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Power Stronger Than Itself电子书

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作       者:Lewis, George E.

出  版  社:University of Chicago Press

出版时间:2008-09-15

字       数:133.9万

所属分类: 进口书 > 外文原版书 > 其他

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  • 读书简介
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Founded in 1965 and still active today, the Association for the Advancement of Creative Musicians (AACM) is an American institution with an international reputation. George E. Lewis, who joined the collective as a teenager in 1971, establishes the full importance and vitality of the AACM with this communal history, written with a symphonic sweep that draws on a cross-generational chorus of voices and a rich collection of rare images.Moving from Chicago to New York to Paris, and from founding member Steve McCall's kitchen table to Carnegie Hall, A Power Stronger Than Itself uncovers a vibrant, multicultural universe and brings to light a major piece of the history of avant-garde music and art.
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preface THE AACM AND AMERICAN EXPERIMENTALISM

acknowledgments

introduction AN AACM BOOK:ORIGINS, ANTECEDENTS, OBJECTIVES, METHODS

chapter summaries

Chapter 1: Foundations and Prehistory

Chapter 2: New Music, New York

Chapter 3: The Development of the Experimental Band

Chapter 4: Founding the Collective

Chapter 5: First Fruits

Chapter 6: The AACM Takes Off

Chapter 7: Americans in Paris

Chapter 8: The AACM' s Next Wave

Chapter 9: The AACM in New York

Chapter 10: The New Regime in Chicago

Chapter 11: Into the Third Decade

Chapter 12 (Transition and Reflections), and Afterword

1 FOUNDATIONS AND PREHISTORY

Coming North: From Great Migration to Great Depression

EarIy MusicaI Experiences

Improvisation and Autodidacticism in 1950s Chicago

The End of an Era

2 NEW MUSIC, NEW YORK

CuItures of Spontaneity: Integrationism and the Two Avant- Gardes

Beyond a Bebop Boundary: The ChaIIenge of New Music

CriticaI Responses: Anger, Noise, FaiIure

A Far Cry from New York: Segregation and Chicago Music

3 THE DEVELOPMENT OF THE EXPERIMENTAL BAND

AIternative Pedagogies of ExperimentaI Music

Eyes on the Sparrow: The First New Chicagoans

4 FOUNDING THE COLLECTIVE

Urban DecIine and the Turn to Communitarianism

Born on the Kitchen TabIe: Conceiving the Association

Naming Ceremony: BIack Power and BIack Institutions

5 FIRST FRUITS

The First Year: Concerts, Critics, and Issues

New ArrivaIs and the University of Chicago

TraveI, Recording, and Intermedia

Memories of the Sun: The AACM and Sun Ra

6 THE AACM TAKES OFF

The BIack Arts Movement in Chicago

New ArrivaIs and New Ideas

The AACM SchooI

Performing SeIf- Determination

CuIturaI NationaIism in Postmodern Transition

7 AMERICANS IN PARIS

Conceiving the WorId Audience

Le Nouveau Paris Noir: CoIIectivity, Competition, and Excitement

The PoIitics of CuIture: BIack Power and May 1968

Die Emanzipation: The Rise of European Free Improvisation

Homecoming

8 THE AACM' S NEXT WAVE

More from the Midwest: The BIack Artists Group

New EIbows on the TabIe: The AACM' s Second Wave

Ten Years After: The Association Comes of Age

9 THE AACM IN NEW YORK

Migration and Invasion

Europe and the Lofts

Beyond a Binary: The AACM and the Crisis in Criticism

Diversity and Its Discontents: New American Music after the Jazz Age

10 THE NEW REGIME IN CHICAGO

GenerationaI Shifts in the CoIIective

The Two CuItures and a New Chapter

Form and Funding: PhiIanthropy and BIack Music in the 1970s

Strains, SwirIs, and SpIits

11 INTO THE THIRD DECADE

The 1980s: Canons and Heterophony

Great BIack Music: The LocaI and the GIobaI

Leading the Third Wave: The New Women of the AACM

12 TRANSITION AND REFLECTIONS

New York in Transition

Chicago in RefIection

J' ai deux amours . . .

afterword

The Way of the Arranger

The IndividuaI

The Book

Expansion and Sacrifice

Boxing with Tradition

Regrets

SurvivaI

ContempIating the Postjazz Continuum

Atmospheres

Futures

appendix a INTERVIEWS CONDUCTED BY THE AUTHOR

appendix b SELECTED AACM RECORDINGS

bibIiography

Index

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