECOND. ROMANTIC BALLADS.
SCOTTISH MUSIC, AN ODE BY J. LEYDEN. TO IANTHE.
INTRODUCTION TO THE TALE OF TAMLANE. ON THE FAIRIES OF POPULAR SUPERSTITION.
THE YOUNG TAMLANE
ERLINTON.
THE TWA CORBIES.
THE DOUGLAS TRAGEDY.
LADY ANNE.
LORD WILLIAM
THE BROOMFIELD HILL.
PROUD LADY MARGARET.
THE ORIGINAL BALLAD OF THE BROOM OF COWDENKNOWS.
LORD RANDAL.
SIR HUGH LE BLOND.
GRAEME AND BEWICK.
THE DUEL OF WHARTON AND STUART. IN TWO PARTS.
THE LAMENT OF THE BORDER WIDOW.
FAIR HELEN OF KIRCONNELL.
HUGHIE THE GRAEME.
JOHNIE OF BREADISLEE.
KATHERINE JANFARIE.
THE LAIRD O’ LOGIE
A LYKE-WAKE DIRGE.
THE DOWIE DENS OF YARROW.
THE GAY GOSS HAWK.
BROWN ADAM.
JELLON GRAME.
WILLIE’S LADYE.
CLERK SAUNDERS.
EARL RICHARD.
THE LASS OF LOCHROYAN.
ROSE THE RED AND WHITE LILLY.
VOLUME III.
FAUSE FOODRAGE.
KEMPION.
LORD THOMAS AND FAIR ANNIE.
THE WIFE OF USHER’S WELL.
COSPATRICK.
PRINCE ROBERT,
KING HENRIE.
ANNAN WATER.
THE CRUEL SISTER.
THE QUEEN’S MARIE.
THE BONNY HYND.
O GIN MY LOVE WERE YON RED ROSE.
O TELL ME HOW TO WOO THEE.
THE SOUTERS OF SELKIRK.
THE FLOWERS OF THE FOREST.
THE LAIRD OF MUIRHEAD.
ODE ON VISITING FLODDEN.
PART THIRD. IMITATIONS OF THE ANCIENT BALLAD.
CHRISTIE’S WILL.
THOMAS THE RHYMER.
THOMAS THE RHYMER. PART SECOND.
THOMAS THE RHYMER. PART THIRD.
THE EVE OF SAINT JOHN.
BATTLE OF ANCRUM MOOR.
LORD SOULIS.
LAW OF CLAN MACDUFF.
THE COUT OF KEELDAR.
GLENFINLAS, OR LORD RONALD’S CORONACH.
THE MERMAID.
THE LORD HERRIES HIS COMPLAINT,
THE MURDER OF CAERLAVEROC.
SIR AGILTHORN.
RICH AULD WILLIE’S FAREWELL. A FREEBOOTER, TAKEN BY THE ENGLISH IN A BORDER BATTLE, AND CONDEMNED TO BE EXECUTED.
WATER KELPIE.
ELLANDONAN CASTLE.
CADYOW CASTLE.
THE GRAY BROTHER.
WAR-SONG OF THE ROYAL EDINBURGH LIGHT DRAGOONS.
THE FEAST OF SPURS.
ON A VISIT PAID TO THE RUINS OF MELROSE ABBEY.
ARCHIE ARMSTRONG’S AITH.
THE LAY OF THE LAST MINSTREL
CONTENTS
PREFACE
THE LAY OF THE LAST MINSTREL. INTRODUCTION
THE LAY OF THE LAST MINSTREL. CANTO FIRST
THE LAY OF THE LAST MINSTREL. CANTO SECOND
THE LAY OF THE LAST MINSTREL. CANTO THIRD
THE LAY OF THE LAST MINSTREL. CANTO FOURTH
THE LAY OF THE LAST MINSTREL. CANTO FIFTH
THE LAY OF THE LAST MINSTREL. CANTO SIXTH
BALLADS AND LYRICAL PIECES
CONTENTS
THE NORMAN HORSE-SHOE
THE DYING BARD
THE MAID OF TORO
HELLVELLYN
MARMION
CONTENTS
ADVERTISEMENT
MARMION. INTRODUCTION TO CANTO FIRST.
MARMION. CANTO FIRST.
MARMION. INTRODUCTION TO CANTO SECOND.
MARMION. CANTO SECOND.
MARMION. INTRODUCTION TO CANTO THIRD.
MARMION. CANTO THIRD.
MARMION. INTRODUCTION TO CANTO FOURTH.
MARMION. CANTO FOURTH.
MARMION. INTRODUCTION TO CANTO FIFTH.
MARMION. CANTO FIFTH.
MARMION. INTRODUCTION TO CANTO SIXTH.
MARMION. CANTO SIXTH.
MARMION. L’ENVOY.
THE LADY OF THE LAKE
CONTENTS
PREFACE
ARGUMENT.
THE LADY OF THE LAKE. CANTO FIRST.
THE LADY OF THE LAKE. CANTO SECOND.
THE LADY OF THE LAKE. CANTO THIRD.
THE LADY OF THE LAKE. CANTO FOURTH.
THE LADY OF THE LAKE. CANTO FIFTH.
THE LADY OF THE LAKE. CANTO SIXTH.
THE LADY OF THE LAKE. NOTES.
Addendum.
THE VISION OF DON RODERICK
CONTENTS
PREFACE
THE VISION OF DON RODERICK. INTRODUCTION.
THE VISION OF DON RODERICK.
THE VISION OF DON RODERICK. CONCLUSION.
THE BRIDAL OF TRIERMAIN
CONTENTS
THE BRIDAL OF TRIERMAIN. INTRODUCTION.
THE BRIDAL OF TRIERMAIN. CANTO FIRST.
THE BRIDAL OF TRIERMAIN. CANTO SECOND.
THE BRIDAL OF TRIERMAIN. INTRODUCTION TO CANTO THIRD
THE BRIDAL OF TRIERMAIN. CANTO THIRD.
THE BRIDAL OF TRIERMAIN. CONCLUSION.
ROKEBY
CONTENTS
ROKEBY. CANTO I.
ROKEBY. CANTO II.
ROKEBY. CANTO III.
ROKEBY. CANTO IV.
ROKEBY. CANTO V.
ROKEBY. CANTO VI.
THE FIELD OF WATERLOO
CONTENTS
THE FIELD OF WATERLOO.
THE FIELD OF WATERLOO. CONCLUSION.
THE LORD OF THE ISLES
CONTENTS
THE LORD OF THE ISLES. INTRODUCTION
THE LORD OF THE ISLES. CANTO I.
THE LORD OF THE ISLES. CANTO II.
THE LORD OF THE ISLES. CANTO III.
THE LORD OF THE ISLES. CANTO IV.
THE LORD OF THE ISLES. CANTO V.
THE LORD OF THE ISLES. CONCLUSION
HAROLD THE DAUNTLESS
CONTENTS
HAROLD THE DAUNTLESS. INTRODUCTION.
HAROLD THE DAUNTLESS. CANTO FIRST.
HAROLD THE DAUNTLESS. CANTO SECOND.
HAROLD THE DAUNTLESS. CANTO THIRD.
HAROLD THE DAUNTLESS. CANTO FOURTH.
HAROLD THE DAUNTLESS. CANTO FIFTH.
HAROLD THE DAUNTLESS. CANTO SIXTH.
HAROLD THE DAUNTLESS. CONCLUSION.
MISCELLANEOUS POEMS
CONTENTS
THE VIOLET
TO A LADY - WITH FLOWERS FROM A ROMAN WALL
BOTHWELL CASTLE.
THE SHEPHERD’S TALE.
CHEVIOT
THE REIVER’S WEDDING
THE BARD’S INCANTATION
THE PALMER
THE MAID OF NEIDPATH
WANDERING WILLIE
HUNTING SONG
EPITAPH. DESIGNED FOR A MONUMENT IN LICHFIELD CATHEDRAL
PROLOGUE TO MISS BAILLIK’S PLAY OF THE FAMILY LEGEND.
THE POACHER.
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