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Mitchum, Mexico and the Good Neighbours Era电子书

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作       者:White, Liam

出  版  社:Andrews UK

出版时间:2014-02-12

字       数:47.4万

所属分类: 进口书 > 外文原版书 > 艺术/建筑/历史

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  • 读书简介
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Robert Mitchum was one of the most charismatic stars of the 'classic Hollywood' era. His screen persona was the essence of cool: tough but vulnerable, accepting of his fate with languid charm and easy humour. His films have often been seen through the lens of film noir, but they had something else in common too: the characters he played in Out of the Past, The Big Steal, His Kind of Woman, Second Chance, Where Danger Lives, and Angel Face seemed irrevocably drawn to Mexico. Mitchum's sequence of films south of the border coincided with the advent of the 'golden age' of Mexico's own film industry, a new cinematic wave that drew on serious artistic influences from the muralists to Sergei Eisenstein, and that was led by director Emilio Fernandez and cinematographer Gabriel Figueroa whose 1943 film Maria Candelaria, starring former Hollywood siren Dolores del Rio, had won a prize at Cannes. Under the Roosevelt administration's 'Good Neighbour' policy - a wartime effort to court friendly Latin American countries - Hollywood's portrayal of Mexico changed: out went the all-purpose exoticism, where 'south of the border' was a metaphor for the loosening of moral and sexual standards, and in came a more nuanced approach. In this authoritative study, Liam White encourages us to take a fresh look at how Mitchum's films broke with Hollywood convention in the way they depicted Mexico; how Mexico's own film industry boomed, becoming the first example of 'world cinema' to have an impact on the post-War world; and how its success attracted significant US talent - from John Steinbeck to John Ford - to work on bi-national projects.
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Cover

Front Matter

Title Page

Publisher Information

Preface

Introduction

Mitchum, Mexico and the Good Neighbours Era

Chapter 1: Small World, Big Signs

Chapter 2: Different Dawn

Chapter 3: Good Neighbours

Chapter 4: No Habla Spanish So Good

Chapter 5: The Trick is to Stop Trying

Chapter 6: “Immaculate Integrity Through an Eloquent Camera”

Chapter 7: Misplaced Faith

Chapter 8: It’s Not the Place, It’s the People

Chapter 9: The Others

Chapter 10: Back From ‘La Cumbre’

Epilogue

Back Matter

Filmography

Bibliography

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