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INTRODUCTION: THE SOUND OF POETRY / THE POETRY OF SOUND
PRELUDE: POETRY AND ORALITY
PART I TRANSLATING SOUND
RHYME AND FREEDOM
IN THE BEGINNING WAS TRANSLATION
CHINESE WHISPERS
TRANSLATING THE SOUND IN POETRY: SIX PROPOSITIONS
“ENSEMBLE DISCORDS”: TRANSLATING THE MUSIC OF MAURICE SCÈVE’S DÉLIE
THE POETRY OF PROSE, THE UNYIELDING OF SOUND
PART II PERFORMING SOUND
SOUND POETRY AND THE MUSICAL AVANT-GARDE: A MUSICOLOGIST'S PERSPECTIVE
CACOPHONY, ABSTRACTION, AND POTENTIALITY: THE FATE OF THE DADA SOUND POEM
WHEN CYBORGS VERSIFY
HEARING VOICES
IMPOSSIBLE REVERSIBILITIES: JACKSON MAC LOW
THE STUTTER OF FORM
THE ART OF BEING NONSYNCHRONOUS
PART III SOUNDING THE VISUAL
WRITING ARTICULATION OF SOUND FORMS IN TIME
JEAN COCTEAU’S RADIO POETRY
SOUND AS SUBJECT: AUGUSTO DE CAMPOS'S POETAMENOS
NOT SOUND
THE SOUND SHAPE OF THE VISUAL: TOWARD A PHENOMENOLOGY OF AN INTERFACE
VISUAL EXPERIMENT AND ORAL PERFORMANCE
POSTLUDE: I LOVE SPEECH
CONTRIBUTORS
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