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Cover
Copyright
Title page
Dedication
Contents
List of Illustrations
Introduction: Toward a History of American Orchestras in the Nineteenth Century
I. UBIQUITY AND DIVERSITY
The Ubiquity and Diversity of Nineteenth- Century American Orchestras
I.1. Building the American Symphony Orchestra: The Nineteenth- Century Roots of a Twenty- First- Century Musical Institution
I.2. Modeling Music: Early Organizational Structures of American Women’s Orchestras
I.3. American Orchestras and Their Unions in the Nineteenth Century
II. THE ORCHESTRA AND THE AMERICAN CITY
Orchestras: Local versus National · John Spitzer ·
II.1. Invisible Instruments: Theater Orchestras in New York, 1850– 1900
II.2. Beethoven and Beer: Orchestral Music in German Beer Gardens in Nineteenth- Century New York City
II.3. Performances to “Permanence”: Orchestra Building in Late Nineteenth- Century Cincinnati
II.4. Critic and Conductor in 1860s Chicago: George P. Upton, Hans Balatka, and Cultural Capitalism
II.5. Amateur and Professional, Permanent and Transient: Orchestras in the District of Columbia, 1877– 1905
III. CONDUCTORS, PROMOTERS, PATRONS
Marketing the American Orchestra
III.1. Bernard Ullman and the Business of Orchestras in Mid- Nineteenth- Century New York
III.2. John Sullivan Dwight and the Harvard Musical Association Orchestra: A Help or a Hindrance?
III.3. The Leopold Damrosch Orchestra, 1877– 78: Background, Instrumentation, Programming, and Critical Reception
III.4. Gender and the Germanians: “Art- Loving Ladies” in Nineteenth- Century Concert Life
IV. AMERICA AND EUROPE
Orchestras: American and European
IV.1. “A Concentration of Talent on Our Musical Horizon”: The 1853– 54 American Tour by Jullien’s Extraordinary Orchestra
IV.2. Ureli Corelli Hill: An American Musician’s European Travels and the Creation of the New York Philharmonic
V. ORCHESTRAL REPERTORY
Orchestral Repertory: Highbrow and Lowbrow
V.1. Orchestral Programs in Boston, 1842– 55, in European Perspective
V.2. Theodore Thomas and the Cultivation of American Music
V.3. Thinking about Serious Music in New York, 1842– 82
Afterword: Coming of Age
Notes
Bibliography
Contributors
Index
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