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Cover
Copyright
Title Page
Contents
Preface
Acknowledgments
Note on Terminology
Introduction
I. Theory and Analysis
1. Emotion and Action: On the Theory of Italian Opera
2. Ernani: The “Carlo Quinto” Act
3. “O cieli azzurri”: Exoticism and Dramatic Discourse in Aida
4. What “Happens” in the Act 2 Finale of Le nozze di Figaro?
5. The Death of King Duncan: From Shakespeare to Verdi, via the French Revolution
6. “D’amor sull’ali rosee”: Analyzing Melody and the Creative Process
II. History and Criticism
7. Some Difficulties in the Historiography of Italian Opera
8. Verdi: The Italian Tradition and the European Experience
9. Meyerbeer in Nineteenth-Century Italian Criticism and the Idea of “Musical Drama”
10. Alberto Mazzucato and the Beginnings of Italian Verdi Criticism
11. Parola scenica in Verdi and His Critics
12. Gabriele Baldini on Verdi: A Theory of Opera
Notes
Bibliography
Index
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