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Introduction
0.1 The Historical Context of Restoration Comedies and the Rake-Hero
0.2 Literature Review
0.3 Rake-Hero and Sovereignty
0.4 The Argument and Structure of the Dissertation
Chapter One The Rake-Hero and Libertinism: The Political Predicament of Royal Sovereignty
1.1 Rake-Hero and Patriarchalism: Illegitimacy of Royal Sovereignty
1.2 Rake-Hero and Fashion: Theatricality of Royal Sovereignty
1.3 Rake-Hero and Misogyny: Ineffectiveness of Royal Sovereignty
Chapter Two The Generic Tension between the Rake-Hero and Comedy: The Legal Embarrassment of Absolute Sovereignty
2.1 Rake-Hero in Generic Disguise: Threat of Absolute Monarchy
2.2 Rake-Hero Spoiling the Comic: Deinstitutionalizing the Institution of Political Absolutism
2.3 Rakishness Resulted from Monopoly Generic Discourse: Reprimand of Political Absolutism
Chapter Three The Rake-Hero Reformed: The Endorsement of Contracted Sovereignty
3.1 Gentry Rival of Rake-Heroes: New Attributes of Governorship
3.2 Rake-Hero Contracted: Legal Settlement of Sovereignty
3.3 A New Rake-Hero: Confidence in Political Reforms
Conclusion
Bibliography
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