When We Dead Awaken (1899)电子书

售价：¥

4人正在读 | 0人评论

6.2

作者：Henrik Ibsen

出版社：Copyright Group

出版时间：2013-08-20

字数：10.9万

所属分类：进口书 > 外文原版书 > 文学/自传/回忆录

温馨提示：数字商品不支持退换货，不提供源文件，不支持导出打印

为你推荐

Build Better Characters: The psychology of backstory & how to use it in your wri

￥0.01

A Single Step: Book 1 of The Grayson Trilogy

￥0.01

A Legitimidade das Ciências da Educa??o

￥0.01

Money Matters Bitcoin Buzz Report

￥0.01
Mark Twain's Letters

￥8.09

Charlotte's Web 夏洛特的网

￥49.79

Exerting influence: A Political Primer for Millennials, Even Those Too Young to

￥0.01

哈利·波特与被诅咒的孩子(第一部和第二部):伦敦西区原创舞台剧的官方剧本

￥25.00

读书简介
目录
累计评论(0条)

读书简介
目录
累计评论(0条)

Henrik Ibsen (20th March, 1828 - 23rd May, 1906) is often referred to as the father of realism and ranked just below Shakespeare as Europe's greatest ever playwright especially as his plays are performed most frequently throughout the world after Shakespeare's. He was Norwegian and although set his plays in Norway, he wrote them in Danish and lived most of his professional life in Italy and Germany. His affect on the theatre is still evident today and shapes the distinction of plays being art as opposed to entertainment since he broke down all previous traditions and explored issues, developed characterisation, revealed uncomfortable truths, challenged assumptions and brokedown facades in ourselves as well as society. These factors are clearly demonstrated in When We Dead Awaken which centres around celebrated sculptor Arnold Rubek whose fame rests with his great work "e;The Day of the Resurrection"e; which he sculpted when he was younger. The model for this piece had been Irene and although he had feelings for her, he moved on and married Maia. He feels his creativity has dwindled and Irene might be able to unleash this again. Irene appears mysteriously and perceives her modelling for his work as the epitome of her life and therefore is now dead to any other experiences and has lost any respect for the sanctity of life. Ibsen's exploration of artistic intensity and integrity through this powerful relationship with its pervading images of stone demonstrates a passion for life that is unable to be realised and gives the play an ironic conclusion that is a must read.

目录展开