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Cover
Title Page
Dedication
Contents
Hello. I’m Sonya Hamlin.
1 ENTER TECHNOLOGY, EXIT TALKING
WHAT’S NEW IN COMMUNICATING
WHAT YOU NEED TO KNOW FIRST
WHAT’S NEW IN THE TWENTY-FIRST CENTURY
EVEN HELLO HAS CHANGED
THE BIGGEST ISSUE
Where Do People Skills Now Fit
What We Need to Know Now
HOW COMMUNICATING HAS CHANGED
THE COMMUNICATION REVOLUTIONS
HOW IT USED TO BE
THE NEW TECHNIQUES OF TELLING
TELEVISION
How Television Has Changed Us
WHAT TELEVISION NEWS HAS TAUGHT US
In Defense of Television
COMPUTERS AND THE INTERNET
MAJOR EFFECTS ON COMMUNICATING
WRAP-UP: HOW COMMUNICATING HAS CHANGED
IMPLICATIONS FOR BUSINESS COMMUNICATION
WHAT ELSE CAN AFFECT YOUR AUDIENCE
2 GENERATION GAPS AND DIVERSITY IN TODAY’S WORKPLACE
HOW ARE BOOMERS, GEN XERS, AND GEN YERS DIFFERENT?
THE ISSUES
DIFFERENCES IN FAMILY AND LIFE EXPERIENCES
DIFFERENT VIEWS OF THE ESTABLISHMENT
CULTURAL ICONS TELL IT
BASIC DIFFERENCES IN PRIORITIES AND ATTITUDE
CAREERS AND WORK
THE GENERATIONS AT WORK
GENERATIONAL DIFFERENCES IN GETTING INFORMATION
PERCEPTION OF TIME Boomers
THOUGHTS ABOUT INFORMATION TECHNOLOGIES
WHAT ALL THIS MEANS TO YOU
OUR MULTICULTURAL WORKFORCE AND COMMUNICATING NOW
THE MIXED-POPULATION PHENOMENON
BECOMING AMERICANIZED
WHAT IMMIGRANTS BRING: ISSUES AND OBSTACLES
HANDLING ALL THIS AT WORK
TRANSCENDING LANGUAGE BARRIERS
3 HOW TO GET ANYONE TO LISTEN TO ANYTHING
GETTING ATTENTION IS HARD
The Me-First Factor
WHAT MAKES PEOPLE LISTEN
WHAT’S IN IT FOR ME?
How to Find Anyone Else’s Self-Interest
Knowing Your Audience at Work
WHO’S TELLING?
What Appeals to Listeners and Why
What Doesn’t Appeal and Why
How Do Audiences Decide About You?
HOW DO YOU TELL IT
The Techniques of Telling
Make It Visual
How Making Ideas Visual Works
VERBAL AND NONVERBAL COMMUNICATION
HOW THEY WORK; WHAT THEY DO
WORDS VS. BODY LANGUAGE
CHOOSING YOUR WORDS
HOW PEOPLE FEEL ABOUT LEARNING
HANDLING RESISTANCE AND FEAR OF LEARNING
SUMMING UP
4 THE PRE-THINK CHART:: STRATEGIZING ONE-ON-ONE: ENCOUNTERS
PRE-THINKING
A TYPICAL WORK ENCOUNTER: WHAT CAN GO WRONG AND WHY
To Strategize Any Encounter and Get What You Want
THE PRE-THINK CHART
THE BASIC IDEA
Why a Chart?
THE PROCESS
SECTION ONE: GOALS
Where We Get Stuck
How the Chart Changes Things
SECTION TWO: EMOTIONS
Emotions: The Other Powerful, Hidden Drivers
Emotions at Work
Hiding Our Feelings on the Job
Winning Strategies Can’t Bypass Emotions
Generational Differences
SECTION THREE: EXPECTATIONS
Analyzing Expectations Prepares and Demystifies
Surprise: The Secret Weapon
EXPECTATIONS: THE OTHER SIDE
THE OTHER SIDE: A GUIDE FOR THE SUMMONED
DON’T BE A VICTIM
OTHER THINGS YOU CAN DO
Be Honest!
Use a Touch of Humor
SUMMARY FOR THE SUMMONED
THE COMPLETED CHART
PRE-THINKING RESULTS
Seeing the Other Side Is Very Humanizing
MAKE YOUR OWN CHART
ANALYZE A PAST OR FUTURE ENCOUNTER OF YOUR OWN
USER TIPS FOR YOUR PRE-THINK CHART
Completing Your Chart’s Emotions Section
THE PRE-THINK CHECKLIST
MAKE A CHART
STRATEGIZE FROM YOUR CHART
5 CLOSE ENCOUNTERS: ONE-ON-ONE
OPENERS
BEFORE THE MEETING
OPENING TECHNIQUES: FIRST MOVES How You Greet
Small Talk to Someone You Know
Where to Sit
How to Get There
Body Language
PRESENTING THE SUBSTANCE
HOW TO BEGIN
MOTIVATE YOUR LISTENER!
ASK BEFORE YOU TELL
Telling and Explaining
Be Clear and Organized
Make Your Ideas Visual
Bring Take-Aways
DIALOGUE, NOT MONOLOGUE = SUCCESS
Create a Dialogue
Listen!
Know When to Finish
HANDLING PROBLEMS, ISSUES, AND NEGATIVE REACTIONS
HOW TO CRITICIZE
What We Do Wrong Most Often
Creative Criticism
If You’re the One Being Criticized
HANDLING ANGER AND HOSTILITY
What We Do Wrong Most Often
Techniques for Handling Hostility
GETTING AT THE TRUTH
If You’re the One in Charge
If You’re the Outsider
HANDLING BOREDOM AND INATTENTION
CLOSURE
RECAP AND CLARIFY
If It’s Your Meeting
If It’s Another’s Meeting
TROUBLESHOOT AREAS STILL NOT RESOLVED
If It’s Your Meeting
If It’s Another’s Meeting
AGREE ON NEXT STEPS
FOLLOW UP: CONFIRM IN WRITING
END ON A HIGH NOTE!
If You Weren’t the Host
If You Called the Meeting
CHECKLIST FOR ONE-ON-ONE ENCOUNTERS
BEFORE THE MEETING
OPENERS
PRESENTING THE SUBSTANCE How to Begin
HANDLING PROBLEMS, ISSUES, AND NEGATIVE REACTIONS
CLOSURE
6 SEEING IS BELIEVING: MAKING YOUR MESSAGE VISUAL
WHY VISUAL?
TAKE A NEW APPROACH
HOW VISUALS AFFECT YOUR AUDIENCE
MAKING MESSAGES VISUAL
WHAT TO SHOW, WHAT TO TELL
Which Subjects Need Visual Support
Which Subjects Need Only Telling
Which Subjects Need Both
ALWAYS PERSONALIZE YOUR MESSAGE
VISUAL TAKE-AWAYS
HOW TO DESIGN VISUAL MESSAGES
GETTING STARTED
EXHIBITS CAN BE SIMPLE
CHOOSING THE MEDIUM
A FEW BASIC DESIGN PRINCIPLES
MAKING AUDIENCES LOOK: EFFECTIVE PRESENTATION OF GRAPHICS
EFFECTIVE USE OF COLOR
MAKING YOUR MESSAGE VISUAL, VERBALLY
USING WORDS TO MAKE IMAGES
7 HOW TO CREATE GREAT PRESENTATIONS
THE CHALLENGE
PLANNING YOUR PRESENTATION
GETTING STARTED
KNOW YOUR AUDIENCE!
THE KNOW-YOUR-AUDIENCE QUESTIONS: DON’T SPEECHIFY WITHOUT THEM!
KNOW-YOUR-AUDIENCE SPEEDY CHECKLIST
WHO’S TELLING?
HOW TO TELL IT: THE TECHNIQUES OF TELLING
ORGANIZING YOUR MESSAGE
HOW TO CREATE ORDER IN YOUR MESSAGE
Create Your Outline
LS/Long Shot
Med/Medium Shot
CU/Close-Up
WHAT SPEAKERS DO MOST OFTEN THAT CONFUSES US
BUILDING A SPEECH OUTLINE THAT MAKES SENSE
THREE APPROACHES TO ORGANIZING MATERIAL
DON’T JUST TELL ME—SHOW ME
BEST WAYS TO LAY OUT YOUR PRESENTATION ON A PAGE
WHY NOTES MATTER
WRITTEN SPEECHES VS. ORAL PRESENTATIONS
The Written vs. the Spoken Word
The Effects of Written Speeches on the Audience
The Effects of Written Speeches on the Speaker
For Addicted Need-My-Whole-Speech Writers
WRITING USABLE SPEECH NOTES AND OUTLINES
THE BASIC PROCESS
8 HOW TO DELIVER GREAT PRESENTATIONS
THE TECHNIQUES
OPENINGS
WHO ARE YOU?
Stage Fright!
GOOD GETTING-TO-KNOW-YOU OPENINGS
WHY SHOULD THEY LISTEN?
WHAT WILL THEY HEAR ABOUT AND HOW
CONTENT: HOW TO EXPLAIN AND PERSUADE
PRESENTING IN AN ORDERLY, ORGANIZED FASHION
TECHNIQUES FOR EXPLAINING NEW INFORMATION
SPEAKING AND LANGUAGE SKILLS
ACTIVATE YOUR AUDIENCE!
CLOSINGS
9 THE ART OF Q & A
WHY DO IT?
PREPARING FOR Q & A
UNDERSTANDING YOUR AUDIENCE
What to Look for and Expect
Understand Who Asks Questions
Understand Your Adversaries
Understand Your Feelings
ANSWERING TECHNIQUES
WHAT USUALLY HAPPENS
WHY PEOPLE DON’T ASK
HELPING PEOPLE GET STARTED
Some Other Launches for Q & A
SONYA’S 13 RESPONSES FOR SUCCESS IN Q & A
1. RELAX AND BE INFORMAL
2. LISTEN HARD TO THE QUESTION!
3. CLARIFY THE QUESTION
4.COMPLIMENT THE ASKER
5. TREAT EVERYONE RESPECTFULLY
6. AVOID DEBATES
7. IF YOU DON’T KNOW, SAY IT OUT LOUD!
8. HOW TO AVOID A QUESTION
9. TAKING SOME LUMPS IS INEVITABLE
10. BUYING TIME
11. TURN UNCOMFORTABLE QUESTIONS AROUND
12. CUTTING PEOPLE OFF
13. GETTING THE AUDIENCE ON YOUR SIDE
10 MEETINGS: HOW TO LEAD AND HOW TO BE HEARD
WHY MEETINGS DON’T WORK
SKILLS YOU NEED TO LEARN AND SHARPEN
WHAT MEETINGS CAN AND SHOULD ACCOMPLISH
Team Building and Group Connection
Comparing Notes, Sharing Information
Hearing Opinions Openly Discussed
Looking for Solutions Together
Developing Consensus
Group Self-Criticism
PLANNING A MEETING
DEFINE YOUR OBJECTIVES, LARGE OR SMALL
QUESTION YOUR MEETING
Who Should Come?
Consider the Timing
SCHEDULING A MEETING
BEST AND WORST TIMES TO HAVE MEETINGS
LENGTH OF MEETINGS
LOCATION
WHICH DAY TO CHOOSE
CREATING THE AGENDA
INPUT FROM THE GROUP
NUMBER OF AGENDA ITEMS
PRIORITIZING AND POSITIONING
TIME ALLOTMENT
Set Agenda Times Together at the Meeting
LEADERSHIP SKILLS FOR HANDLING PEOPLE
BASIC PERSONALITIES AT MEETINGS
Movers
Opposers
Followers
Bystanders
THREE VITAL MEETING SKILLS
LISTENING
Techniques for Improving Listening
Techniques for Supporting
DISAGREEING
Techniques for Disagreeing Constructively
COMMUNICATION SKILLS FOR MEETING LEADERS
GETTING THE GROUP’S ATTENTION
STAYING FOCUSED
ENGAGING THE NONPARTICIPANT
HOW TO CUT PEOPLE OFF
HANDLING CONTROVERSIAL OR TICKLISH SUBJECTS
GETTING AGREEMENT
WHEN MEETINGS GET OUT OF HAND
HANDLING EGOS AND CONFLICT
COMMUNICATION SKILLS FOR MEETING PARTICIPANTS
COME PREPARED
SIT IN A POWERFUL PLACE
LOOK CONFIDENT AND INTERESTED
HOW TO SPEAK UP
ASK QUESTIONS
IF YOU’RE CRITICIZED OR ATTACKED
THE LAST WORD
INDEX
Acknowledgments
Business Leaders’ Response To How to Talk So People Listen By Sonya Hamlin
Also by Sonya Hamlin
About the Author
Copyright
About the Publisher
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