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The Sound of Poetry / The Poetry of Sound电子书

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作       者:Marjorie Perloff,Craig Dworkin

出  版  社:University of Chicago Press

出版时间:2009-10-15

字       数:52.3万

所属分类: 进口书 > 外文原版书 > 文学/自传/回忆录

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  • 读书简介
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Sound-one of the central elements of poetry-finds itself all but ignored in the current discourse on lyric forms. The essays collected here by Marjorie Perloff and Craig Dworkinbreak that critical silence to readdress some of thefundamental connections between poetry and sound-connections that go far beyond traditional metrical studies.Ranging from medieval Latin lyrics to a cyborg opera, sixteenth-century France to twentieth-century Brazil, romantic ballads to the contemporary avant-garde, the contributors to The Sound of Poetry/The Poetry of Sound explore such subjects as the translatability of lyric sound, the historical and cultural roles of rhyme,the role of sound repetition in novelistic prose, theconnections between "e;sound poetry"e; and music, between the visual and the auditory, the role of the body in performance, and the impact of recording technologies on the lyric voice. Along the way, the essaystake on the "e;ensemble discords"e; of Maurice Scve's Dlie, Ezra Pound's use of "e;Chinese whispers,"e; the alchemical theology of Hugo Ball's Dada performances, Jean Cocteau's modernist radiophonics, and an intercultural account of the poetry reading as a kind of dubbing.A genuinely comparatist study, The Sound of Poetry/The Poetry of Sound is designed to challenge current preconceptions about what Susan Howe has called "e;articulations of sound forms in time"e; as they have transformed the expanded poetic field of the twenty-first century.
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INTRODUCTION: THE SOUND OF POETRY / THE POETRY OF SOUND

PRELUDE: POETRY AND ORALITY

PART I TRANSLATING SOUND

RHYME AND FREEDOM

IN THE BEGINNING WAS TRANSLATION

CHINESE WHISPERS

TRANSLATING THE SOUND IN POETRY: SIX PROPOSITIONS

“ENSEMBLE DISCORDS”: TRANSLATING THE MUSIC OF MAURICE SCÈVE’S DÉLIE

THE POETRY OF PROSE, THE UNYIELDING OF SOUND

PART II PERFORMING SOUND

SOUND POETRY AND THE MUSICAL AVANT-GARDE: A MUSICOLOGIST'S PERSPECTIVE

CACOPHONY, ABSTRACTION, AND POTENTIALITY: THE FATE OF THE DADA SOUND POEM

WHEN CYBORGS VERSIFY

HEARING VOICES

IMPOSSIBLE REVERSIBILITIES: JACKSON MAC LOW

THE STUTTER OF FORM

THE ART OF BEING NONSYNCHRONOUS

PART III SOUNDING THE VISUAL

WRITING ARTICULATION OF SOUND FORMS IN TIME

JEAN COCTEAU’S RADIO POETRY

SOUND AS SUBJECT: AUGUSTO DE CAMPOS'S POETAMENOS

NOT SOUND

THE SOUND SHAPE OF THE VISUAL: TOWARD A PHENOMENOLOGY OF AN INTERFACE

VISUAL EXPERIMENT AND ORAL PERFORMANCE

POSTLUDE: I LOVE SPEECH

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