Paradise Regained is a poem by English poet John Milton, first published in 1671 by John Macock. The volume in which it appeared also contained the poet's closet drama Samson Agonistes. Paradise Regained is connected by name to his earlier and more famous epic poem Paradise Lost, with which it shares similar theological themes; indeed, its title, its use of blank verse, and its progression through Christian history recall the earlier work. However, this effort deals primarily with the temptation of Christ as recounted in the Gospel of Luke. ? An interesting anecdote recounted by a Quaker named Thomas Ellwood provides some insight into Paradise Regained??'?s development. After studying Latin with Milton and reading the poet's epic Paradise Lost, Ellwood remarked, "Thou hast said much here of Paradise lost, but what hast thou to say of Paradise found?" Hearing this, Milton at first "sat some time in a muse" before changing the subject; however, later on he showed to Ellwood a new manuscript entitled Paradise Regained. Some maintain that although he seemed to express gratitude to Ellwood in a letter, Milton in truth "passed on a friendly if impish fabrication" that made Ellwood feel like the inspiration for the poem. Milton composed Paradise Regained at his cottage in Chalfont St Giles in Buckinghamshire. The poem is four books long, in contrast with Paradise Lost??'?s twelve. As such, Barbara K. Lewalski has labelled the work a "brief epic." ? Whereas Paradise Lost is ornate in style and decorative in its verse, Paradise Regained is carried out in a fairly plain style. Specifically, Milton reduces his use of simile and deploys a simpler syntax in Paradise Regained than he does in Paradise Lost, and this is consistent with Jesus's sublime plainness in his life and teachings (in the epic, he prefers Hebrew psalms to Greek poetry). Modern editors believe the stylistics of Paradise Regained evince Milton's poetic maturity. No longer is the poet out to dazzle his readers with bombastic verse and lengthy epic similes. This is not to say that the poem bears no affinities with Milton's earlier work, but scholars continue to agree with Northrop Frye's suggestion that Paradise Regained is "practically sui generis" in its poetic execution. ? One major concept emphasized throughout Paradise Regained is the idea of reversals. As implied by its title, Milton sets out to reverse the "loss" of Paradise. Thus, antonyms are often found next to each other, reinforcing the idea that everything that was lost in the first epic will be regained by the end of this "brief epic." Additionally, the work focuses on the idea of "hunger", both in a literal and in a spiritual sense. After wandering in the wilderness for forty days, Jesus is starving for food. Satan, too blind to see any non-literal meanings of the term, offers Christ food and various other temptations, but Jesus continually denies him. Although Milton's Jesus is remarkably human, an exclusive focus on this dimension of his character obscures the divine stakes of Jesus’s confrontation with Satan; Jesus emerges victorious, and Satan falls, amazed.

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The Mysteries of Udolpho follows the fortunes of Emily St. Aubert who suffers, among other misadventures, the death of her father, supernatural terrors in a gloomy castle, and the machinations of an Italian brigand. Often cited as the archetypal Gothic novel, The Mysteries of Udolpho, along with Radcliffe's novel The Romance of the Forest, plays a prominent role in Jane Austen's novel Northanger Abbey, in which an impressionable young woman, after reading Radcliffe's novel, comes to see her friends and acquaintances as Gothic villains and victims with amusing results.

The Leavenworth Case (1878), subtitled A Lawyer's Story, is an American detective novel and the first novel by Anna Katharine Green. Set in New York City, it concerns the murder of a retired merchant, Horatio Leavenworth, in his New York mansion. The novel introduced the detective Ebenezer Gryce, and was influential in the development of the detective novel. In her autobiography, Agatha Christie cited it as an influence on her own fiction.

"It's old Mr. Bartle, sir," he whispered. "He's in your room there -- dead " "Dead?" exclaimed Eldrick. "Dead " Pratt shook his head again. "He came up not so long after you'd gone, sir," he said. "Everybody had gone but me -- I was just going. Wanted to see you about something I don't know what. He was very tottery when he came in -- complained of the stairs and the fog. I took him into your room, to sit down in the easy chair. And -- he died straight off. Just," concluded Pratt, "just as if he was going quietly to sleep "

The complete suppressed Gospels and Epistles of the original New Testament of Jesus the Christ.

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The Master Key: An Electrical Fairy Tale, Founded Upon the Mysteries of Electricity and the Optimism of Its Devotees is a 1901 novel by L. Frank Baum, author of The Wonderful Wizard of Oz. ? The protagonist is a boy named Rob Joslyn. His age is not specified. Baum dedicated the book "To My Son, Robert Stanton Baum," who was born in 1886 and would thus have been about fifteen at the time it was published. ? Rob is an electrical experimenter whose father encourages him and sees that he "never lacked batteries, motors or supplies of any sort." A "net-work[sic] of wires soon ran throughout the house". He loses track of the elaborately interconnected wires, and trying to get a cardboard house to light up, he "experimented in a rather haphazard fashion, connecting this and that wire blindly and by guesswork, in the hope that he would strike the right combination." There is a bright flash, and a being who calls himself the Demon of Electricity appears. He tells Rob that he has accidentally "touched the Master Key of Electricity" and is entitled to "to demand from me three gifts each week for three successive weeks." Rob protests that he does not know what to ask for, and the Demon agrees to select the gifts himself.

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