The two sisters Norah and Magdalen live in peace and contentment, looked after by their governess, Miss Garth. Magdalen likes nothing better than to read at her window while her personal maid combs through and through her long hair. She finds herself a talented actress and falls in love with Frank Clare, the good for nothing but handsome son of a neighbour, whom she entices into the play. And then the sisters experience sudden death of their parents leaving them with no property, no rights and no name as a result of a legal defect with their inheritance.

A collection of stories and legends written by Washington Irving. Apart from Rip Van Winkle and The Legend of Sleepy Hollow which made both Irving and The Sketch Book famous , the other tales include Roscoe, The Broken Heart, A Royal Poet, The Spectre Bridegroom, Westminster Abbey, Little Britain, and others. The book also marks Irving's first use of the pseudonym Geoffrey Crayon.

The Importance of Being Earnest is one of Wilde's most famous plays. A farcical comedy set in Victorian London, rich in satire and witty dialogue, the play marked the climax of Wilde's career but also heralded his downfall. Wilde reveals the moral hypocrisy at the heart of the Victorian establishment through the literary techniques of dramatic irony parody and reversals.

Sherlock Holmes and Dr. Watson receive a letter from an informant known by the pseudonym Fred Porlock. Porlock is part of Professor Moriarty's criminal organization. The letter is written in a numeric code, and Holmes decodes the letter, which warns that John Douglas of Birlstone House is about to be murdered.

In the Emerald City of Oz we continue following adventures of Dorothy Gale and her Uncle Henry and Aunt Em who are now coming to live in Oz permanently. While they are toured through the Quadling Country, the Nome King is assembling allies for an invasion of Oz.

The story begins when Rose returns home from a long trip to Europe. Everyone has changed. As a joke, Rose lines up her seven cousins to take a long look at them, just as they did with her when they first met. The youngest accidentally mentions that the aunts want Rose to marry one of her cousins to keep her fortune in the family. Rose is very indignant, for she has decided ideas about what her future holds. From the beginning, she declares that she can manage her property well on her own and that she will focus on philanthropic work. Charlie has already decided she is marked out for him, with the approval of his mother.

Flambeau, once the most famous criminal in France and later a very private detective in England, had long retired from both professions. Some say a career of crime had left him with too many scruples for a career of detection. Anyhow, after a life of romantic escapes and tricks of evasion, he had ended at what some might consider an appropriate address...

Un fascinant discurs despre unul dintre cei mai celebri ?i cei mai disputa?i actori ?i regizori, cu istorii scandaloase al c?ror personaj atipic a fost, cu via?? – nu totdeauna lipsit? de r?sp?ntii ?i suspans – de culise a acestui filosof al scenei ?i bufon metafizic al existen?ei. Autoarei i s-a decernat pentru aceast? carte Premiul Uniunii Cinea?tilor din Rom?nia.

Fourths Tuning Chords and Inversions: Chords and Inversions

Dictionarul de sociologie rurala este primul volum din cele sase care alcatuiesc Enciclopedia Rurala. Lucrarea se inscrie in traditia deschisa de Scoala Sociologica de la Bucuresti si pentru realizarea sa a colaborat un colectiv de autori din toate centrele universitare ale tarii: Bucuresti, Cluj, Oradea, Iasi, Brasov, Craiova. Dictionarul este structurat pe patru sectiuni (termeni, personalitati, curente, reviste) si cumuleaza, pe o intindere de aproximativ 650 de pagini, un numar de peste 300 de termeni. Lucrarea valorifica terminologia sociologiei rurale romanesti si europene precum si cea din practica unor institutii internationale si regionale care prin natura preocuparilor lor afecteaza mediul rural. De asemenea dictionarul ofera o sistematizare schematica a teoriilor si curentelor de referinta pentru domeniu si constituie un ghid util pentru toti cei interesati de practica si metodologia de cercetare rurala din sociologie, antropologie si politici de dezvoltare.

Explores the incredible story of Annie Besant’s relationship with India and the boy who went on to become one of India’s greatest teachers and thinkers – Krishnamurti. 1916: India is simmering with discontent against the Raj. Enter English proto-feminist Annie Besant, notorious at home for the match-girls’ strike, political, charismatic. In India she finds a new family and a new cause. Gandhi hails her as the leader of the Congress Party after she courts imprisonment for promoting Indian Home Rule. She admires him – but can rulers ever befriend the ruled? Can Annie’s great love affair with India last? … or is she mistaken in her beliefs, politics and adoptions? ? ABOUT THE AUTHOR Rukhsana Ahmad‘s stage plays include: Song For Sanctuary, The Gate-Keeper’s Wife, Black Shalwar, River On Fire?(shortlist Susan Smith Blackburn Prize 2002), The Man Who Refused to be God, Last Chance and Partners in Crime. Radio plays and adaptations include:?Song for a Sanctuary?(CRE award, runner-up),?An Urnful of Ashes, The Errant Gene,?Nawal El Saadawi’s?Woman At Point Zero,?Jean Rhy’s?Wide Sargasso Sea?(shortlist CRE and Writers’ Guild Award for best adaptation), R.K Narayan’s?The Guide?and Nadeem Aslam’s?Maps For Lost Lovers. She also wrote for Westway and helped to create?Pyaar Ka Passort?for BBC World Service Trust. Her fiction includes a novel;?The Hope Chest?(Virago) and several short stories have been published internationally. Her translations from Urdu include?We Sinful Women, and Altaf Fatima’s novel,?The One Who Did Not Ask. Currently she is working on?Letting Go, a new play for Pursued by a Bear, and an adaptation for the BBC of Salman Rushdie’s?Midnight’s Children.

Award-winning playwright Jonathan Moore has been described as a “singular voice for his generation: furious, nihilistic, poetic…” (Time Out). This anthology brings together three of his critically acclaimed plays, including: This Other Eden, Fall From Light, and Treatment. ? The Plays This Other Eden?(Guardian Critics’s Choice): A story of passion. A wife and a mother. Her son and daughter. Her husband. The London Irish. Limboland. The hunger for a sense of a real culture. The desire for freedom… A tough play about a woman’s soul, told with beauty, humour and hope. “… the play burns with passion and indignation.”?Daily Telegraph Fall From Light: A young composer writes a new opera. The Director rejects it, but his lover, a young Diva, takes him to the council estate, where she and the composer grew up. There they meet Girly and his gang… A tale of art, savagery and redemption. Treatment?(Fringe First): Liam is part of a violent street gang but wants to escape. Trapped between two worlds, he has to choose between the dark allure of violence and the healing power of love.

The King in Yellow is a book of mysteries and supernatural stories by American writer Robert W. Chambers. The stories inspired production of the new hit HBO series True Detective. There are ten stories, the first four of which, The Repairer of Reputations, The Mask, In the Court of the Dragon, and The Yellow Sign, mention The King in Yellow, a forbidden play which induces despair or madness in those who read it.

Our narrator is hired by the New York Zoological Society to assist a professor who is in charge of their gardens and exhibits. He embarks on his search for a Great Auk, a species that was extinct for fifty or so years.

Uno de los más apuestos y codiciados solteros de Londres, lord Melsonby se encuentra inesperadamente, atrapado en el problema de la hermosa fugitiva, Perlita Lyford, heredera de una fortuna inmensa, huérfana de madre y pierde por último, ?su progenitor, que la deja al cuidado? de una? prima hermana suya, lady Whitton. Lo que su padre no sabía, es que ella se había casado con sir Gerbold, un hombre mucho más joven que ella, y cuando lady Whitton, se murió… él vio la oportunidad de echar mano a su fortuna y de autoproclamarse su tutor. Es este hombreperverso y cruel, que Perlita huye, que solamente quiere casarse con ella, para quedarse con su dinero. Perlita, desesperada e infeliz con el destino que le esperaba, en uno de sus usuales viajes, consiguió escaparse del faetón y llegar a una modesta posada llamada La Cabeza del Rey y enseguida encuentra a lord Melsonby y le pide ayuda. Ahí, empieza un enredo fascinante, entre él y la misteriosa dama, donde se ven mezclados en una romántica aventura, ?que los conduce desde la resplandeciente sociedad victoriana, hasta una peligrosa intriga en Marruecos. Esta es una más, de las muchas obras magistrales, de la más famosa autora moderna del romanticismo, Barbara Cartland .

The beautiful Joanna West’s parents had been killed in a very nasty road accident and as she is the only child she inherits her father and mother’s house in the County of Huntingdonshire. ???????? When she sees the condition of her house, she realises at once that it will need a great deal of money to be spent on it to make it as warm and cosy as her mother had done. ???????? Wondering what she could do to acquire the money that she so badly needs, Joanna remembers the big and impressive Castle nearby and wonders if she could use the spacious ballroom to give dancing lessons to earn her some money. ???????? When she approaches the charming and handsome Earl of Hollington, who has recently inherited the ancient Castle as well as his title, he too is desperately in need of money as The Castle had been badly neglected by his predecessors and is looking decidedly dilapidated and shoddy. ???????? He agrees to hire out the ballroom to Joanna for her dancing lessons after she has redecorated it and at her suggestion to let other members of the County rent rooms from him, providing that they pay to have those rooms restored. ???????? It is then that Lady Carisford, who the Earl only met on board the Liner when he was returning to England, arrives at The Castle unexpectedly. ???????? She is determined to capture the Earl as she realises that by marrying him she will own an important title and this will open wide the doors of High Society which she longs to shine in ???????? What happens when Lady Carisford tells Joanna that the Earl has asked her to marry him and how she and the Earl finds true happiness is all told in this romantic novel by BARBARA CARTLAND.

The Duke of Lavenham learns from a letter that the beautiful Lady Penelope who he finds fun and amusing, is telling her friends that she is going to marry him. The Duke is horrified as he has no intention of marrying anyone for many years to come and he hurries to visit Penelope to discuss the matter with her and tell her that he has no intention of marrying anybody. As he is leaving the house, a young girl sobbing hysterically jumps into his carriage and begs him to take her away. The girl, Devinia, who is a cousin of Penelope’s, tells the Duke that Penelope has had her dog killed and she wants to die too. She is terribly unhappy and he thinks that she has been very badly treated by Penelope and her family. The Duke takes her to his Castle in the country and it is then that he has the idea that, if he and Devinia pretend to become engaged to each other, Penelope’s father cannot accuse him of breach of promise. But the Duke is quite certain if Penelope has told so many people of their intended marriage that her father will consider that he has damaged her reputation and will insist on him marrying her. All this could be prevented if Devinia would become engaged to him and they could break it off as soon as it is safe to do so. Devinia is very happy at the Duke’s Castle in the country and loves riding his horses. How Penelope’s revenge on him is to have her kidnapped by a foreign nation and carried away to become the concubine to a ruler of their country. And how the Duke desperately sets out to find her, is told in this exciting and romantic novel by BARBARA CARTLAND.

Cine-ar fi crezut c? lumea afacerilor poate fi at?t de fascinant? ?i plin? de dramatism? 350 de milioane de dolari investite ?ntr-un model de automobil plin de imperfec?iuni, f?r? s? fie g?sit m?car un responsabil pentru acest e?ec; ascensiunea spectaculoas? a unei mici companii produc?toare de h?rtie fotografic? p?n? la actualul gigant Xerox, ?nceput? de o m?n? de oameni care ?i-au riscat chiar ?i averea personal? pentru o inova?ie revolu?ionar?; b?t?lia titanic? dus? de Rezerva Federal? a Statelor Unite pentru ap?rarea lirei sterline de atacurile speculatorilor; sunt doar c?teva dintre exemplele ce arat? c?, ?n lumea afacerilor ?i a Wall Streetului, oamenii pot da dovad? fie de geniu, spirit de cooperare ?i ?n?elepciune, fie de ?nc?p???nare ?i lips? de ra?iune, indiferent de miza aflat? ?n joc. Un avertisment c? istoria se poate oric?nd repeta.

Alessandro di Mariano di Vanni Filipepi, better known as Sandro Botticelli ( 1445 – 1510), was an Italian painter of the Early Renaissance. He belonged to the Florentine school under the patronage of Lorenzo de' Medici, a movement that Giorgio Vasari would characterize less than a hundred years later as a "golden age", a thought, suitably enough, he expressed at the head of his Vita of Botticelli. Botticelli's posthumous reputation suffered until the late 19th century; since then his work has been seen to represent the linear grace of Early Renaissance painting. Among his best known works are The Birth of Venus and Primavera. In 1481, Pope Sixtus IV summoned Botticelli and other prominent Florentine and Umbrian artists to fresco the walls of the Sistine Chapel. The iconological program was the supremacy of the Papacy. Sandro's contribution included the Temptations of Christ, the Punishment of the Rebels and Trial of Moses. He returned to Florence, and "being of a sophistical turn of mind, he there wrote a commentary on a portion of Dante and illustrated the Inferno which he printed, spending much time over it, and this abstention from work led to serious disorders in his living." Thus Vasari characterized the first printed Dante (1481) with Botticelli's decorations; he could not imagine that the new art of printing might occupy an artist. The masterpieces Primavera (c. 1482) and The Birth of Venus (c. 1485) were both seen by Vasari at the villa of Lorenzo di Pierfrancesco de' Medici at Castello in the mid-16th century, and until recently, it was assumed that both works were painted specifically for the villa. Recent scholarship suggests otherwise: the Primavera was painted for Lorenzo's townhouse in Florence, and The Birth of Venus was commissioned by someone else for a different site. By 1499, both had been installed at Castello. In these works, the influence of Gothic realism is tempered by Botticelli's study of the antique. But if the painterly means may be understood, the subjects themselves remain fascinating for their ambiguity. The complex meanings of these paintings continue to receive widespread scholarly attention, mainly focusing on the poetry and philosophy of humanists who were the artist's contemporaries. The works do not illustrate particular texts; rather, each relies upon several texts for its significance. Of their beauty, characterized by Vasari as exemplifying "grace" and by John Ruskin as possessing linear rhythm, there can be no doubt. In the mid-1480s, Botticelli worked on a major fresco cycle with Perugino, Domenico Ghirlandaio and Filippino Lippi, for Lorenzo the Magnificent's villa near Volterra; in addition he painted many frescoes in Florentine churches. In 1491 he served on a committee to decide upon a fa?ade for the Cathedral of Florence.

K?ztudott, hogy a pártállami diktatúra idején minden jobboldali gondolat eredend?en üld?zend?nek számított. De vajon hogyan élték túl a hagyományos politikai felosztás szerint jobboldalinak tekintett személyek és mozgalmak a Rákosi-, majd a Kádár-rendszer üld?ztetéseit? Kik választották az évtizedekre szóló, csendes ?alámerülést”, és kik azok, akik továbbra is aktívan képviselték korábbi eszméiket? ?s vajon a rendelkezésünkre álló dokumentumok alapján meg lehet-e kül?nb?ztetni a jobboldalhoz k?thet? valós társadalmi jelenségeket az állambiztonság konstruált ügyeit?l? Az UNGV?RY KRISZTI?N által szerkesztett tanulmányk?tet a Kádár-rendszer állambiztonsága szempontjából ?jobboldalinak” tekintett hagyomány és gondolkodás, illetve az ezt képvisel? csoportok 1945 és 1990 k?z?tti t?rténetéb?l ad reprezentatív válogatást. Mivel e meglehet?sen széles – a progresszív konzervatív eszmét?l a kisgazdákon át az egyetemi szervezkedésekig és a radikális széls?jobboldali mozgalmakig terjed? – politikai paletta szerepl?i és nézetei a kommunista és államszocialista diktatúra idején egyként ?ellenségesnek” min?sültek, a k?tet tanulmányai mindenekel?tt az állambiztonsági iratok feldolgozására épülnek. Az ?sszeállítás áttekintést nyújt az olvasónak a belügyminisztérium ?jobboldali” ellenségképér?l, részletesen tárgyalja a prominens kisgazda és kereszténydemokrata politikusok sorsát, illetve nyomon k?veti a háború el?tti széls?jobboldalhoz k?thet? mozgalmak utóéletét is. E hiánypótló k?tet kit?n? írásai nem csupán arra világítanak rá, hogy a jobboldali hagyományok hogyan élték túl búvópatakszer?en a háborút k?vet? fél évszázadot, de a ma jobboldalinak tekintett attit?d?ket és mentalitásokat is jobban érthet?vé teszik.

My Thoughtful Words