Leonard Bernstein电子书

售价：¥

1人正在读 | 0人评论

9.8

作者：Bernstein, Burton

出版社：HarperCollins e-books

出版时间：2010-11-01

字数：48.5万

所属分类：进口书 > 外文原版书 > 小说

温馨提示：数字商品不支持退换货，不提供源文件，不支持导出打印

为你推荐

The Day I Will Never Forget

￥0.01

Harry Potter and the Philosopher's Stone

￥20.00

Pride and Prejudice

￥1.39

Last Chance: Short Stories about Friendship with a Twist and Moral Lesson

￥0.01
Cheyenne & The Easter Bunny

￥0.01

The Art of Public Speaking

￥8.01

简爱 Jane Eyre(英文原版)

￥9.99

Empath: How to Thrive in Life as a Highly Sensitive

￥0.01

读书简介
目录
累计评论(0条)

读书简介
目录
累计评论(0条)

One of the most gifted, celebrated, scrutinized, and criticized musicians in the second half of the twentieth century, Leonard Bernstein made his legendary conducting debut at the New York Philharmonic in 1943, at age 25. A year later, he became a sensation on Broadway with the premiere of On the Town. Throughout the 1950s, his Broadway fame only grew with Wonderful Town, Candide, and West Side Story. And in 1958, the Philharmonic appointed him the first American Music Director of a major symphony orchestra a signal historical event. He was adored as a quintessential celebrity but one who could do it all embracing both popular and classical music, a natural with the new medium of television, a born teacher, writer, and speaker, as well as a political and social activist. In 1976, having conducted the Philharmonic for more than one thousand concerts, he took his orchestra on tour to Europe for the last time.All of this played out against the backdrop of post-Second World War New York City as it rose to become the cultural capital of the world the center of wealth, entertainment, communications, and art and continued through the chaotic and galvanizing movements of the 1960s that led to its precipitous decline by the mid 1970s. The essays within this book do not simply retell the Bernstein story; instead, Leonard Bernstein's brother, Burton Bernstein, and current New York Philharmonic archivist and historian, Barbara B. Haws, have brought together a distinguished group of contributors to examine Leonard Bernstein's historic relationship with New York City and its celebrated orchestra. Composer John Adams, American historians Paul Boyer and Jonathan Rosenberg, music historians James Keller and Joseph Horowitz, conductor and radio commentator Bill McGlaughlin, musicologist Carol Oja, and music critics Tim Page and Alan Rich have written incisive essays, which are enhanced by personal reminiscences from Burton Bernstein. The result is a telling portrait of Leonard Bernstein, the musician and the man.

目录展开