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Cover
Copyright
Title Page
Dedication
Contents
List of Illustrations
Acknowledgments
Preface
Part One. The End of Impressionism
1. Introduction: The Subjectivity of Impressionism
2. Defining “Impressionism” and the “Impression”
3. Impressionism, Truth, and Positivism
4. The Subject/Object Distinction, Critical Evaluation, and Technical Procedure
5. Impressionism and Symbolism as Modes of Artistic Expression
Part Two. The Technique of Originality
6. Introduction: Matisse and Origins; Impressionism as “Modernism”; Making and Finding
7. Academics and Independents: Theories of Making and Theories of Finding
8. Corot, Monet, Cézanne, and the Technique of Originality
9. Bernard and Denis Meet Cézanne: Classical Tradition without Technical Convention
10. Roger Fry: Found Vision and Made Design
Part Three. Seeing Cézanne
11. Introduction: “Postimpressionism” and Expression
12. The Cézanne Legend
13. The Poussin Legend
14. Did Cézanne Have a Theory?
15. Cézanne’s Practice
Part Four. Conclusion: Making a Find
Making a Find
Notes
Index
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