How to Speak and Write Correctly电子书

BONUS

INTRODUCTION

CHAPTER I - REQUIREMENTS OF SPEECH

THE ENGLISH LANGUAGE IN A NUTSHELL

DEFINITIONS

THREE ESSENTIALS

CHAPTER II - ESSENTIALS OF ENGLISH GRAMMAR

DIVISIONS OF GRAMMAR

LETTERS

SYLLABLES AND WORDS

THE PARTS OF SPEECH

ARTICLE

NOUN

ADJECTIVE

PRONOUN

THE VERB

TENSE

MOOD

TO BE

VOICE

CONJUGATION

ADVERB

PREPOSITION

CONJUNCTION

INTERJECTION

CHAPTER III - THE SENTENCE

ARRANGEMENT OF WORDS IN A SENTENCE

SENTENCE CLASSIFICATION

THE PARAGRAPH

CHAPTER IV - FIGURATIVE LANGUAGE

CHAPTER V - PUNCTUATION

CAPITAL LETTERS

CHAPTER VI - LETTER WRITING

THE HEADING

SUBSCRIPTION

ADDRESS

NOTES

FORMAL INVITATIONS

NOTES OF INTRODUCTION

CHAPTER VII - ERRORS

GRAMMATICAL ERRORS OF STANDARD AUTHORS

CHAPTER VIII - PITFALLS TO AVOID

ATTRACTION

ELLIPSIS

THE SPLIT INFINITIVE

ONE

ONLY

ALONE

OTHER AND ANOTHER

AND WITH THE RELATIVE

LOOSE PARTICIPLES

BROKEN CONSTRUCTION

DOUBLE NEGATIVE

FIRST PERSONAL PRONOUN

SEQUENCE OF TENSES

BETWEEN—AMONG

LESS—FEWER

FURTHER—FARTHER

EACH OTHER—ONE ANOTHER

EACH, EVERY, EITHER, NEITHER

NEITHER-NOR

NONE

RISE-RAISE

LAY-LIE

SAYS I—I SAID

IN—INTO

EAT—ATE

SEQUENCE OF PERSON

AM COME—HAVE COME

PAST TENSE—PAST PARTICIPLE

PREPOSITIONS AND THE OBJECTIVE CASE

SUMMON—SUMMONS

UNDENIABLE—UNEXCEPTIONABLE

THE PRONOUNS

THAT FOR SO

THESE—THOSE

THIS MUCH—THUS MUCH

FLEE—FLY

THROUGH—THROUGHOUT

VOCATION AND AVOCATION

WAS—WERE

A OR AN

CHAPTER IX - STYLE

DICTION

PURITY

PROPRIETY

SIMPLICITY

CLEARNESS

UNITY

STRENGTH

HARMONY

EXPRESSIVE OF WRITER

KINDS OF STYLE

CHAPTER X - SUGGESTIONS

CHAPTER XI - SLANG

CHAPTER XII - WRITING FOR NEWSPAPERS

CHAPTER XIII - CHOICE OF WORDS

CHAPTER XIV - ENGLISH LANGUAGE

CHAPTER XV - MASTERS AND MASTERPIECES OF LITERATURE

INDISPENSABLE BOOKS

A GOOD LIBRARY

MASTERPIECES OF AMERICAN LITERATURE

TEN GREATEST AMERICAN POETS

TEN GREATEST ENGLISH POETS

TEN GREATEST ENGLISH ESSAYISTS

BEST PLAYS OF SHAKESPEARE

ONLY THE GOOD

BONUS