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Introduction
A New View of the World – Technology and the Natural Sciences Change the Mechanistic World View
Expression and Fragmentation
Matisse and the Wild Beasts in Paris: The Fauves and the Autonomy of Colour
Paula Modersohn-Becker and Tranquillity in Worpswede
Futurism: The Dynamisation of the Image
Expressionism and the Search for Contemporary Form
Cubism, Materiality, and Collage
Abstractions
The Russian Avant-Garde
De Stijl: The Uniformity of the Painting Surface
The Bauhaus
One Turn of the Screw Tighter During World War I
Dada and Its Surroundings
Explosive Visual Language
Veristic Tendencies
Surreal and Magical: Between the World Wars
Pittura Metafisica
Surrealism
Magical Realism and the New Objectivity
Degenerate Art
Sculpture in the First Half of the 20th Century
First Steps
The Fragmentation of Shape
Material Constructions
Bauhaus and De Stijl
Readymade and Surreal Objects
Homogenous as Nature
Concrete
Architecture in the First Half of the 20th Century
An Introductory Note
The U.S.A.
Europe During the First Two Decades
The ‘30s: Moscow, San Francisco, Nuremberg
New Beginnings on the International Scene after World War II
The Realists
New York and Abstract Expressionism
Europe and Abstract Expressionism
Abstract Expressionist Sculpture
The Sixties: Close to Real Life
Nouveaux Réalistes
Concrete Art
Op-Art and Kinetics: The View from the Centre
Pop Art
Nouvelle Figuration and New Realism
Photorealism
A Long Intermission: What You See Is What You See
Minimal Art
Conceptual Art
Sensitisation of the Senses
Campaigns, Happenings, Fluxus
Joseph Beuys
Arte Povera: Organic Energy
Natural Processes
Spurensicherung: Material Memory
Land Art: Ethereal Energies
Upheaval and Awakening
From the ‘60s to the ‘80s
The New Expressivity
Painting as Painting – An Everlasting Language
Media
Video and New Media
Photography: A Brief Look Back and Ahead
In the Wake of the Turn of the Millennium: Unknown Possibilities
Sculpture and Readymades
Painting and Installations toward the End of the Millennium
Architecture in the Second Half of the 20th Century
The First Two Decades after World War II
Cultural Buildings from the Late ‘50s to the Mid-’70s
Further Development of the Skyscraper: Four Examples
Parisian Cultural Buildings in the François Mitterrand Period
Postmodernism and Deconstruction
A New Sensibility
Berlin after Reunification
Architecture in the New Millennium
A Brief Look Back and Ahead
The Gigantic Dimensions of Architecture in the Emirates
The Future: Subtle Architecture
Conclusion
Bibliography
Index
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