Brushstroke and Emergence电子书

售价：¥

1人正在读 | 0人评论

9.8

作者：Herbert, James D.

出版社：University of Chicago Press

出版时间：2015-11-16

字数：30.6万

所属分类：进口书 > 外文原版书 > 文学/自传/回忆录

温馨提示：数字商品不支持退换货，不提供源文件，不支持导出打印

为你推荐

Charlotte's Web 夏洛特的网

￥49.79

The Story of My Life

￥8.09

Classroom Hierarchy: 50 Rules to Become a Dominant, Loved, Respected and Admired

￥0.01

哈利·波特与被诅咒的孩子(第一部和第二部):伦敦西区原创舞台剧的官方剧本

￥25.00
神奇动物：格林德沃之罪:原创电影剧本

￥25.00

Getting Things Done

￥24.44

Whimsical Words and Dramatic Affairs

￥0.01

Elon Musk: Moving the World One Technology at a Time

￥24.44

读书简介
目录
累计评论(0条)

读书简介
目录
累计评论(0条)

No pictorial device in nineteenth-century French painting more clearly represented the free-ranging self than the loose brushstroke. From the romantics through the impressionists and post-impressionists, the brushstroke bespoke autonomous artistic individuality and freedom from convention.Yet the question of how much we can credit to the individual brushstroke is complicated-and in?Brushstroke and Emergence, James D. Herbert uses that question as a starting point for an extended essay that draws on philosophy of mind, the science of emergence, and art history. Brushstrokes, he reminds us, are as much creatures of habit and embodied experience as they are of intent. When they gather in great numbers they take on a life of their own, out of which emerge complexity and meaning. Analyzing ten paintings by Courbet, Manet, Czanne, Monet, Seurat, and Picasso, Herbert exposes vital relationships between intention and habit, the singular and the complex. In doing so, he uncovers a space worthy of historical and aesthetic analysis between the brushstroke and the self.

目录展开