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Queen of the Savannah: "A Story of the Mexican War"电子书

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作       者:Gustave Aimard

出  版  社:eKitap Projesi

出版时间:2015-04-07

字       数:62.2万

所属分类: 进口书 > 外文原版书 > 艺术/建筑/历史

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Tiziano Vecelli or Tiziano Vecellio (1488/1490 – 27 August 1576) known in English as Titian was an Italian painter, the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, near Belluno (in Veneto), in the Republic of Venice. During his lifetime he was often called da Cadore, taken from the place of his birth. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the famous final line of Dante's Paradiso), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of color, would exercise a profound influence not only on painters of the Italian Renaissance, but on future generations of Western art. During the course of his long life, Titian's artistic manner changed drastically but he retained a lifelong interest in color. Although his mature works may not contain the vivid, luminous tints of his early pieces, their loose brushwork and subtlety of tone are without precedent in the history of Western art. Early years This early portrait (c. 1509), described by Giorgio Vasari in 1568, was long wrongly believed to be of Ludovico Ariosto; it is now thought to be a portrait of Gerolamo Barbarigo, and the composition was borrowed by Rembrandt for his own self-portraits. The exact date of Titian's birth is uncertain; when he was an old man he claimed in a letter to Philip II, King of Spain, to have been born in 1474, but this seems most unlikely. Other writers contemporary to his old age give figures which would equate to birthdates between 1473 to after 1482, but most modern scholars believe a date nearer 1490 is more likely; the Metropolitan Museum of Art's timeline supports c.1488, as does the Getty Research Institute.He was the son of Gregorio Vecelli and his wife Lucia. His father was superintendent of the castle of Pieve di Cadore and managed local mines for their owners. Gregorio was also a distinguished councilor and soldier. Many relatives, including Titian's grandfather, were notaries, and the family of four were well-established in the area, which was ruled by Venice. At the age of about ten to twelve he and his brother Francesco (who perhaps followed later) were sent to an uncle in Venice to find an apprenticeship with a painter. The minor painter Sebastian Zuccato, whose sons became well-known mosaicists, and who may have been a family friend, arranged for the brothers to enter the studio of the elderly Gentile Bellini, from which they later transferred to that of his brother Giovanni Bellini. At that time the Bellinis, especially Giovanni, were the leading artists in the city. There Titian found a group of young men about his own age, among them Giovanni Palma da Serinalta, Lorenzo Lotto, Sebastiano Luciani, and Giorgio da Castelfranco, nicknamed Giorgione. Francesco Vecellio, his older brother, later became a painter of some note in Venice.A fresco of Hercules on the Morosini Palace is said to have been one of Titian's earliest works; others were the Bellini-esque so-called Gypsy Madonna in Vienna, and the Visitation of Mary and Elizabeth (from the convent of S. Andrea), now in the Accademia, Venice.
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The Queen of the Savannah:

Prologue

Chapter I

The Expedition

Chapter II

Redkins And Whiteskins

Chapter III

The Red Buffaloes

Chapter IV

The Cascabel

Chapter I

The Adventurers

Chapter II

A Night In the Woods

Chapter III

The Succour

Chapter IV

Inside the Hacienda

Chapter V

The Council

Chapter VI

General Fray Pelagio

Chapter VII

A Conversation

Chapter VIII

The Envoy

Chapter IX

Don Melchior Diaz

Chapter X

Mother And Daughter

Chapter XI

The Sortie

Chapter XII

On the Road

Chapter XIII

An Alarm

Chapter XIV

The Redskins

Chapter XV

Count De Melgosa

Chapter XVI

Diego Lopez

Chapter XVII

Leona Vicario

Chapter XVIII

The Interview

Chapter XIX

The Dungeon

Chapter XX

Sotavento Makes A Move

Chapter XXI

The Council of the Red Buffaloes

Chapter XXII

The War Trail

Chapter XXIII

The Snare

Chapter XXIV

Oliver Clary

Chapter XXV

The Wounded Man

Chapter XXVI

Dona Emilia

Chapter XXVII

The Chief’s Proposal

Chapter XXVIII

Preparations For a Rescue

Chapter XXIX

The Revolution

Chapter XXX

On the Trail

Chapter XXXI

The Jacal

Chapter XXXII

The Prisoner

Chapter XXXIII

Moonshine

Chapter XXXIV

The Teocali

Chapter XXXV

In the Field

Chapter XXXVI

A Young Heart

Chapter XXXVII

The Ambush

Chapter XXXVIII

The Pursuit

Chapter XXXIX

Running Water

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