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Line and Form
Preface
Chapter I
Silhouette
Definition of Boundaries
Formation of Letters
Methods of Drawing in Line
The Progressive Method
The Calligraphic Method
The Tentative Method
The Japanese Direct Brush Method
The Oval and Rectangular Methods
The Rectangular Method
Quality of Line
Linear Expression of Movement
Linear Expression of Textures
Linear Expression of Emotion
Scale of Linear Expression
Capacity of Line
Chapter II
Dialects
Scale of Degrees in Line
Relation of Line to Form
The Graphic Purpose
The Ornamental Purpose
Question and Answer in Line
Wall-Paper Design
Controlling Forms
Memory
Evolution in Design
Variety in Unity
Counterbalance
Linear Logic
Recurring Line and Form
The Principle of Radiation
Range and Use of Line
Chapter III
Choice of Line
Use of Line
Degree and Emphasis
Influence of the Photograph
The Value of Emphasis
The Artistic Purpose
Brush-Work
Charcoal and Pencil
The Pen
Chapter IV
Elementary Forms
Dog-Tooth Ornament
Filling of Spaces
Inlay Design
Grouping of Allied Forms
Grouping
Corresponding Forms
Analogies of Form
Typical Forms of Ornament
Ornamental Units
Equivalents in Form
Quantities in Design
Contrast
Variation of Allied Forms
Use Of Human Figure and Animal Forms
Chapter V
Influence of Controlling Lines, etc.
Origin of Geometric Decorative Spaces
Value of the Recurring Line
Adaptability in Design
Extension
Geometric Structural Plans, etc.
Frieze and Field
Ceiling Decoration
Co-operative Relation
Chapter VI
Fundamental Essentials of Design
Line in Organic Forms
Form and Mass in Foliage
German Roofs
The Mediæval City
Organic and Accidental Beauty
Formal Composition
Informal Composition
Principles of Harmonious Composition
Chapter VII
Three Methods of Expressing Relief
Of the Use of Contrast and Planes
Decorative Relief
Use of Diapered Backgrounds
Relief of Form by Linear Shading
Diagonal Shading
Emphasis
Relief by Light and Shade Alone
The Principle of the Photograph
Relief in Architectural Mouldings
Gothic Sculpture
Architectural Influence
Medals and Coins
Desiderio di Settignano
Chapter VIII
Relief in Line-Drawing
The Ornamental Aim
The Ornamental Aim
Selection
Accidents and Essentials
The Outward Vision and Inner Vision
Chapter IX
Mural Decoration
Fresco-Work of Italian Painters
Modern Mural Work
Mural Spacing and Pattern Plans
Scale
The Skirting
Field of the Wall
Tapestry
Appartimenti Borgia
The Frieze
Textile Design
Effect of Texture on Colour
Prints
Wall-Paper
Stained Glass
Chapter X
Relief of Line and Form by Colour
Clearing Coloured Forms
Harmony
The Colour Sense
Importance of Pure Tints
Tones and Planes
Pattern and Picture
Chiaroscuro
Van Eyck
Pattern-Pictures
Botticelli
Holbein
Carlo Crivelli
Perugino
Titian
Paul Veronese
F. Madox Brown
Conclusion
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