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Title Page
Dedication
Contents
Penelope Fitzgerald: Preface by Hermione Lee, Advisory Editor
Introduction
Picture Acknowledgements
Foreword and Acknowledgements
1. 1833–53: A childhood without beauty
2. 1853–5: Oxford: loss and gain
3. 1855–6: Morris and Jones; the quest for a vocation
4. 1856: An apprenticeship to Rossetti
5. 1856–60: The long engagement
6. 1860–2: Expansion: the firm, Ruskin and Italy
7. 1863–5: Green Summer: a season of happiness
8. 1865–6: Friends and enemies
9. 1866–7: A threat to the Earthly Paradise
10. 1867–70: Phyllis and Demophoön: the dangers of enchantment
11. 1870–6: The desolate years
12. 1876–8: A return to the world: the Grosvenor Gallery
13. 1878–84: King Cophetua: the studio in the eighties
14. 1884–90: The Royal Academy: ‘to think, Jones, of your coming to this!’
15. 1890–2: Briar Rose: Burne-Jones in the nineties
16. 1892–4: ‘The best in me has been love’
17. 1894–6: The Kelmscott Chaucer and the parting of friends
18. 1896–8: Rottingdean and Avalon
Picture Section
Appendix 1: Sources
1. Unpublished Material
2. Select Bibliography
Appendix 2: Paintings by Burne-Jones mentioned in the text and now in public collections
Notes to the Text
Index
By the Same Author
Copyright
About the Publisher
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