万本电子书0元读

万本电子书0元读

Jane Austen and Her Times
Jane Austen and Her Times
G.E. Mitton
¥8.09
Jane Austen and Her Times
Stuyvesant
Stuyvesant
Jacob Abbott
¥8.09
Stuyvesant
The Wars of the Roses
The Wars of the Roses
J.G. Edgar
¥8.09
The Wars of the Roses
History of the United States
History of the United States
John Clark Ridpath
¥8.09
History of the United States
Utopia
Utopia
Thomas More
¥8.09
Utopia
William the Conqueror
William the Conqueror
Edward Freeman
¥8.09
William the Conqueror
William the Third
William the Third
H.D. Traill
¥8.09
William the Third
Constantine the Great
Constantine the Great
John Firth
¥8.09
Constantine the Great
Herman Melville
Herman Melville
Raymond Weaver
¥8.09
Herman Melville
Auguste Comte and Positivism
Auguste Comte and Positivism
John Stuart Mill
¥8.09
Auguste Comte and Positivism
Henry of Navarre
Henry of Navarre
Paul Willert
¥8.09
Henry of Navarre
The Antichrist
The Antichrist
Friedrich Nietzsche
¥8.09
The Antichrist
History of Germany 1740-1914
History of Germany 1740-1914
George Priest
¥8.09
History of Germany 1740-1914
History of the German Empire
History of the German Empire
William Dawson
¥8.09
History of the German Empire
Stories of the Vikings
Stories of the Vikings
Mary MacGregor
¥8.09
Stories of the Vikings
David Crockett
David Crockett
John Abbott
¥8.09
David Crockett
Gibbon
Gibbon
James Morison
¥8.09
Gibbon
Junipero Serra
Junipero Serra
A.H. Fitch
¥8.09
Junipero Serra
The Medici Popes
The Medici Popes
Herbert Vaughan
¥8.09
The Medici Popes
Delphi Collected Works of Sara Teasdale US (Illustrated)
Delphi Collected Works of Sara Teasdale US (Illustrated)
Sara Teasdale
¥8.09
Winner of the first Pulitzer Prize for poetry, the American poet Sara Teasdale composed short, personal lyrics, noted for their classical simplicity and quiet intensity. In 1918 she won the Columbia University Poetry Society prize (forerunner of the Pulitzer Prize for poetry) and the annual prize of the Poetry Society of America for her pioneering collection of verse, ‘Love Songs’. The Delphi Poets Series offers readers the works of literature's finest poets, with superior formatting. This volume presents Teasdale’s collected poetical works, with related illustrations and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Teasdale's life and works* Concise introduction to Teasdale’s life and poetry* Include all the poems available in the US public domain* Images of how the poetry books were first printed, giving your eReader a taste of the original texts* Excellent formatting of the poems* Special chronological and alphabetical contents tables for the poetry* Easily locate the poems you want to read* Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to see our wide range of poet titles CONTENTS: The Life and Poetry of Sara TeasdaleBrief Introduction: Sara TeasdaleSonnets to Duse and Other Poems, 1907Helen of Troy and Other Poems, 1911Rivers to the Sea, 1915Love Songs, 1917Flame and Shadow, 1920 The PoemsList of Poems in Chronological OrderList of Poems in Alphabetical Order Please visit www.delphiclassics.com to browse through our range of poetry titles or buy the entire Delphi Poets Series as a Super Set
Paradise Regained
Paradise Regained
John Milton
¥8.09
Paradise Regained is a poem by English poet John Milton, first published in 1671 by John Macock. The volume in which it appeared also contained the poet's closet drama Samson Agonistes. Paradise Regained is connected by name to his earlier and more famous epic poem Paradise Lost, with which it shares similar theological themes; indeed, its title, its use of blank verse, and its progression through Christian history recall the earlier work. However, this effort deals primarily with the temptation of Christ as recounted in the Gospel of Luke. ? An interesting anecdote recounted by a Quaker named Thomas Ellwood provides some insight into Paradise Regained??'?s development. After studying Latin with Milton and reading the poet's epic Paradise Lost, Ellwood remarked, "Thou hast said much here of Paradise lost, but what hast thou to say of Paradise found?" Hearing this, Milton at first "sat some time in a muse" before changing the subject; however, later on he showed to Ellwood a new manuscript entitled Paradise Regained. Some maintain that although he seemed to express gratitude to Ellwood in a letter, Milton in truth "passed on a friendly if impish fabrication" that made Ellwood feel like the inspiration for the poem. Milton composed Paradise Regained at his cottage in Chalfont St Giles in Buckinghamshire. The poem is four books long, in contrast with Paradise Lost??'?s twelve. As such, Barbara K. Lewalski has labelled the work a "brief epic." ? Whereas Paradise Lost is ornate in style and decorative in its verse, Paradise Regained is carried out in a fairly plain style. Specifically, Milton reduces his use of simile and deploys a simpler syntax in Paradise Regained than he does in Paradise Lost, and this is consistent with Jesus's sublime plainness in his life and teachings (in the epic, he prefers Hebrew psalms to Greek poetry). Modern editors believe the stylistics of Paradise Regained evince Milton's poetic maturity. No longer is the poet out to dazzle his readers with bombastic verse and lengthy epic similes. This is not to say that the poem bears no affinities with Milton's earlier work, but scholars continue to agree with Northrop Frye's suggestion that Paradise Regained is "practically sui generis" in its poetic execution. ? One major concept emphasized throughout Paradise Regained is the idea of reversals. As implied by its title, Milton sets out to reverse the "loss" of Paradise. Thus, antonyms are often found next to each other, reinforcing the idea that everything that was lost in the first epic will be regained by the end of this "brief epic." Additionally, the work focuses on the idea of "hunger", both in a literal and in a spiritual sense. After wandering in the wilderness for forty days, Jesus is starving for food. Satan, too blind to see any non-literal meanings of the term, offers Christ food and various other temptations, but Jesus continually denies him. Although Milton's Jesus is remarkably human, an exclusive focus on this dimension of his character obscures the divine stakes of Jesus’s confrontation with Satan; Jesus emerges victorious, and Satan falls, amazed.