Bálint-napi csók (Melbourne-i szülészn?k 1.)

Fáj még, de kezelhet?, Engedd be a napfényt!

Szívhang 546–547. - Kócos megment?, Baba a fiókban

Akinek a kedve dacos

Sour can either be read as a full-length eBook or in 3 serialised eBook-only parts. This is PART 1 of 3. They call me Sour. The opposite of sweet. Shanking, stabbing, steaming, robbing, I did it all, rolling with the Man Dem. I did it because I was bad. I did it because I had heart. And the reason I reckon I got away with it for so long? Because I was a girl. SOUR is the true story of a former Brixton gang girl, drug dealer and full-time criminal. A member of the Younger 28s, a notorious gang that terrorised the postcodes around Brixton in the 90s, Sour escapes a troubled family life to immerse herself in the street life of likking and linking. She never leaves her house without a knife. At the age of fifteen, she stabs an innocent man in the street, earning her unrivalled respect and ‘Top-Dog’ status amongst her crew. She believes she is invincible. But the consequences of her actions are soon to catch up with her. Waking for the second time in two weeks in a hospital bed, to the news that she is pregnant, she realises it’s time to turn her life around. Motherhood will be a rude awakening, but it may also be her saving grace. Told with raw emotions and ferocious honesty, this is the real, on-the-record, story of one woman’s descent down the rabbit hole of gangland, and her efforts, as a daughter, mother and girlfriend, to claw herself out.

Bestselling author and foster carer Casey Watson shares the shocking true story of Tyler, an abused eleven-year-old who, after stabbing his step-mother, had nowhere else to go. Knowing a little of Tyler’s past – his biological mother, a heroin addict, died of an overdose when he was three – Casey feels bound to do her best for him. It isn’t easy; Tyler continuously lashes out, even trying to attack Casey herself. Investigation into his earlier childhood reveals why: forced to watch his mother die he was found emaciated and traumatised two days later, then delivered to a father who didn’t want him and a step-mother who beat him. With the horrific events of his past now vividly affecting the course of his present, Casey and her husband Mike are determined to veer him away from the violence and drugs they fear he will come to depend on. Heartbreaking and profoundly moving, Nowhere to Go tells the story of a child forsaken by his family but fought for by his foster carers.

The latest title from the internationally bestselling author and foster carer Cathy Glass. Beth is a sweet-natured child who appears to have been well looked after. But it isn’t long before Cathy begins to have concerns that the relationship between Beth and her father is not as it should be. Little Beth, aged 7, has been brought up by her father Derek after her mother left when she was a toddler. When Derek is suddenly admitted to hospital with psychiatric problems Beth is taken into care and arrives at Cathy’s. Beth and her father clearly love each other very much and Derek spoils his daughter, treating her like a princess, but there is something bothering Cathy, something she can’t quite put her finger on. Meanwhile Cathy’s husband is working away a lot and coming home less at weekends. Then, suddenly, everything changes. Events take a dramatic turn for both Beth and Cathy and her family; as Cathy strives to pick up the pieces all their lives are changed forever.

Am nceput s scriu pentru c aa am simit chemarea. E la fel ca preoia: devii pstor de suflete pentru c ai trimitere de sus, de la Tata. Aa s-a croit i destinul meu. Probabil c obria mea flticenean e de vin. n acest loc binecuvntat am crescut i am primit educaie. colile, dasclii, istoria literar a oraului – nesat de nume mari i sonore, care au trecut i trit pe aici – mi-au creat creuzetul. Mai departe a trebuit s muncesc singur, ca un rob, pe aceast plantaie plin ochi de litere, cuvinte i fraze. Aa am fost, sunt i voi rmne: un ego ce intersecteaz anii pe orizontal i vertical, aducndu-mi i eu, la rndul meu, contribuia pe care un ora minunat, numit Flticeni, mi-o cere. Mark Twain spunea: Dou zile sunt importante n viaa unui om: ziua n care s-a nscut i ziua n care a aflat de ce. Tu, cititorule, ai aflat” (Romulus Andriescu)

Toszkán éjszakák/ Monte-carlói futam/ Melyik az igazi?

Cselsz?vés Hollywoodban

Barack és nyári napfény, A legjobb gyógymód: Szívhang 582–583.

Szívhang 572–573.

Szívhang 566–567. - Isten hozott a szigeten!

Forró sarkvidék, ?ll az alku!: Szívhang 578–579

Szokatlan jegyesség, Az olasz szomszéd: Szívhang 576–577

Hamis pár (Hollywoodi doktorok 4.), A sebész, aki elcsábított

Bahamai sell? (Hollywoodi doktorok 3.), Alabama visszavár

Choking Back the Devil by Donna Lynch is an invocation, an ancient invitation that summons the darkness within and channels those lonely spirits looking for a host. It's a collection that lives in the realm of ghosts and family curses, witchcraft and urban legends, and if you're brave enough to peek behind the veil, the hauntings that permeate these pages will break seals and open doorways, cut throats and shatter mirrors. You see, these poems are small drownings, all those subtle suffocations that live in that place between our ribs that swells with panic, incubates fear. Lynch shows her readers that sometimes our shadow selves--our secrets--are our sharpest weapons, the knives that rip through flesh, suture pacts with demons, cut deals with entities looking for more than a homecoming, something better, more intimate than family. It's about the masks we wear and the reflections we choose not to look at, and what's most terrifying about the spells is these incantations show that we are the possessed, that we are our greatest monster, and if we look out of the corner of our eyes, sometimes--if we've damned ourselves enough--we can catch a glimpse of our own burnings, what monstrosities and mockeries we're to become. So cross yourselves and say your prayers. Because in this world, you are the witch and the hunter, the girl and the wolf. "Lynch mixes in childhood fables with waking nightmares, the result is electrifying; sometimes in a few razor sharp words; sometimes in longer numbered verses counting down the cycle of a damaged life. The silent cries of souls tormented to healthiness by pills and poultices, force fed by imperfect humans, echo in the silhouette of these poems. I smiled at the shadows unexpectedly delivered by her words, as will you."--Linda D. Addison, award-winning author of How to Recognize a Demon Has Become Your Friend and HWA Lifetime Achievement Award winner "This collection is not for the chronically disturbed, as fear is doled out in terse, potent portions. I got the shivers reading these unsettling poems."--Marge Simon, Bram Stoker Award winner, SFPA Grand Master Poet "Choking Back the Devil is unlike any other poetry collection you've ever read. Donna Lynch crafts beautifully terrifying worlds, packed with dense imagery and horrifying yet lush details. This collection will get your blood racing even as it breaks your heart." --Gwendolyn Kiste, Bram Stoker Award-winning author of The Rust Maidens "Some dark poets use their verse as a means to exorcise their demons. Lynch instead embraces her torment, nurtures it, and transforms it into equal parts hideous and heavenly. With a mix of wicked wit, carnal fury, and commentary that has sharpened its fangs to drain you until you're left with nothing but despair, Choking Back the Devil is essential sustenance for harrowed souls."--Chad Stroup, author of Secrets of the Weird and Sexy Leper

When Patrick McGoohan first starred in “Danger Man” in 1960 and as ‘Number 6’ in cult show “The Prisoner”, industry insiders hailed the arrival of an enigmatic genius and Hollywood beckoned. But who was this man who worked as a chicken farmer and bank clerk before becoming a hugely successful actor simply by chance? In this up-to-date biography Rupert Booth reveals the true character of a man whose off-screen behaviour matched his fiery on-screen persona. Why was he so puritanical, refusing even to kiss a woman for any part he played? Why was he so controlling over his work in “The Prisoner” and other productions? A timely exploration of the man whose declaration ‘I will not be pushed, filed, stamped, indexed, briefed, de-briefed or numbered!’ continues to resonate with audiences decades after it was first uttered with such conviction.

Hold your screams and enter a world of seasonal creatures, dreams of bones, and confessions modeled from open eyes and endless insomnia. Christina Sng’s?A Collection of Nightmares?is a poetic feast of sleeplessness and shadows, an exquisite exhibition of fear and things better left unsaid. Here are ramblings at the end of the world and a path that leads to a thousand paper cuts at the hands of a skin carver. There are crawlspace whispers, and fresh sheets gently washed with sacrifice and poison, and if you’re careful in this ghost month, these poems will call upon the succubus to tend to your flesh wounds and scars.?? ?These nightmares are sweeping fantasies that electrocute the senses as much as they dull the ache of loneliness by showing you what’s hiding under your bed, in the back of your closet, and inside your head. Sng’s poems dissect and flower, her autopsies are delicate blooms dressed with blood and syntax. Her words are charcoal and cotton, safe yet dressed in an executioner’s garb.?? ?Dream carefully.?? ?You’ve already made your bed.?? ?The nightmares you have now will not be kind.?? ?And you have no one to blame but yourself.

Sonetul contondentCelor doi / poe?i de mare soi...(Istrate ?i Murgeanu)Visam c? Marea-?i p?r?sea ghioculCu-al s?u tumult de valuri euxine?i, h?t-departe-n zonele alpine,Ca-n Cretaceu, ??i reg?sise locul...Priveam de-acuma fascinat la joculDe valuri ?n?esate de jivineDin vremuri disp?rute, care-n fine,??i ?ncercau, o dat?-n plus, norocul.Sim?eam o dulce binecuv?ntareC?-n groapa euxinic? ad?nc?O Mare Neagr? nu exist? ?nc?,Nici Casa Scriitorilor la mare;Nici doi poe?i cu barb?, bur?i ?i plete,S?-n?ire contondentele sonete.