Manchester United and the Forgotten Victims of Munich A moving story of how a legendary football team was lost to tragedy - and how this disaster irrevocably altered the lives of the survivors and the bereaved families, and ultimately brought shame on the biggest football club in the world. The Manchester United team Matt Busby had built in the fifties from the club's successful youth policy seemed destined to dominate football for many years. Such was the power of the 'Busby Babes' that they seemed invincible. The average age of the side which won the Championship in 1955-56 was just 22, the youngest ever to achieve such a feat. A year later, when they were Champions again, nothing, it seemed, would prevent this gifted young team from reigning for the next decade. But then came 6 February 1958, the day that eight Manchester United players died on a German airfield in the 'Munich Air Disaster' - a date to be forever etched in the annals of sporting tragedy. Duncan Edwards, Eddie Colman, Tommy Taylor, Roger Byrne...the names were already enshrined in legend before the air crash, but Munich in many ways earned them immortality. They have never grown old. Jeff Connor traces the rise of the greatest Manchester United side of all time, alongside a vibrant portrait of England in the 1950s, but he also paints a dark picture of a club that enriched itself on the myth of Munich while neglecting the families of the dead and the surviving players. The repercussions and the toll the disaster took on so many linger to the present day. Drawing on extensive interviews with the Munich victims and players of that era, The Lost Babes is the definitive account of British football's golden age, a poignant story of the protracted effects of loss and a remorseless dissection of the how the richest football club in the world turned its back on its own players and their families.

The heart-warming true story of the bond between a feisty octogenarian and the man in charge of building a shopping mall on top of her home – which inspired the opening scene of the Pixar movie Up! Edith Macefield achieved folk hero status in 2006 when she turned down $1 million to sell her home to make way for a commercial development in a small neighborhood of Seattle. It didn’t matter that her tiny house was surrounded by rubble and graffiti. It was home. Barry Martin respected that, and when he took the job as construction supervisor for the shopping mall that was being erected around Edith’s little house, he determined to make things as easy as he could for Edith. He gave her his phone number and told her to call if she needed anything. And she did. The day Edith asked Barry to drive her to a hair appointment, an unlikely friendship was sparked, one that changed them both forever. As Barry helps Edith through the last days of her life, she helps him deal with the effects of the Alzheimer’s that is diminishing his beloved father. She learns to laugh and let go. He learns about compassion and grace. Full of heart and warmth, ‘Under One Roof’ is an true story that reminds us the most important things in life can’t be bought.

‘Lives that Never Grow Old’ is a wonderful series– edited by Richard Holmes – that recovers the great classical tradition of English biography. Every book is a biographical masterpiece, still thrilling to read and vividly alive. Zélide lived in her father’s moated castle in Holland, like a fairytale princess in a tower. She was the clever, sexy, mercurial young Dutch blue-stocking with whom Boswell fell disastrously in love in 1764. The rest of Zélide’s story was unknown until the brilliant young Boswell scholar Geoffrey Scott pieced it together from her intimate letters and essays. Subsequent affairs with a cynical cavalry officer, a celebrated but vacillating writer (aptly named Benjamin Constant), and a thoroughly reliable music master, took her eventually to another fairytale mansion in Switzerland. This tender, funny, faintly salacious portrait of a ‘belle-esprit’ is one of the most exquisite biographical miniatures ever written.

Lives that Never Grow Old Part of a radical new series –edited by Richard Holmes – that recovers the great classical tradition of English biography. Johnson’s book is a biographical masterpiece, still thrilling to read and vividly alive. When he first came to London, young Samuel Johnson was befriended by the flamboyant poet, playwright and blackmailer, Richard Savage. Walking the backstreets at night, he learned Savage’s extraordinary story – supposedly persecuted by a ‘cruel mother’, sentenced to death for a murder in a brothel, appointed Volunteer Poet Laureate to the Queen, and finally broken and outcast. With this moving and intimate account, Johnson created a brilliant black comedy of 18th-century Grub Street which revolutionised English biography by its psychological realism. Yet Savage’s destructive charm and delusions of grandeur sometimes even threatened to entangle Johnson himself.

A delightful, witty, spirited collection of short pieces and essays by the inimitable E. B. White.

In 1967, after a twin baby boy suffered a botched circumcision, his family agreed to a radical treatment that would alter his gender. The case would become one of the most famous in modern medicine and a total failure. As Nature Made Him tells the extraordinary story of David Reimer, who, when finally informed of his medical history, made the decision to live as a male. A macabre tale of medical arrogance, it is first and foremost a human drama of one man and one family amazing survival in the face of terrible odds.

There more to winning battles than fists and feet For world-renowned professional fighter Georges St-Pierre, the greatest asset is not physical strength or athleticism it a sense of purpose. From his beginnings as a small, mercilessly bullied child first discovering karate to his years as a struggling garbage collector who spent all his free time in the gym, his hard-fought rise in the sport of mixed martial arts, and his long, painful recovery from a career-threatening injury, Georges never lost sight of his ambition to become the greatest martial artist of all time. In The Way of the Fight , Georges for the first time reveals what propelled him not only to become a champion but to embrace obstacles as opportunities to build character. Georges story is interwoven with fascinating insights from those who know him best: his mother, who tells of his drive to master new skills, even as a child. His mentor Kristof Midoux, who describes a young fighter with an extraordinary sense of discipline. His Brazilian Jiu-Jitsu teacher John Danaher, who witnessed the development of an indomitable work ethic. His coach Firas Zahabi, who worked alongside the champion through a potentially career-ending injury. And his longtime friend, training partner and manager, Rodolphe Beaulieu, who may understand this intensely focused athlete more than anyone. The Way of the Fight is an inspirational look into the mindset of a master. To Georges, all life is competition, and there no more perfect metaphor for competition than the life of a fighter. He explains the value of discipline, risk and even fear, with the wisdom of one who knows that nothing is assured his next fight could always be his last. Drawing inspiration from fighting legends, Eastern philosophy and a trusted inner circle, The Way of the Fight is a powerful, life-changing guide to living with purpose and finding the way to accomplish your loftiest goals.

A stevedore on the San Francisco docks in the 1940s, Eric Hoffer wrote philosophical treatises in his spare time while living in the railroad yards. The True Believer -- the first and most famous of his books -- was made into a bestseller when President Eisenhower cited it during one of the earliest television press conferences.Completely relevant and essential for understanding the world today, The True Believer is a visionary, highly provocative look into the mind of the fanatic and a penetrating study of how an individual becomes one.

Writing That Works will help you say what you want to say, with less difficulty and more confidence. Now in its third edition, this completely updated classic has been expanded to included all new advice on e-mail and the e-writing world, plus a fresh point of view on political correctness. With dozens of examples, many of them new, and useful tips for writing as well as faster on a computer, Writing That Works will show you how to improve anything you write: Presentations that move ideas and action Memos and letters that get things done Plans and reports that make things happen Fund-raising and sales letters that produce results Resumes and letters that lead to interviews Speeches that make a point

Forced from her downtown Manhattan apartment by the terrorist attack of September 11, journalist Wendy Bounds was delivered to Guinan's doorstep -- a legendary Irish drinking hole and country store nestled along the banks of the Hudson River in the small town of Garrison, New York -- by a friend. Captivated by the bar's charismatic but ailing owner and his charming, motley clientele, Bounds uprooted herself permanently and moved to tiny Garrison, the picturesque river town they all call home. There she became one of the rare female regulars at the old pub and was quickly swept up into its rhythm, heartbeat, and grand history -- as related by Jim Guinan himself, the stubborn high priest of this little chapel. Surrounded by a crew of endearing, delightfully colorful characters who were now her neighbors and friends, she slowly finds her own way home. Beautifully written, deeply personal, and brilliantly insightful, Little Chapel on the River is a love story about a place -- and the people who bring it to life.

Kelly Oxford is . . . A wunderkind producer of pirated stage productions for six-year-olds Not the queen of the world An underage schnitzel-house dishwasher The kid who stood up to a bully and almost passed out from the resulting adrenaline rush A born salesman Capable of willing her eyesight to be 20/20 That girl who peed her pants in the gas station that one time Totally an expert on strep throat Incapable of making Leonardo DiCaprio her boyfriend A writer A certified therapy assistant who heals with Metallica mixtapes Not fat enough to be super snuggly. Bea, age four Not above using raspberry-studded sh*t to get out of a speeding ticket Bitingly funny. But everybody knows that. Roger Ebert Sad that David Copperfield doesn't own a falcon A terrible liar

Few people have witnessed more scenes of chaos and conflict around the world than Anderson Cooper, whose groundbreaking coverage on CNN has changed the way we watch the news. In this gripping, candid, and remarkably powerful memoir, he offers an unstinting, up-close view of the most harrowing crises of our time, and the profound impact they have had on his life. After growing up on Manhattan's Upper East Side, Cooper felt a magnetic pull toward the unknown, an attraction to the far corners of the earth. If he could keep moving, and keep exploring, he felt he could stay one step ahead of his past, including the fame surrounding his mother, Gloria Vanderbilt, and the tragic early deaths of his father and older brother. As a reporter, the frenetic pace of filing dispatches from war-torn countries, and the danger that came with it, helped him avoid having to look too closely at the pain and loss that was right in front of him. But recently, during the course of one extraordinary, tumultuous year, it became impossible for him to continue to separate his work from his life, his family's troubled history from the suffering people he met all over the world. From the tsunami in Sri Lanka to the war in Iraq to the starvation in Niger and ultimately to Hurricane Katrina in New Orleans and Mississippi, Cooper gives us a firsthand glimpse of the devastation that takes place, both physically and emotionally, when the normal order of things is violently ruptured on such a massive scale. Cooper had been in his share of life-threatening situations before -- ducking fire on the streets of war-torn Sarejevo, traveling on his own to famine-stricken Somalia, witnessing firsthand the genocide in Rwanda -- but he had never seen human misery quite like this. Writing with vivid memories of his childhood and early career as a roving correspondent, Cooper reveals for the first time how deeply affected he has been by the wars, disasters, and tragedies he has witnessed, and why he continues to be drawn to some of the most perilous places on earth. Striking, heartfelt, and utterly engrossing, Dispatches from the Edge is an unforgettable memoir that takes us behind the scenes of the cataclysmic events of our age and allows us to see them through the eyes of one of America's most trusted, fearless, and pioneering reporters.

In Play Poker Like the Pros , poker master Phil Hellmuth, Jr., demonstrates exactly how to play and win -- even if you have never picked up a deck of cards -- the modern games of poker, including: Texas Hold'em, Omaha, Seven-Card Stud, and Razz. Phil Hellmuth, Jr., a seven-time World Champion of Poker, presents his tournament-tested strategies to beat any type of player, including: The Jackal (crazy and unpredictable) The Elephant (plays too many hands) The Mouse (plays very conservatively) The Lion (skilled and tough to beat) Play Poker Like the Pros begins by laying out the rules and set-up of each game and then moves on to easy-to-follow basic and advanced strategies. Hellmuth teaches exactly which hands to play, when to bluff, when to raise, and when to fold. In addition Hellmuth provides techniques for reading other players and staying cool under pressure. There are also special chapters on how to beat online poker games and an inside look at tournament play.

A Brown Man in Russia?describes the fantastical travels of a young, colored American traveler as he backpacks across Russia in the middle of winter via the Trans-Siberian. The book is a hybrid between the curmudgeonly travelogues of Paul Theroux and the philosophical works of Robert Pirsig. Styled in the vein of Hofstadter, the author lays out a series of absurd, but true stories followed by a deeper rumination on what they mean and why they matter. Each chapter presents a vivid anecdote from the perspective of the fumbling traveler and concludes with a deeper lesson to be gleaned.?For those who recognize the discordant nature of our world in a time ripe for demagoguery and for those who want to make it better, the book is an all too welcome antidote. It explores the current global climate of despair over differences and outputs a very different message – one of hope and shared understanding.?At times surreal, at times inappropriate, at times hilarious, and at times deeply human,?A Brown Man in Russia?is a reminder to those who feel marginalized, hopeless, or endlessly divided that harmony is achievable even in the most unlikely of places.?

Anatomy of a Ponzi, Scams Past and Present

Maria Rybakova’s Gnedich captures the reader’s attention in its first stanzas with a striking allusion to Homeric Greece: “The rage that killed so many/the wretched rage of Achilles/who knew that he would perish/ that he would perish young. This is a novel-in-verse about the first Russian translator of the Iliad, the romantic poet and librarian Nikolai Gnedich (1784-1833). Since Gnedich spent almost his entire life translating Homer’s epic poem, Maria Rybakova has chosen verse as the most appropriate stylistic means in recreating his life. To the English-speaking world, this genre of poetic biography is best exemplified by Ruth Padel’s Darwin – A Life in Poems. Like the Iliad itself, the novel consists of twelve Songs or Cantos, and covers the life of Gnedich from his childhood to his death. It depicts the lives of Gnedich and his best friend, the poet Batyushkov, who is slowly losing his sanity, and incorporates motifs from their poetry, from Homer’s epics, and from Greek mythology, as well as magnificent images of imperial Russia and the Homeric world. The space of the novel covers snowy Russian villages, aristocratic St. Petersburg salons, magnificent Italian landscapes, and the austere Greece of Homer’s heroes. Rybakova conjures a fittingly romantic vision of the dramatic lives of Gnedich and his best friend. A major part of the novel is the moving correspondence between the two poets. Philosophical reflections on the fate of the individual are intertwined with poignant stanzas devoted to the great but unhappy love to the tragic actress Ekaterina Semyonova that consumed Gnedich. The novel culminates in Batyushkov’s final breakdown in the lunatic asylum and Gnedich’s ruminations on Russia’s tragic future fate. The poetic language of Gnedich is refined: it combines the clarity of Rybakova’s syllabic verses and the sophistication of her metaphors with distinct, novelistic depictions of certain landscapes, people, and their interactions. The novel is spectacularly designed: Rybakova’s style resembles a movie projection with stop-cards at the key moments in Gnedich’s life, his long conversations with his friend, and particular striking sceneries. It creates a novelistic effect on the tale about Gnedich’s life, spanning over twenty years. The narrative is often interrupted by streams of consciousness and reminiscence by its main heroes. At the same time, it continues the traditions of Russian classic literature with its attention to detail and the psychology of the characters. A significant part of the novel is dedicated to the description of Gnedich’s friendship with Konstantin Batyushkov, a talented poet of the Pushkin epoch. Gnedich, disfigured by a childhood disease, was a librarian at the Imperial Library in St. Petersburg and became famous through his translation of the Illiad. Batyushkov, an officer of the Russian Imperial court who participated in military campaigns, as well as one of the best poets of the beginning of the 19th century, went through deep crisis and mental illness. The friendship between the two becomes one of the themes within the novel. Rybakova builds the novel-in-verse’s plot around Gnedich’s translation of the Illiad into Russian. The narrative progresses from the adult Gnedich’s recollection of his childhood in a small country estate in Ukraine in the first Song, his illness and discovery of the magnificent Greek epic about the siege of the Troy that changed his life forever, to the completion of his work on his translation as a final victory over his life’s circumstances. The titanic work on the translation continued for almost twenty-two years (1807-29).

“It would be hard to imagine Russian poetry in the last half century without Lydia Grigorieva,” writes eminent Russian poet and critic Konstantin Kedrov. Grigorieva is a uniquely individual voice, bucking the trends of modernist poetry to create her own distinctive and beguiling body of poetry. Her work draws on her own remarkable life to create startlingly arresting images and metaphors, full of beauty and power, from her series that emerged from her Arctic childhood, to the troubles that beset Ukraine. Her range of influences is wide, and Beethoven, Freud, Sylvia Plath and Byron all appear in her poems as well as more familiar Russian images. At the heart of Grigorieva’s poetry is what she calls its ‘musicality’ – her firm belief in the power of rhyme and rhythm in creating a poetic experience. In this first major collection of her work in English, English poet John Farndon, working with Grigorieva and co-translator Olga Nakston, has recreated this musicality in English so that English readers might experience for the first time what makes her work so revered in her Russian homeland. Translated by John Farndon with Olga Nakston. Maxim Hodak - Максим Ходак (Publisher), Max Mendor - Макс Мендор (Director), Ksenia Papazova (Managing Editor).

From the first pages it becomes apparent that Asystole is a novel about love of life in its purest, instinctive and intimate form. It’s also a novel about human faith in its existence and a desire to experience this love. Author Oleg Pavlov places his character – a boy who grows to be a man and is clearly personified by the writer’s own outlook on life – in impossible and familiar circumstances, impossible not to relate to. An adult is shaped in childhood. Chaotic, anxious and at the same time withdrawn narration seems to have no direction and no resolution. Except that the life of the people, who are in fact children of a broken destiny, is real and not much needs to be said to make it our own. Laconic and ‘to the point’ observations of Pavlov’s protagonist as he goes, are chilling at times. They pierce through flesh right to the bone – the quality only the naked truth can have. Asystole is moreover about the by-stander effect, about a disconnected and malfunctioning society and a struggle of one not to merge into the faceless mass of many. Modern, deeply thought through and heartfelt, this novel is an examination of the physics of human soul. Pavlov’s Universe has a special arrangement – if it was up to him, humans wouldn’t be allowed in it, for the privilege of being human requires living up to the title.

Hryhory Skovoroda is considered by many as the first great Slavic philosopher and poet. Written over a period stretching from the 1750s until 1785, his The Garden of Divine Songs is a unique collection of 30 poems, featuring a complex system of strophic structures and with only a few of the songs written in a traditional way. Skovoroda never repeats one and the same strophic structure; this being the case, his Garden of Divine Songs according to writer-scholar Valery Shevchuk functions as a “practical guide to the art of poetry”, exemplifying all the meters and strophic patterns that were possible in Ukrainian poetry of that time. The poet makes masterful use of the accomplishments of academic poetry; the so-called “songs of the world” are the most prominent poems in this collection. These songs are an expression of Skovoroda's views in poetic form, and many ideas from The Garden of Divine Songs, such as the search for happiness in the world in song 21, would later form the basis for some of Skovoroda’s philosophical treatises. Skovoroda’s originality, and his ability to approach the most cardinal problems of human existence, stem from his capacity to combine known motifs, borrowed from literary sources such as classical texts, the Bible, and ancient Ukrainian poetic works, with his own system of thinking that focuses on his philosophy of the heart. The complete poems of Skovoroda are appearing in their entirety here in English for the first time, accompanied by a guest introduction by prominent Ukrainian writer Valery Shevchuk. This title has been realised by a team of the following dedicated professionals: Translated by Michael M. Naydan with an introduction by Valery Shevchuk Translations Edited by Olha Tytarenko Maxim Hodak - Максим Ходак (Publisher), Max Mendor - Макс Мендор (Director), Ksenia Papazova (Managing Editor).

Andrei Tarkovsky died in a Paris hospital in 1986, aged just 54. An internationally acclaimed icon of the film industry, the legacy Tarkovsky left for his fans included Andrei Rublev, Stalker, Nostalgia and a host of other brilliant works. In the Soviet Union, however, Tarkovsky was a persona non grata. Longing to be accepted in his homeland, Tarkovsky distanced himself from all forms of political and social engagement, yet endured one fiasco after another in his relations with the Soviet regime. The Soviet authorities regarded the law-abiding, ideologically moderate Tarkovsky as an outsider and a nuisance, due to his impenetrable personal nature. The documentary novel A Life on the Cross provides a unique insight into the life of Andrey Tarkovsky, the infamous film director and a man whose life was by no means free of unedifying behaviour and errors of judgement. Lyudmila Boyadzhieva sets out to reveal his innate talent, and explain why the cost of such talent can sometimes be life itself.

Marina Tsvetaeva: The Essential Poetry includes translations by Michael M. Naydan and Slava I. Yastremski of lyric poetry from all of great Modernist Russian poet Marina Tsvetaeva’s published collections and from all periods of her life. It also includes a translation of two of Tsvetaeva’s masterpieces in the genre of the long poem, “Poem of the End” and “Poem of the Mountain.” The collection strives to present the best of Tsvetaeva’s poetry in a small single volume and to give a representative overview of Tsvetaeva’s high art and development of different poetic styles over the course of her creative lifetime. Also included in the volume are a guest introduction by eminent American poet Tess Gallagher, a translator’s introduction and extensive endnotes. Naydan and Yastremski have previously published a well-received annotated translation of Tsvetaeva’s collection After Russia with Ardis Publishers. The fourteen previously published translations from the After Russia collection have been revised for this volume.