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THE COMPLETE POETICAL WORKS OF SAMUEL TAYLOR COLERIDGE
VOL. I: POEMS
PREFACE
ABBREVIATIONS
ERRATA
EASTER HOLIDAYS[1:1]
DURA NAVIS[2:1]
NIL PEJUS EST CAELIBE VITÂ[4:1]
SONNET[5:1] TO THE AUTUMNAL MOON
ANTHEM[5:2] FOR THE CHILDREN OF CHRIST'S HOSPITAL
JULIA[6:1] [IN CHRIST'S HOSPITAL BOOK]
QUAE NOCENT DOCENT[7:1] [IN CHRIST'S HOSPITAL BOOK]
THE NOSE[8:1]
TO THE MUSE[9:1]
DESTRUCTION OF THE BASTILE[10:1]
LIFE[11:1]
PROGRESS OF VICE[12:1]
MONODY ON THE DEATH OF CHATTERTON[13:1]
AN INVOCATION[16:1]
ANNA AND HARLAND[16:2]
TO THE EVENING STAR[16:3]
PAIN[17:1]
ON A LADY WEEPING[17:2]
MONODY ON A TEA-KETTLE[18:1]
GENEVIEVE[19:1]
ON RECEIVING AN ACCOUNT THAT HIS ONLY SISTER'S DEATH WAS INEVITABLE[20:1]
ON SEEING A YOUTH AFFECTIONATELY WELCOMED BY A SISTER[21:1]
A MATHEMATICAL PROBLEM[21:2]
HONOUR[24:1]
ON IMITATION[26:1]
INSIDE THE COACH[26:2]
DEVONSHIRE ROADS[27:1]
MUSIC[28:1]
SONNET[29:1] ON QUITTING SCHOOL FOR COLLEGE
ABSENCE[29:2] A FAREWELL ODE ON QUITTING SCHOOL FOR JESUS COLLEGE, CAMBRIDGE
HAPPINESS[30:1]
A WISH[33:1] WRITTEN IN JESUS WOOD, FEB. 10, 1792
AN ODE IN THE MANNER OF ANACREON[33:2]
TO DISAPPOINTMENT[34:1]
A FRAGMENT FOUND IN A LECTURE-ROOM[35:1]
ODE[35:2]
A LOVER'S COMPLAINT TO HIS MISTRESS[36:1]
WITH FIELDING'S 'AMELIA'[37:1]
WRITTEN AFTER A WALK BEFORE SUPPER[37:3]
IMITATED FROM OSSIAN[38:1]
THE COMPLAINT OF NINATHÓMA[39:1]
SONGS OF THE PIXIES[40:1]
THE ROSE[45:1]
KISSES[46:2]
THE GENTLE LOOK[47:1]
SONNET[48:2] TO THE RIVER OTTER
AN EFFUSION AT EVENING
LINES[51:1] ON AN AUTUMNAL EVENING
TO FORTUNE[54:1]
PERSPIRATION. A TRAVELLING ECLOGUE[56:1]
[AVE, ATQUE VALE!][56:2]
ON BALA HILL[56:3]
LINES[57:1] WRITTEN AT THE KING'S ARMS, ROSS, FORMERLY THE HOUSE OF THE 'MAN OF ROSS'
IMITATED FROM THE WELSH[58:1]
TO A BEAUTIFUL SPRING IN A VILLAGE
IMITATIONS AD LYRAM[59:1]
TO LESBIA[60:2]
THE DEATH OF THE STARLING[61:1]
MORIENS SUPERSTITI[61:2]
MORIENTI SUPERSTES
THE SIGH[62:1]
THE KISS[63:1]
TO A YOUNG LADY[64:1] WITH A POEM ON THE FRENCH REVOLUTION
TRANSLATION[66:1] OF WRANGHAM'S 'HENDECASYLLABI AD BRUNTONAM E GRANTA EXITURAM'
TO MISS BRUNTON[67:1] WITH THE PRECEDING TRANSLATION
EPITAPH ON AN INFANT[68:1]
PANTISOCRACY[68:2]
ON THE PROSPECT OF ESTABLISHING A PANTISOCRACY IN AMERICA[69:1]
ELEGY[69:2] IMITATED FROM ONE OF AKENSIDE'S BLANK-VERSE INSCRIPTIONS [(No.) III.]
THE FADED FLOWER[70:1]
THE OUTCAST[71:1]
DOMESTIC PEACE[71:2] [FROM 'THE FALL OF ROBESPIERRE', ACT I, L. 210]
ON A DISCOVERY MADE TOO LATE[72:1]
TO THE AUTHOR OF 'THE ROBBERS'[72:2]
MELANCHOLY[73:1] A FRAGMENT
TO A YOUNG ASS[74:2] ITS MOTHER BEING TETHERED NEAR IT
LINES ON A FRIEND[76:1] WHO DIED OF A FRENZY FEVER INDUCED BY CALUMNIOUS REPORTS
TO A FRIEND[78:1] [CHARLES LAMB] TOGETHER WITH AN UNFINISHED POEM
SONNETS ON EMINENT CHARACTERS
I[79:2] TO THE HONOURABLE MR. ERSKINE
II[80:1] BURKE
III[81:1] PRIESTLEY
IV[82:1] LA FAYETTE
V[82:3] KOSKIUSKO
VI[83:1] PITT
VII[84:1] TO THE REV. W. L. BOWLES[84:2]
[SECOND VERSION][85:1]
VIII[85:2] MRS. SIDDONS
IX TO WILLIAM GODWIN[86:1]
X[87:1] TO ROBERT SOUTHEY
XI[87:2] TO RICHARD BRINSLEY SHERIDAN, ESQ.
TO LORD STANHOPE[89:1] ON READING HIS LATE PROTEST IN THE HOUSE OF LORDS
TO EARL STANHOPE[89:2]
LINES[90:2] TO A FRIEND IN ANSWER TO A MELANCHOLY LETTER
TO AN INFANT[91:1]
TO THE REV. W. J. HORT[92:1] WHILE TEACHING A YOUNG LADY SOME SONG-TUNES ON HIS FLUTE
PITY[93:1]
TO THE NIGHTINGALE[93:2]
COMPOSED WHILE CLIMBING THE LEFT ASCENT OF BROCKLEY COOMB, SOMERSETSHIRE, MAY 1795
LINES IN THE MANNER OF SPENSER[94:2]
THE HOUR WHEN WE SHALL MEET AGAIN[96:1]
WRITTEN AT SHURTON BARS, NEAR BRIDGEWATER, SEPTEMBER 1795, IN ANSWER TO A LETTER FROM BRISTOL
THE EOLIAN HARP[100:1] COMPOSED AT CLEVEDON, SOMERSETSHIRE
TO THE AUTHOR OF POEMS[102:2] [JOSEPH COTTLE] PUBLISHED ANONYMOUSLY AT BRISTOL IN SEPTEMBER 1795
THE SILVER THIMBLE[104:1]
REFLECTIONS ON HAVING LEFT A PLACE OF RETIREMENT[106:1]
RELIGIOUS MUSINGS[108:1]
MONODY ON THE DEATH OF CHATTERTON[125:1]
THE DESTINY OF NATIONS[131:1] A VISION
VER PERPETUUM[148:1] FRAGMENT
ON OBSERVING A BLOSSOM ON THE FIRST OF FEBRUARY 1796[148:2]
TO A PRIMROSE[149:2] THE FIRST SEEN IN THE SEASON
VERSES[150:1] ADDRESSED TO J. HORNE TOOKE AND THE COMPANY WHO MET ON JUNE 28TH, 1796, TO CELEBRATE HIS POLL AT THE WESTMINSTER ELECTION
ON A LATE CONNUBIAL RUPTURE IN HIGH LIFE[152:1]
SONNET[152:2] ON RECEIVING A LETTER INFORMING ME OF THE BIRTH OF A SON
SONNET[153:1] COMPOSED ON A JOURNEY HOMEWARD; THE AUTHOR HAVING RECEIVED INTELLIGENCE OF THE BIRTH OF A SON, SEPT. 20, 1796
TO A FRIEND WHO ASKED, HOW I FELT WHEN THE NURSE FIRST PRESENTED MY INFANT TO ME
SONNET[155:1] [TO CHARLES LLOYD]
TO A YOUNG FRIEND[155:2] ON HIS PROPOSING TO DOMESTICATE WITH THE AUTHOR
ADDRESSED TO A YOUNG MAN OF FORTUNE[157:1] [C. LLOYD] WHO ABANDONED HIMSELF TO AN INDOLENT AND CAUSELESS MELANCHOLY
TO A FRIEND[158:1] [CHARLES LAMB] WHO HAD DECLARED HIS INTENTION OF WRITING NO MORE POETRY
ODE TO THE DEPARTING YEAR[160:1]
THE RAVEN[169:1] A CHRISTMAS TALE, TOLD BY A SCHOOL-BOY TO HIS LITTLE BROTHERS AND SISTERS
TO AN UNFORTUNATE WOMAN AT THE THEATRE[171:1]
TO AN UNFORTUNATE WOMAN[172:1] WHOM THE AUTHOR HAD KNOWN IN THE DAYS OF HER INNOCENCE
TO THE REV. GEORGE COLERIDGE[173:1] OF OTTERY ST. MARY, DEVON
ON THE CHRISTENING OF A FRIEND'S CHILD[176:1]
TRANSLATION[177:1] OF A LATIN INSCRIPTION BY THE REV. W. L. BOWLES IN NETHER-STOWEY CHURCH
THIS LIME-TREE BOWER MY PRISON[178:1]
THE FOSTER-MOTHER'S TALE[182:1] A DRAMATIC FRAGMENT
THE DUNGEON[185:1]
THE RIME OF THE ANCIENT MARINER[186:1] IN SEVEN PARTS
SONNETS ATTEMPTED IN THE MANNER OF CONTEMPORARY WRITERS[209:1]
PARLIAMENTARY OSCILLATORS[211:1]
CHRISTABEL[213:1]
LINES TO W. L.[236:1] WHILE HE SANG A SONG TO PURCELL'S MUSIC
FIRE, FAMINE, AND SLAUGHTER[237:1] A WAR ECLOGUE
FROST AT MIDNIGHT[240:1]
FRANCE: AN ODE[243:1]
THE OLD MAN OF THE ALPS[248:1]
TO A YOUNG LADY[252:1] [MISS LAVINIA POOLE] ON HER RECOVERY FROM A FEVER
LEWTI[253:1] OR THE CIRCASSIAN LOVE-CHAUNT
FEARS IN SOLITUDE[256:1] WRITTEN IN APRIL 1798, DURING THE ALARM OF AN INVASION
THE NIGHTINGALE[264:1] A CONVERSATION POEM, APRIL, 1798
THE THREE GRAVES[267:1] A FRAGMENT OF A SEXTON'S TALE
THE WANDERINGS OF CAIN[285:1]
TO ----[292:1]
THE BALLAD OF THE DARK LADIÉ[293:1] A FRAGMENT
KUBLA KHAN[295:1]: OR, A VISION IN A DREAM. A FRAGMENT.
RECANTATION[299:1] ILLUSTRATED IN THE STORY OF THE MAD OX
HEXAMETERS[304:1]
TRANSLATION OF A PASSAGE IN OTTFRIED'S METRICAL PARAPHRASE OF THE GOSPEL
CATULLIAN HENDECASYLLABLES[307:1]
THE HOMERIC HEXAMETER[307:2] DESCRIBED AND EXEMPLIFIED
THE OVIDIAN ELEGIAC METRE DESCRIBED AND EXEMPLIFIED
ON A CATARACT[308:1] FROM A CAVERN NEAR THE SUMMIT OF A MOUNTAIN PRECIPICE
TELL'S BIRTH-PLACE[309:1] IMITATED FROM STOLBERG
THE VISIT OF THE GODS[310:1] IMITATED FROM SCHILLER
FROM THE GERMAN[311:1]
WATER BALLAD[311:2] [FROM THE FRENCH]
ON AN INFANT[312:1] WHICH DIED BEFORE BAPTISM
SOMETHING CHILDISH, BUT VERY NATURAL[313:1] WRITTEN IN GERMANY
HOME-SICK[314:1] WRITTEN IN GERMANY
LINES[315:1] WRITTEN IN THE ALBUM AT ELBINGERODE, IN THE HARTZ FOREST
THE BRITISH STRIPLING'S WAR-SONG[317:1] IMITATED FROM STOLBERG
NAMES[318:1] [FROM LESSING]
THE DEVIL'S THOUGHTS[319:1]
LINES COMPOSED IN A CONCERT-ROOM[324:1]
WESTPHALIAN SONG[326:1]
HEXAMETERS[326:2] PARAPHRASE OF PSALM XLVI
HYMN TO THE EARTH[327:1] [IMITATED FROM STOLBERG'S HYMNE AN DIE ERDE]
MAHOMET[329:1]
LOVE[330:1]
ODE TO GEORGIANA, DUCHESS OF DEVONSHIRE[335:1]
A CHRISTMAS CAROL[338:1]
TALLEYRAND TO LORD GRENVILLE[340:1] A METRICAL EPISTLE
APOLOGIA PRO VITA SUA[345:1]
THE KEEPSAKE[345:2]
A THOUGHT SUGGESTED BY A VIEW[347:1] OF SADDLEBACK IN CUMBERLAND
THE MAD MONK[347:2]
INSCRIPTION FOR A SEAT BY THE ROAD SIDE HALF-WAY UP A STEEP HILL FACING SOUTH[349:1]
A STRANGER MINSTREL[350:1] WRITTEN [TO MRS. ROBINSON,] A FEW WEEKS BEFORE HER DEATH
ALCAEUS TO SAPPHO[353:1]
THE TWO ROUND SPACES ON THE TOMBSTONE[353:2]
THE SNOW-DROP[356:1]
ON REVISITING THE SEA-SHORE[359:1] AFTER LONG ABSENCE, UNDER STRONG MEDICAL RECOMMENDATION NOT TO BATHE
ODE TO TRANQUILLITY[360:1]
TO ASRA[361:1]
THE SECOND BIRTH[362:1]
LOVE'S SANCTUARY[362:2]
DEJECTION: AN ODE[362:3]
THE PICTURE[369:1] OR THE LOVER'S RESOLUTION
TO MATILDA BETHAM FROM A STRANGER[374:1]
HYMN BEFORE SUN-RISE, IN THE VALE OF CHAMOUNI[376:2]
THE GOOD, GREAT MAN[381:1]
INSCRIPTION FOR A FOUNTAIN ON A HEATH[381:2]
AN ODE TO THE RAIN[382:2]
A DAY-DREAM[385:1]
ANSWER TO A CHILD'S QUESTION[386:1]
THE DAY-DREAM[386:2] FROM AN EMIGRANT TO HIS ABSENT WIFE
THE HAPPY HUSBAND[388:1] A FRAGMENT
THE PAINS OF SLEEP[389:1]
THE EXCHANGE[391:1]
AD VILMUM AXIOLOGUM[391:2] [TO WILLIAM WORDSWORTH]
AN EXILE[392:1]
SONNET[392:2] [TRANSLATED FROM MARINI]
PHANTOM[393:1]
A SUNSET[393:2]
WHAT IS LIFE?[394:1]
THE BLOSSOMING OF THE SOLITARY DATE-TREE[395:1] A LAMENT
SEPARATION[397:1]
THE RASH CONJURER[399:1]
A CHILD'S EVENING PRAYER[401:1]
METRICAL FEET[401:2] LESSON FOR A BOY
FAREWELL TO LOVE[402:1]
TO WILLIAM WORDSWORTH[403:1] COMPOSED ON THE NIGHT AFTER HIS RECITATION OF A POEM ON THE GROWTH OF AN INDIVIDUAL MIND
AN ANGEL VISITANT[409:1]
RECOLLECTIONS OF LOVE[409:2]
TO TWO SISTERS[410:1] [MARY MORGAN AND CHARLOTTE BRENT] A WANDERER'S FAREWELL
PSYCHE[412:1]
A TOMBLESS EPITAPH[413:1]
FOR A MARKET-CLOCK[414:1]
THE MADMAN AND THE LETHARGIST[414:2] AN EXAMPLE
THE VISIONARY HOPE[416:1]
EPITAPH ON AN INFANT[417:1]
THE VIRGIN'S CRADLE-HYMN[417:2]
TO A LADY[418:1] OFFENDED BY A SPORTIVE OBSERVATION THAT WOMEN HAVE NO SOULS
REASON FOR LOVE'S BLINDNESS[418:2]
THE SUICIDE'S ARGUMENT[419:1]
NATURE'S ANSWER
TIME, REAL AND IMAGINARY[419:2] AN ALLEGORY
AN INVOCATION[420:1] FROM REMORSE
THE NIGHT-SCENE[421:1] A DRAMATIC FRAGMENT
A HYMN[423:1]
TO A LADY[424:1] WITH FALCONER'S SHIPWRECK
HUMAN LIFE[425:1] --ON THE DENIAL OF IMMORTALITY
SONG[426:1] FROM ZAPOLYA
HUNTING SONG[427:1] FROM ZAPOLYA
FAITH, HOPE, AND CHARITY[427:2] FROM THE ITALIAN OF GUARINI
TO NATURE[429:1]
LIMBO[429:2]
NE PLUS ULTRA[431:1]
THE KNIGHT'S TOMB[432:1]
ON DONNE'S POETRY[433:1]
ISRAEL'S LAMENT[433:2]
FANCY IN NUBIBUS[435:1] OR THE POET IN THE CLOUDS
THE TEARS OF A GRATEFUL PEOPLE[436:1]
YOUTH AND AGE[439:1]
THE REPROOF AND REPLY[441:1]
FIRST ADVENT OF LOVE[443:2]
THE DELINQUENT TRAVELLERS[443:3]
WORK WITHOUT HOPE[447:1] LINES COMPOSED 21ST FEBRUARY 1825
SANCTI DOMINICI PALLIUM[448:1] A DIALOGUE BETWEEN POET AND FRIEND
SONG[450:2]
A CHARACTER[451:1]
THE TWO FOUNTS[454:1] STANZAS ADDRESSED TO A LADY ON HER RECOVERY WITH UNBLEMISHED LOOKS, FROM A SEVERE ATTACK OF PAIN
CONSTANCY TO AN IDEAL OBJECT[455:1]
THE PANG MORE SHARP THAN ALL[457:1] AN ALLEGORY
DUTY SURVIVING SELF-LOVE[459:1] THE ONLY SURE FRIEND OF DECLINING LIFE
HOMELESS[460:1]
LINES[460:2] SUGGESTED BY THE LAST WORDS OF BERENGARIUS
REFLECTION ON THE ABOVE
EPITAPHIUM TESTAMENTARIUM[462:1]
+Erôs aei lalêthros hetairos+[462:2]
THE IMPROVISATORE[462:3] OR, 'JOHN ANDERSON, MY JO, JOHN'
TO MARY PRIDHAM[468:1] [AFTERWARDS MRS. DERWENT COLERIDGE]
ALICE DU CLOS[469:1] OR THE FORKED TONGUE, A BALLAD
LOVE'S BURIAL-PLACE[475:1]
LINES[476:1] TO A COMIC AUTHOR, ON AN ABUSIVE REVIEW
COLOGNE[477:1]
ON MY JOYFUL DEPARTURE[477:5] FROM THE SAME CITY
THE GARDEN OF BOCCACCIO[478:1]
LOVE, HOPE, AND PATIENCE IN EDUCATION[481:1]
TO MISS A. T.[482:1]
WRITTEN IN COMMONPLACE BOOK OF MISS BARBOUR, DAUGHTER OF THE MINISTER OF THE U.S.A. TO ENGLAND
SONG, ex improviso[483:2] ON HEARING A SONG IN PRAISE OF A LADY'S BEAUTY
LOVE AND FRIENDSHIP OPPOSITE[484:1]
NOT AT HOME[484:2]
PHANTOM OR FACT[484:3] A DIALOGUE IN VERSE
DESIRE[485:1]
CHARITY IN THOUGHT[486:1]
HUMILITY THE MOTHER OF CHARITY[486:2]
[COELI ENARRANT][486:3]
REASON[487:1]
SELF-KNOWLEDGE[487:2]
FORBEARANCE[488:1]
LOVE'S APPARITION AND EVANISHMENT[488:3] AN ALLEGORIC ROMANCE
TO THE YOUNG ARTIST[490:1] KAYSER OF KASERWERTH
MY BAPTISMAL BIRTH-DAY[490:2]
EPITAPH[491:1]
VOLUME 2 DRAMATIC WORKS
THE FALL OF ROBESPIERRE[495:1] AN HISTORIC DRAMA
OSORIO, A TRAGEDY[518:1]
THE PICCOLOMINI[598:1] OR, THE FIRST PART OF WALLENSTEIN, A DRAMA, TRANSLATED FROM THE GERMAN OF SCHILLER
THE DEATH OF WALLENSTEIN, A TRAGEDY IN FIVE ACTS
REMORSE[812:1]
ZAPOLYA[883:1] A CHRISTMAS TALE,. IN TWO PARTS[883:2]
EPIGRAMS[951:1]
JEUX D'ESPRIT
FRAGMENTS FROM A NOTEBOOK[988:1]
FRAGMENTS[996:1]
METRICAL EXPERIMENTS[1014:1]
APPENDIX I
APPENDIX II
APPENDIX III
APPENDIX IV
APPENDIX V
APPENDIX VI
BIBLIOGRAPHY OF THE POETICAL WORKS OF SAMUEL TAYLOR COLERIDGE
APPENDIX
BIBLIOGRAPHICAL APPENDIX
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