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作       者:Donna Barker

出  版  社:The Creative Academy

出版时间:2019-10-01

字       数:17.7万

所属分类: 进口书 > 外文原版书 > 文学/自传/回忆录

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The canonical Gospels stand very differently, as respects origin, character and reception, with the Gospels, Acts and Apocalpyses known as ‘Apocryphal.’ These apocryphal writings began to be produced (so far as known) in the second century, mostly in Ebionitic and Gnostic circles, and, with few exceptions, were repudiated and condemned by the Church. Only later, and in modified and expurgated forms, did their stories pass into the general Catholic tradition. The second century seems to have been a perfect hot-bed for the production of this class of writings. The heretical Gospel of the Egyptians is already quoted in 2 Clement (circa a.d. 140). Iren?us speaks of the sect of the Marcosians as adducing ‘an unspeakable number of apocryphal and spurious writings, which they themselves had forged, to bewilder the minds of the foolish,’ and instances the story, found in the Gospel of Thomas, of Jesus confounding the schoolmaster who sought to teach Him His letters (Adv. Haer. i. 20). Later tradition attributed the composition of many of the apocryphal writings (Pseudo-Matthew, Acts of Apostles) to a mythical Leucius, a disciple of the Apostles (cp. art. ‘Leucius,’ Dict. of Christ. Biog.). Eusebius gives a list of spurious and disputed books: ‘That we may have it in our power to know both these books (the canonical) and those that are adduced by the heretics under the name of the Apostles, such, viz., as compose the Gospels of Peter, of Thomas, and of Matthew, and certain others beside these, or such as contain the Acts of Andrew and John, and of the other Apostles, of which no one of those writers in the ecclesiastical succession has condescended to make any mention in his works; and, indeed, the character of the style itself is very different from that of the Apostles, and the sentiments, and the purport of those things that are advanced in them, deviating as far as possible from sound orthodoxy, evidently proves they are the fictions of heretical men; whence they are not only to be ranked among the spurious writings, but are to be rejected as altogether absurd and impious’ (H. E. iii. 25). Only a small part of this extensive literature remains to us, and in no case in its original form, but solely in later, and often much-altered recensions. CrossReach Publications
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Cover

Title Page

Copyright

Dedication

A note about spelling…

The Philosophy of The Creative Academy

How to get the most from this book

1. From shitty first draft to scrappy rough draft

2. What are the steps in writing a first draft?

3. Universal rules for writing your scrappy rough draft

4. What are your beliefs about writers and first drafts?

5. The science of self-talk

6. Why you'll never create the time to write

7. Harnessing the power of “Yes, and...”

8. Choosing ‘this and that,’ not ‘this or that’

9. Who are you? Who, who? Who, who?

10. The science of the inner critic

11. Harnessing the power of “Yes…but…”

12. Harnessing the power of “…yet”

13. Show passion the door and get to know your purpose as a writer

14. Goal-setting versus domain and directional planning

15. How to develop ‘fresh start’ behaviours

16. If you don't know where/how to start

17. You can tell a story 100 ways

18. Pick one focus and stick with it

19. How to use a carrot as a stick to meet writing targets

20. Skulking around the writer's block

21. Why it's important to celebrate small wins

22. Bringing it together

More Creative Academy books

Acknowledgments

List of resources

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