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101 O que é o que é
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101 O que é o que é
123 Vitser
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123 Vitser
Pérolas de Dilma Sapiens
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Pérolas de Dilma Sapiens
101 Jokes
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101 Jokes
101 Piadas de pontinho
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101 Piadas de pontinho
101 Trava línguas
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101 Trava línguas
L'art pour tous
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Az idén 80 éves Fenákel Judit élete Hitler diadala idején kezd?d?tt, magában foglalta a második világháborút, a munkatáborba deportálást, munkaszolgálatos édesapja meggyilkolását, rokonai elvesztését. Aztán átélte egy másik diktatúra felépülését, ami egy újabb hatalom természetével ismertette meg. K?zben megírt huszonhat k?nyvet, regényeket, novellákat, hangjátékokat, nem támogatták, legfeljebb megt?rték, így maradt gyalogíró mindvégig. Ahogy magáról írja akkor botrányos K-vonal cím? novellájában, amiért Szegedr?l szerencséjére Pestig kellett futnia.A csalódásukban benne van a rangom, a helyem a világban, ott leghátul a slapajok k?z?tt, a szaladjide, viddarrább osztályban. Hogy akárki, akármelyik vastag nyakú a kett?s tokája f?l?tt, kilencven kilója toronymagasából megfenyegessen az ujjával, no-no, elvtársn?, jólesz vigyázni, majd elkapjuk a frakkját!?gy élte, éli ma is íróiéletét, diktatúrából diktatúrába bukdácsolva parancsuralmi nagyurak és konjunktúra szolgáik sokaságában azzal a meggy?z?déssel, hogy így is lehet élni. Nem nagyon kényelmes, de kibírható.?Az elhallgatás legjobb regényeinek egyike, egy fiatal n? útjáról szól a reményt?l az elhallgatásig.Ez a k?nyv t?bb mint harminc éve jelent meg el?sz?r. ?jra olvasva Salamon király b?lcsessége jut róla eszembe: Az van, ami volt, az lesz, ami van. Minden megváltozott azóta, és nem változott semmi.?Fenákel Judit
The Plumed Serpent
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Két férfi les egy ablakot, felbukkan-e ott Mengele. ?znak-fáznak a hajnali harmatban, étlen-szomjan. Egyikük fogával tépné szét az anyja gyilkosát. A másik azt gondolja, nem érdemes elfogni egy rémalakot.?Isten Igéje elavult, az ?rd?g nyilvánította ki az új tízparancsolatot. Ahol az állt, hogy szeresd felebarátodat, ahogy akarnád, hogy téged szeressenek, ott ezt írta: Mit tehetsz felebarátoddal? Használd, vagy ?ld meg. ?s a parancs megfert?zte a világot.??gy valójában nem egy eszement orvost, hanem légiónyi ?rd?g?t kellene elfogniuk. Nincs választásuk, egyet tehetnek: megpróbálhatják egymást szeretni.Er?teljes, szuggesztív, remek Mengele-regény. - F?ldes Anna, ?let és IrodalomEgyszer? eszk?z?kkel, vaslogikával építkez? regény. - Berkes Erzsébet, Múlt és J?v?Kivételesen becses és szép k?nyv. - Vári Gy?rgyMik?zben olvastam, nem ment ki a fejemb?l, hogy Auschwitzra az els? atombomba válaszolt, így hát[] azzal a tudással kell élnünk, hogy néhány gombnyomással az egész F?ld Auschwitzcá alakítható át. - E?rsi István ?
Through the Dragon Glass
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Megfizethetetlen cím? k?nyvében Robert K. Wittman, az FBI M?kincsvédelmi Egységének alapítója el?sz?r rántja le a leplet figyelemre méltó karrierjér?l, A Thomas Crown-üggyel verseng?, ám a valós életben is megt?rtént nemzetk?zi thrillert kínálva. A The Wall Street Journal ?él? legendának” nevezte. A The London Times szerint ? ?a világ leghíresebb m?kincsnyomozója”. Wittman a megfizethetetlen m?kincsek és régiségek visszaszerzése m?g?tt rejl? t?rténetekkel kápráztatja el az olvasót. Beépített ügyn?kként általában fegyvertelenül szeg?d?tt m?kincstolvajok, csalók és feketepiaci keresked?k nyomába. Zsákmányainak változatossága egyedülálló. K?rbeutazta a világot, hogy megmentse Rockwell és Rembrandt, Pissarro, Monet és Picasso festményeit, gyakran titokban, a tengerentúli, külf?ldi kormányok szeszélyeire is tekintettel dolgozva. A Wittman által elfogott m?kincstolvajok és csalók k?z?tt van gazdag és szegény, eszes és ostoba, szervezett b?n?z? és kétségbeesett magányos farkas. Arról a csempészr?l, aki egy 6. századi, elrabolt kincset hozott neki, kiderült, hogy magas rangú diplomata. Az értékbecsl?, aki háborús h?s?k leszármazottjaitól lopta el azok családi ?r?kségét, egy ügyes, arisztokrata szélhámos volt. A múzeumi gondnok, aki George Washington hajfürtjeit tulajdonította el, csak egy kis pluszpénzt szeretett volna keresni. Az FBI számításai szerint Wittman t?bb száz millió dollár érték? m?kincset és régiséget mentett meg. Szerinte azonban a statisztika nem fontos, hiszen ki tudná eld?nteni, hogy mi ér t?bbet: egy Rembrandt-?narckép vagy egy a hadat megjárt amerikai zászló? Mindkett? megfizethetetlen.
雅各的房间(英语文库)
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本书作为我社“经典英语文库”第15辑中的一种，精选由英国著名作家弗吉尼亚·伍尔芙的经典作品《雅各的房间》。作品讲述了一位年轻人短暂的一生。海边的童年、剑桥求学、独立成长、与不同女性的情感、到法国及希腊游学、及后丧生于次世界大战中。此书通常被认为是伍尔夫在文学创新方面次较大规模的探索和实验，是她创作过程中的一个转折，是她尝试用意识流手法创作的一个端。这本小说时间背景设置在英格兰，始于雅各的童年。
Red Eve
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rülk, hogy úgy dntttél, belenézel a knyvembe. Tudod, ez az hely, ahol a szerzk ismert emberektl idéznek arról, hogy milyen nagyszer ez a knyv. De én ezt nem igazán szeretem. Olcsó trükknek tartom, ami csak arra jó, hogy bepalizza az embereket. Nem hiszek benne. Te ennél úgyis okosabb vagy, és szebb úgysem dlnél be. Nagyon tetszik a blúzod jól megy a knyvemhez! ELLEN DEGENERES Imádom, ahogy fogod ezt a knyvet. Látszik, hogy erre születtél Vedd meg és el se engedd! ELLEN DEGENERES Tudod, mi tetszik nekem a legjobban benned Az, hogy így egymásra találtunk. Na meg a szemed! ELLEN DEGENERES Te vagy a legkedvesebb olvasóm! Minden idk abszolút kedvence. De psszt... meg ne mondd a tbbieknek! ELLEN DEGENERES
Robert Louis Stevenson
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Biography of the author of Treasure Island, from the "Famous Scots Series". According to Wikipedia: "Robert Louis (Balfour) Stevenson ( 1850 - 1894), was a Scottish novelist, poet, and travel writer, and a leading representative of Neo-romanticism in English literature. He was the man who "seemed to pick the right word up on the point of his pen, like a man playing spillikins", as G. K. Chesterton put it. He was also greatly admired by many authors, including Jorge Luis Borges, Ernest Hemingway, Rudyard Kipling, Vladimir Nabokov, and J. M. Barrie. Most modernist writers dismissed him, however, because he was popular and did not write within their definition of modernism. It is only recently that critics have begun to look beyond Stevenson's popularity and allow him a place in the canon."
Utopia of Usurers and Other Essays
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Classic collection of essays. According to Wikipedia: "Gilbert Keith Chesterton (1874 - 1936) was an influential English writer of the early 20th century. His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction. Chesterton has been called the "prince of paradox."[1] He wrote in an off-hand, whimsical prose studded with startling formulations. For example: "Thieves respect property. They merely wish the property to become their property that they may more perfectly respect it."[2] He is one of the few Christian thinkers who are equally admired and quoted by both liberal and conservative Christians, and indeed by many non-Christians. Chesterton's own theological and political views were far too nuanced to fit comfortably under the "liberal" or "conservative" banner."
The Appetite of Tyranny
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Long satiric essay. According to Wikipedia: "Gilbert Keith Chesterton (1874 - 1936) was an influential English writer of the early 20th century. His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction. Chesterton has been called the "prince of paradox."[1] He wrote in an off-hand, whimsical prose studded with startling formulations. For example: "Thieves respect property. They merely wish the property to become their property that they may more perfectly respect it."[2] He is one of the few Christian thinkers who are equally admired and quoted by both liberal and conservative Christians, and indeed by many non-Christians. Chesterton's own theological and political views were far too nuanced to fit comfortably under the "liberal" or "conservative" banner."
Civil War Diaries: Memories by Bees and Confederate Girl's Diary
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Two personal diaries of southern women during the Civil War, first published long after the war. Beers' first-hand account of the Civil War from the perspective of a Confederate woman. According to the Preface: For several years my friends among Confederate soldiers have been urging me to "write up" and publish what I know of the war. By personal solicitation and by letter this subject has been brought before me and placed in the light of a duty which I owe to posterity. Taking this view of it, I willingly comply, glad that I am permitted to stand among the many "witnesses" who shall establish "the truth," proud to write myself as one who faithfully served the defenders of the Cause which had and has my heart's devotion." Plus Dawson's war-time diary of a young girl, first published in 1913.
Legend of Sir Lancelot du Lac
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First published in 1901. According to Wikipedia: "Jessie Laidlay Weston (1850–1928) was an independent scholar and folklorist, working mainly on mediaeval Arthurian texts. Her best-known work is From Ritual to Romance (1920). In it she brought to bear an analysis harking back to James George Frazer on the Grail legend, arguing for origins earlier than the Christian or Celtic sources conventionally discussed at the time. It was cited by T. S. Eliot in his notes to The Waste Land. (He later claimed that the notes as a whole were ironic in intention, and the extent of Weston's actual influence on the poem is unclear. Eliot also indicated that the notes were requested by the publisher to bulk out the length of the poem in book form, calling them "bogus scholarship".) It also caused her to be dismissed as a theosophist by F. L. Lucas, in a hostile review of Eliot's poem. The interpretation of the Grail quest as mystical and connected to self-realisation, which she added to the anthropological layer of reading, was to become increasingly popular during the 1920s. According to Richard Barber in The Holy Grail: Imagination and Belief, the Wasteland as theme in the Grail romances is of minor importance until the last works of the cycle, and the emphasis on fertility is "an interpretation which has haunted twentieth-century literature to a degree quite disproportionate to its basis in fact"... While Weston's work on the Grail theme has been derided as fanciful speculation in the years since the publication of From Ritual to Romance (even one-time supporter Roger Sherman Loomis eventually abandoned her hypothesis), her editions of numerous medieval romances have been commended as valuable translations"
Works of Edmund Burke
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Edition first published in 1887. According to Wikipedia: "Edmund Burke (1729-1797) was an Irish statesman, author, orator, political theorist, and philosopher, who served for many years in the British House of Commons as a member of the Whig party. He is mainly remembered for his support of the American colonies in the dispute with King George III and Great Britain that led to the American Revolution and for his strong opposition to the French Revolution... Burke also published philosophical works on aesthetics and founded the Annual Register, a political review. He is often regarded by conservatives as the Father of Anglo-American conservatism."
Appreciations
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Essays on Style, Wordsworth, Coleridge, Lamb, Sir Thomas Brown, Love's Labours Lost, Measure for Measure, Shakespeare's English Kings, Dante Rossetti, and Feuillet's La Morte. According to Wikipedia: "Walter Horatio Pater (4 August 1839 - 30 July 1894) was an English essayist and critic of art and literary critic....his study of "Aesthetic Poetry" appeared in the Fortnightly Review, to be succeeded by essays on Leonardo da Vinci, Sandro Botticelli, Pico della Mirandola and Michelangelo. These, with other similar studies, were collected in his Studies in the History of the Renaissance in 1873. Pater, now at the centre of a small but interesting circle in Oxford, gained respect in London and elsewhere, numbering the Pre-Raphaelites among his friends.... by the time his philosophical novel Marius the Epicurean appeared, he had gathered quite a following. This, his chief contribution to literature, was published early in 1885. In it Pater displays, with fullness and elaboration, his ideal of the aesthetic life, his cult of beauty as opposed to bare asceticism, and his theory of the stimulating effect of the pursuit of beauty as an ideal of its own. The principles of what would be known as the Aesthetic movement were partly traceable to Pater and his effect was particularly felt on one of the movement's leading proponents, Oscar Wilde, a former student of Pater at Oxford. In 1887 he published Imaginary Portraits, a series of essays in philosophic fiction; Appreciations, with an Essay on Style was published in 1889 with a revised second edition in 1890; in 1893, Plato and Platonism; and in 1894, The Child in the House. His Greek Studies and his Miscellaneous Studies were collected posthumously in 1895; his romance Gaston de Latour appeared posthumously in 1896; and his essays from The Guardian were privately printed in 1897."
Washington and His Comrades in Arms, A Chronicle of the War of Independence
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Volume 12 of the Chronicles of America Series. According to Wikipedia: "Washington is seen as a symbol of the United States and republicanism in practice. His devotion to civic virtue made him an exemplary figure among early American politicians. Washington died in 1799, and in his funeral oration, Henry Lee said that of all Americans, he was "first in war, first in peace, and first in the hearts of his countrymen." Washington has been consistently ranked by scholars as one of the greatest U.S. Presidents."
War of the Classes
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Collection of essays, including The Class Struggle, The Tramp, The Scab, The Question of the Maximum, A Review, Wanted: A New Land of Development, and How I Became a Socialist. According to Wikipedia: "Jack London (1876 – 1916) was an American author who wrote The Call of the Wild, White Fang, and The Sea Wolf along with many other popular books. A pioneer in the then-burgeoning world of commercial magazine fiction, he was one of the first Americans to make a lucrative career exclusively from writing."
Works of Schiller in English
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This collection includes: Life of Schiller by Calvin Thomas and such works by Schiller as Death of Wallenstein, William Tell, excerpts from The Thirty Years' War, poetry, and Correspondence with Goethe. The German Classics Of The Nineteenth And Twentieth Centuries, Volume 3, edited by Kuno Francke.
