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preface THE AACM AND AMERICAN EXPERIMENTALISM
acknowledgments
introduction AN AACM BOOK:ORIGINS, ANTECEDENTS, OBJECTIVES, METHODS
chapter summaries
Chapter 1: Foundations and Prehistory
Chapter 2: New Music, New York
Chapter 3: The Development of the Experimental Band
Chapter 4: Founding the Collective
Chapter 5: First Fruits
Chapter 6: The AACM Takes Off
Chapter 7: Americans in Paris
Chapter 8: The AACM' s Next Wave
Chapter 9: The AACM in New York
Chapter 10: The New Regime in Chicago
Chapter 11: Into the Third Decade
Chapter 12 (Transition and Reflections), and Afterword
1 FOUNDATIONS AND PREHISTORY
Coming North: From Great Migration to Great Depression
EarIy MusicaI Experiences
Improvisation and Autodidacticism in 1950s Chicago
The End of an Era
2 NEW MUSIC, NEW YORK
CuItures of Spontaneity: Integrationism and the Two Avant- Gardes
Beyond a Bebop Boundary: The ChaIIenge of New Music
CriticaI Responses: Anger, Noise, FaiIure
A Far Cry from New York: Segregation and Chicago Music
3 THE DEVELOPMENT OF THE EXPERIMENTAL BAND
AIternative Pedagogies of ExperimentaI Music
Eyes on the Sparrow: The First New Chicagoans
4 FOUNDING THE COLLECTIVE
Urban DecIine and the Turn to Communitarianism
Born on the Kitchen TabIe: Conceiving the Association
Naming Ceremony: BIack Power and BIack Institutions
5 FIRST FRUITS
The First Year: Concerts, Critics, and Issues
New ArrivaIs and the University of Chicago
TraveI, Recording, and Intermedia
Memories of the Sun: The AACM and Sun Ra
6 THE AACM TAKES OFF
The BIack Arts Movement in Chicago
New ArrivaIs and New Ideas
The AACM SchooI
Performing SeIf- Determination
CuIturaI NationaIism in Postmodern Transition
7 AMERICANS IN PARIS
Conceiving the WorId Audience
Le Nouveau Paris Noir: CoIIectivity, Competition, and Excitement
The PoIitics of CuIture: BIack Power and May 1968
Die Emanzipation: The Rise of European Free Improvisation
Homecoming
8 THE AACM' S NEXT WAVE
More from the Midwest: The BIack Artists Group
New EIbows on the TabIe: The AACM' s Second Wave
Ten Years After: The Association Comes of Age
9 THE AACM IN NEW YORK
Migration and Invasion
Europe and the Lofts
Beyond a Binary: The AACM and the Crisis in Criticism
Diversity and Its Discontents: New American Music after the Jazz Age
10 THE NEW REGIME IN CHICAGO
GenerationaI Shifts in the CoIIective
The Two CuItures and a New Chapter
Form and Funding: PhiIanthropy and BIack Music in the 1970s
Strains, SwirIs, and SpIits
11 INTO THE THIRD DECADE
The 1980s: Canons and Heterophony
Great BIack Music: The LocaI and the GIobaI
Leading the Third Wave: The New Women of the AACM
12 TRANSITION AND REFLECTIONS
New York in Transition
Chicago in RefIection
J' ai deux amours . . .
afterword
The Way of the Arranger
The IndividuaI
The Book
Expansion and Sacrifice
Boxing with Tradition
Regrets
SurvivaI
ContempIating the Postjazz Continuum
Atmospheres
Futures
appendix a INTERVIEWS CONDUCTED BY THE AUTHOR
appendix b SELECTED AACM RECORDINGS
bibIiography
Index
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