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Cover
Title Page
Copyright
Dedication
Contents
Acknowledgements
Prologue. “As If for Surety”: The Problematics of Shakespearean Probability
Part I. Toward a Rhetorical Genealogy of Othello
One. “My Parts, My Title, and My Perfect Soul”: Ingenuity, Apodeixis, and the Origins of Rhetorical Anthropology
Two. “Against My Estimation”: Ciceronian Decorum, Stoic Constancy, and the Production of Ethos
Part II. The Logic of Renaissance Rhetoric
Three. “Apt and True”: Speech, World, and Thought in Shakespeare’s Humanist Dialectic
Four. “Yonder’s Foul Murders Done”: Place, Predicament, and Grammatical Space on Cyprus
Part III. Willful Words, Christian Anxieties, and Shakespearean Dramaturgy
Five. “‘Tis in Ourselves That We Are Thus, or Thus”: Will, Habit, and the Discourse of Res
Six. “Preposterous Conclusions”: Eros, Enargeia, and Composition in Othello
Seven. “Prophetic Fury”: The Language of Theatrical Potentiality and the Economy of Shakespearean Reception
Part IV. Tropings of the Self in Shakespeare’s Scripts
Eight. “I Am Not What I Am”: Shakespeare’s Scripted Subject
Nine. “Nobody. I Myself”: Discovering What Passes Show
Part V. Performing the Improbable Other on Shakespeare’s Stage
Ten. “Were I the Moor, I Would Not Be Iago”: Ligatures of Self and Stranger
Eleven. “It Is Not Words That Shakes Me Thus”: Burbage, as if Othello
Epilogue. “Make Not Impossible / That Which But Seems Unlike”: The Twilight of Probability and the Dawn of Shakespearean Romance
Notes
Bibliography
Index
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