Pollock电子书

Acknowledgement

DEDICATION

Foreword

Introduction

Reproductions

Titles of Paintings

Biographies

Historical Context

Portraits

Cycles

The Myth of the Artist Cowboy

Birth

Cody

Fiction

The Real McCoy

Stranger Than Fiction

The Pollock Family

Religion

Pollock the Cowboy

Family Politics

Early Veils

The Advent of Abstract Expressionism

The Early Influences

Pre-teen Art Education

Uprooted Again

Teenage Years

Early Vision of Career

Roots of Alcoholic Behaviour

Benton

American Art

The Need for an American Artist

The Movie: Pollock

Dean of Art

Lee Krasner

Guggenheim's Early Sightings

Guggenheim's Autobiographies

Closing of Art of This Century

One-Man Shows

Guggenheim's Profits

Farmhouse

The Studio Floor

Blue Poles in PollockSquared

Pollock-Krasner House

Theosophy

Coming of Rage

Inarticulate Communicator

Technique Described

The Orozco Mural

New York City

Benton Revisited

Legends

Old Friends

Benton as Role Model

Art Students League

Writing Home

Father's Death

New York Again

Rita Benton

Seeking Money

Advent of Originality

The Mexican Muralists

Trying to Unveil the Image of Pollock

Siqueiros

Unusual Paints

Eureka!

Meeting Krasner

Psychoanalysis

The Drunk

In the Shadow of Picasso

Classic Influences

Other Influences

Originality

Struggling During the Early Years: Making Energy Visible

Political Issues

Greenwich Village

Rebirth

Moby Dick

Peggy Guggenheim

Howard Putzel

Suicides

Reviewing Influences

“I Am Nature.”

Shift of Influence Centres

A New Process

The Advent of Fame

Automatism

Surrealists

The Unconscious

Money Matters

First One-Man Show

Pattern Within the Pattern

Beginning to Change the World

Mural

Pollock's Sensitivity

Krasner's Productivity

The Atomic Age

Global Art Village

She-Wolf

Guardians of the Secret

Less Popular Works

Holiday

Between One-Man Shows

Second One-Man Show

Cincinnati Again

Third Solo, Second at AOTC

Broadening the Horizon

Marriage

Productivity

Creative Block

The Gestural Veiling

Stealing the Soul

Final AOTC

Betty Parsons

Life Magazine

Easel versus Mural

Lucifer

Very Active Year

‘In’the Painting

Signature

In the Mood

Out of the Web

Music

Alcoholism

Seventh One-Man Show, Second at Parsons

Pollock, the Sculptor

Tony Smith

Alfonso Ossorio

The‘Intrasubjectives’

Abstract Expressionism

Brilliant Peak Years: Art as Self-Discovery

Venice

Number 1A, 1948

Lavender Mist

All-Over

Clement Greenberg

John Graham

Harold Rosenberg

Despair and Technical Maturation

‘The Irascibles’

The Irascibles' Photo

Shows in Italy

New Yorkers versus Parisians

No Chaos

Hans Namuth

Relapse

Parsons Revisited

Pollock in Vogue

Unveiling the Image

The Club

Communication skills

Pollock: Number One

The Composite

Less Veiled: More Shows

Convergence

Tracking Blue Poles

More International Exposure

The 1954 Show

Portrait and a Dream

The Genius of His Gesture: Involving Art and Others in His Self-Destruction

Breaking Away

Piet Mondrian

Ruth Kligman

Edith Metzger

Matta

Zowie

Anticipation

The Final Photo

The Crash

Death Notice

Grave Site

Remembering

Myths

Retrospective

Action Painting Revisited

Agnes Martin

Pollock's Legacy

Indelible Impressions

de Kooning

Frank O'Hara

The Market for Pollock

1978 Retrospective

In The New Millennium

MoMA 2004

Reincarnating Pollock

Appendix

Sources: Anthology

Commentary and Chronology

Websites

Bibliography

Selected Resources

Notes

Index