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Cover
Copyright
Title Page
Dedication
Contents
List of Illustrations
Preface
Acknowledgments
Introduction
Part I: Background
1. An Opera House for the “Paris of South America”
2. “It was love at first sight”: Biography and Social Trajectory of Standing-Room Dwellers
Part II: Foreground
3. Becoming an Opera Fan: Cultural Membership, Mediation, and Differentiation
4. Moral Listening: Symbolic Boundaries, Work on the Self, and Passionate Engagement
5. Heroes, Pilgrims, Addicts, and Nostalgics: Repertories of Engagement in the Quest for Transcendence
Part III: Finale
6. “They were playing in their shirtsleeves!”: Downfall, Memory Work, and High-Culture Nationalism
7. “We’ve told you all about our life”: Conclusions and Implications
Notes
References
Index
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