万本电子书0元读

万本电子书0元读

顶部广告

Making Modern Japanese-Style Painting电子书

售       价:¥

3人正在读 | 0人评论 6.2

作       者:Foxwell, Chelsea

出  版  社:University of Chicago Press

出版时间:2015-07-20

字       数:70.6万

所属分类: 进口书 > 外文原版书 > 文学/自传/回忆录

温馨提示:数字商品不支持退换货,不提供源文件,不支持导出打印

为你推荐

  • 读书简介
  • 目录
  • 累计评论(0条)
  • 读书简介
  • 目录
  • 累计评论(0条)
The Western discovery of Japanese paintings at nineteenth-century world's fairs and export shops catapulted Japanese art to new levels of international popularity. With that popularity, however, came criticism, as Western writers began to lament a perceived end to pure Japanese art and a rise in westernized cultural hybrids. The Japanese response: nihonga, a traditional style of painting that reframed existing techniques to distinguish them from Western artistic conventions.?Making Modern Japanese-Style Painting?explores the visual characteristics and social functions of nihonga and traces its relationship to the past, its viewers, and emerging notions of the modern Japanese state.Chelsea Foxwell sheds light on interlinked trends in Japanese nationalist discourse, government art policy, American and European commentary on Japanese art, and the demands of export. The seminal artist Kano Hogai (1828-88) is one telling example: originally a painter for the shogun, his art eventually evolved into novel, eerie images meant to satisfy both Japanese and Western audiences. Rather than simply absorbing Western approaches, nihonga as practiced by Hogai and others broke with pre-Meiji painting even as it worked to neutralize the rupture.By arguing that fundamental changes to audience expectations led to the emergence of nihonga-a traditional interpretation of Japanese art for a contemporary, international market-Making Modern Japanese-Style Painting?offers a fresh look at an important aspect of Japan's development into a modern nation.
目录展开

Cover

Title Page

Copyright Page

Dedication

Contents

Acknowledgments

Notes to the Reader

Introduction: Nihonga and the Historical Inscription of the Modern

1 Exhibitions and the Making of Modern Japanese Painting

2 In Search of Images

3 The Painter and His Audiences

4 Decadence and the Emergence of Nihonga Style

5 Naturalizing the Double Reading

6 Transmission and the Historicity of Nihonga

Conclusion

Notes

Bibliography

Index

累计评论(0条) 0个书友正在讨论这本书 发表评论

发表评论

发表评论,分享你的想法吧!

买过这本书的人还买过

读了这本书的人还在读

回顶部