With the arrival of the transcontinental railroad in the 1880s came the emergence of a modern and profoundly multicultural New Mexico. Native Americans, working-class Mexicans, elite Hispanos, and black and white newcomers all commingled and interacted in the territory in ways that had not been previously possible. But what did it mean to be white in this multiethnic milieuAnd how did ideas of sexuality and racial supremacy shape ideas of citizenry and determine who would govern the region?Coyote Nation considers these questions as it explores how New Mexicans evaluated and categorized racial identities through bodily practices. Where ethnic groups were numerous and-in the wake of miscegenation-often difficult to discern, the ways one dressed, bathed, spoke, gestured, or even stood were largely instrumental in conveying one's race. Even such practices as cutting one's hair, shopping, drinking alcohol, or embalming a deceased loved one could inextricably link a person to a very specific racial identity.A fascinating history of an extraordinarily plural and polyglot region, Coyote Nation will be of value to historians of race and ethnicity in American culture.
From Mother and Daughter
Among the best-known and most prolific French women writers of the sixteenth century, Madeleine (1520-87) and Catherine (1542-87) des Roches were celebrated not only for their uncommonly strong mother-daughter bond but also for their bold assertion of poetic authority for women in the realm of belles lettres. The Dames des Roches excelled in a variety of genres, including poetry, Latin and Italian translations, correspondence, prose dialogues, pastoral drama, and tragicomedy; collected in From Mother and Daughter are selections from their celebrated oeuvre, suffused with an engaging and enduring feminist consciousness. Madeleine and Catherine spent their entire lives in civil war-torn Poitiers, where a siege of the city, vandalism, and desecration of churches fueled their political and religious commentary. Members of an elite literary circle that would inspire salon culture during the next century, the Dames des Roches addressed the issues of the day, including the ravages of religious civil wars, the weak monarchy, education for women, marriage and the family, violence against women, and the status of women intellectuals. Through their collaborative engagement in shared public discourse, both mother and daughter were models of moral, political, and literary agency.
Looking Back at the Arkansas Gazette
The Arkansas Gazette was born in a log cabin November 20, 1819, on a bank of the Arkansas River. A local establishment donated a barrel of whiskey to celebrate the event. The first issue carried a complaint from a citizen that the town had too many lawyers. When the paper died 167 years later, the problem was not lawyers but corporate executives who had found themselves, to their confusion, in charge of the oldest newspaper west of the Mississippi and not knowing what to do with it.
Civic War and the Corruption of the Citizen
In this unique book, Peter Alexander Meyers leads us through the social processes by which shock incites terror, terror invites war, war invokes emergency, and emergency supports unchecked power. He then reveals how the domestic political culture created by the Cold War has driven these developments forward since 9/11, contending that our failure to acknowledge that this Cold War continues today is precisely what makes it so dangerous. With eloquence and urgency Meyers argues that the mantra of our time-"everything changed on 9/11!"-is false and pernicious. By contrast, Civic War and the Corruption of the Citizen provides a novel account of long-term transformations in the citizen's experience of war, the constitution of political powers, and public uses of communication, and from that firm historical basis explains how a convergence of these social facts became the pretext for unprecedented opportunism and irresponsibility after 9/11. Where others have observed that our rights are under attack, Meyers digs deeper and finds that today "government by the people" itself is at risk. Sparkling with historical and philosophical insight, this is a dramatic diagnosis of the American political scene that at once makes clear the new position of the citizen and the necessity for active citizenship if democracy is to endure.
Laws of Cool
Knowledge work is now the reigning business paradigm and affects even the world of higher education. But what perspective can the knowledge of the humanities and arts contribute to a world of knowledge work whose primary mission is businessAnd what is the role of information technology as both the servant of the knowledge economy and the medium of a new technological coolIn The Laws of Cool, Alan Liu reflects on these questions as he considers the emergence of new information technologies and their profound influence on the forms and practices of knowledge.
Theological Basis of Liberal Modernity in Montesquieu's "Spirit of the Laws"
The Spirit of the Laws-Montesquieu's huge, complex, and enormously influential work-is considered one of the central texts of the Enlightenment, laying the foundation for the liberally democratic political regimes that were to embody its values. In his penetrating analysis, Thomas L. Pangle brilliantly argues that the inherently theological project of Enlightenment liberalism is made more clearly-and more consequentially- in Spirit than in any other work.In a probing and careful reading, Pangle shows how Montesquieu believed that rationalism, through the influence of liberal institutions and the spread of commercial culture, would secularize human affairs. At the same time, Pangle uncovers Montesquieu's views about the origins of humanity's religious impulse and his confidence that political and economic security would make people less likely to sacrifice worldly well-being for otherworldly hopes. With the interest in the theological aspects of political theory and practice showing no signs of diminishing, this book is a timely and insightful contribution to one of the key achievements of Enlightenment thought.
Theatricality of Greek Tragedy
Ancient Greek tragedy has been an inspiration to Western culture, but the way it was first performed has long remained in question. In The Theatricality of Greek Tragedy, Graham Ley provides an illuminating discussion of key issues relating to the use of the playing space and the nature of the chorus, offering a distinctive impression of the performance of Greek tragedy in the fifth century BCE. Drawing on evidence from the surviving texts of tragedies by Aeschylus, Sophocles, and Euripides, Ley explains how scenes with actors were played in the open ground of the orchestra, often considered as exclusively the dancing place of the chorus. In reviewing what is known of the music and dance of Greek antiquity, Ley goes on to show that in the original productions the experience of the chorus-expressed in song and dance and in interaction with the characters-remained a vital characteristic in the performance of tragedy.Combining detailed analysis with broader reflections about the nature of ancient Greek tragedy as an art form, this volume-supplemented with a series of illustrative drawings and diagrams-will be a necessary addition to the bookshelf of anyone interested in literature, theater, or classical studies.
Why did America invade IraqWhy do nations choose to fight certain wars and not othersHow do we bring ourselves to believe that the sacrifice of our troops is acceptableFor most, the answers to these questions are tied to struggles for power or resources and the machinations of particular interest groups. Philip Smith argues that this realist answer to the age-old "why war?" question is insufficient. Instead, Smith suggests that every war has its roots in the ways we tell and interpret stories.Comprised of case studies of the War in Iraq, the Gulf War, and the Suez Crisis, Why Wardecodes the cultural logic of the narratives that justify military action. Each nation, Smith argues, makes use of binary codes-good and evil, sacred and profane, rational and irrational, to name a few. These codes, in the hands of political leaders, activists, and the media, are deployed within four different types of narratives-mundane, tragic, romantic, or apocalyptic. With this cultural system, Smith is able to radically recast our "war stories" and show how nations can have vastly different understandings of crises as each identifies the relevant protagonists and antagonists, objects of struggle, and threats and dangers.The large-scale sacrifice of human lives necessary in modern war, according to Smith, requires an apocalyptic vision of world events. In the case of the War in Iraq, for example, he argues that the United States and Britain replicated a narrative of impending global doom from the Gulf War. But in their apocalyptic account they mistakenly made the now seemingly toothless Saddam Hussein once again a symbol of evil by writing him into the story alongside al Qaeda, resulting in the war's contestation in the United States, Britain, and abroad.Offering an innovative approach to understanding how major wars are packaged, sold, and understood, Why Warwill be applauded by anyone with an interest in military history, political science, cultural studies, and communication.
Perspectives on Food-Safety Issues of Animal-Derived Foods
As recent stories in the news have shown, maintaining the integrity of the food supply is of critical importance to the consumer. Thousands of Americans die each year from food-borne illnesses, and millions more get sick. Tremendous strides have been made to reduce the incidence of food-borne diseases originating from animal-derived foods, but food safety and food-borne pathogens continue to remain problematic throughout the world. Food-safety scientists from around the nation continue to conduct groundbreaking research not only to understand causative factors in food-borne pathogen prevalence but to develop novel intervention strategies for limiting contamination in all phases of food animal production. The twenty-four essays in this book highlight research efforts of researchers from the tristate Food Safety Consortium established in 1988 by Congress as a research alliance of food-safety scientists at the University of Arkansas, Iowa State University, and Kansas State University. Members of the consortium conduct research through an annual grant approved by Congress and administered by the U.S. Department of Agriculture. Its mission is to conduct extensive investigation into all areas of poultry, beef, and pork meat production, from the farm to the consumer's table. In addition to the consortium researchers, collaborative university researchers, government officials, and industry personnel provide timely reviews of their latest findings with regard to five significant subject areas: preharvest food-borne pathogen ecology and intervention strategies, postharvest food-borne pathogen ecology, rapid methods and detection strategies for food-borne pathogens, antibiotics and antimicrobials in food safety, and emerging issues in food safety. Progress in these research areas provides opportunities to further enhance protection of animal-derived foods from farm to fork.
Not Without Honor
Not Without Honor threads together the stories of three American POWs-Carano; his buddy Bill Blackmon, who was also at Stalag 17 b; and John C. Bitzer, who survived the brutal "e;Death March"e; from northern Germany to liberation in April 1945. At times the journal reads like a thriller as he records air battles and escape attempts. Yet in their most gripping accounts, these POWs ruminate on psychological survival. The sense of community they formed was instrumental to their endurance. This compelling book allows the reader to journey with these young men as they bore firsthand witness to the best and worst of human nature.
集成电路后端设计流程长、环节多，而且每个环节、每个工种都涉及非常多的背景知识和技能。为了让读者能够系统地掌握后端设计必备的基础知识，本书不仅在广度上全面覆盖集成电路后端设计的三个重要设计大方向：全定制、半定制和静态时序分析，而且在深度上覆盖了后端三大重要设计方向之间相互关联的技术点。并以此来贯穿整个后端设计流程，使读者在广度和技术点衔接两方面深入理解整个后端设计技术和流程细节。本书不拘泥于枯燥理论的灌输，把整个集成电路后端设计过程通过结合业内主流EDA设计工具和实践操作的形式进行讲解，最终以理论联系实际的方法来真正地提高读者学以致用的工程技术设计能力。本书是任何想要学习集成电路后端设计的读者必读的。 本书特点： 系统而且深入，既对后端设计知识的广度有足够的覆盖，同时也不乏深度和细致。 从完整工程设计的角度出发，结合主流工具，实操性强。 涉及的实验技术资料可以在相关EETOP【后端设计】分论坛下载。 作者将定期在EETOP分论坛与本书读者进行互动和交流，解答读者问题。
Cry for Justice
This book will build on the work of Davis and Lackner by exploring the nature of the “cry for justice”lifted by Rudd throughout the years of his newspaper's publication．My primary thesis is that from 1886 through the newspaper's collapse, circa 1897, Rudd promoted a church-centered vision of justice that presumed for the Catholic Church a vital role in the establishment of a racially equitable society in America．Appealing to the “Fatherhood of God and Brotherhood of Man,”the editor of the American Catholic Tribune employed the theologically rich nomenclature of the day．These convictions regarding the fundamental unity of the human family found support both in the teachings of Jesus and the Christian Doctrine of Creation．Rudd argued the best hope for African Americans living in late nineteenth-century America was the Catholic Church．He believed that through its mission and ministry justice would indeed prevail in American society．Moreover, during this same period Rudd found sufficient evidence and encouragement from church leaders to believe that this divine institution would play a pivotal role in society's eventual recognition of the full equality of African Americans.
Finding the Lost Year
This book would not have been written without the advice and generous kindness of friends, colleagues, and those who were once strangers. Because the research for this book began over thirteen years ago, citing each individual who helped me along the way is impossible, but to each of you I am grateful. For the many Lost Year participants who granted me interviews, thank you for allowing me to tell your story. For all those at the University of Arkansas Special Collections, the University of Central Arkansas Archives, and the University of Arkansas at Little Rock Archives, I am appreciative of your responses to my many requests for help. A number of institutions provided funding for the research for this book, as well as the research and production of the sixty-minute documentary entitled The Lost Year: the Arkansas Council for the Humanities, the National Endowment for the Humanities, the Fred Darragh Foundation, and the President's Fund at the University of Central Arkansas. Funding for the Web site www.thelostyear.com came from the Bridge Fund at the Arkansas Community Foundation.
Secret Trust of Aspasia Cruvellier Mirault
Throughout the seven-year journey of researching and writing this book, I have been the fortunate beneficiary of much guidance, support, and encouragement．Institutional support came in the way of a year-long sabbatical from my teaching and administrative duties at Clark Atlanta University．That sabbatical period, occurring early in the life of this project, gave me the time to conceptualize my ideas about Aspasia Mirault and her nineteenth-century world and to construct a first draft of the manu*．I am grateful also for two awards received in my current role as a faculty member at Huston-Tillotson University．A Sam Taylor Fellowship Award from the General Board of Higher Education and Ministry of the United Methodist Church provided funding for two visits to archival repositories at the final stages of this project．For the past two Decembers, I received UNCF-Mellon Book/Research Awards from the UNCFMellon Programs．These awards were used to purchase photographs and to defray duplicating costs.
An Orchard Invisible
Seeds have a mirrored life, the original in nature and another reflected in literature and the imagination. The Welsh proverb simultaneously expresses both the biological potential of seeds and their metaphorical power. The American philosopher and early conservationist Henry David Thoreau, who was fascinated by seeds and inspired by them, wrote, “I have great faith in a seed. Convince me that you have a seed there, and I am prepared to expect wonders.” Who cannot wonder that the largest organism on this planet, the giant redwood Sequoiadendron giganteum nicknamed “General Sherman,” which weighs roughly the equivalent of a fleet of six Boeing 747400 Jumbo Jets, germinated more than two thousand years ago from a seed weighing only a six-thousandth of a gram?
Listing the credits for this book must begin with Nancy Gately, for it was she, shortly before her death in 2010, who recognized that Leland Duvall’s wartime letters had both literary and historical value. It came about this way: At lunch with other residents at the retirement home, Nancy heard her new neighbor, Letty Duvall, say that her daughter had discovered the love letters to Letty from her future husband while cleaning out the garage and that she was having fun rereading them after sixtyfive years. Nancy asked if she could read a few and, having done so, insisted that they be made into a book. Letty was sure that Leland would have been mortified at the thought of thousands of people pawing around in his thoughts, but she agreed that Nancy should ask my advice. My idea, naturally, was that the letters deserved to be published and that, while he probably would not have cared one way or the other, Leland might have found some satisfaction in having them published since he had taken great pleasure in writing every one of them. Letty consented.
Power Stronger Than Itself
Founded in 1965 and still active today, the Association for the Advancement of Creative Musicians (AACM) is an American institution with an international reputation. George E. Lewis, who joined the collective as a teenager in 1971, establishes the full importance and vitality of the AACM with this communal history, written with a symphonic sweep that draws on a cross-generational chorus of voices and a rich collection of rare images.Moving from Chicago to New York to Paris, and from founding member Steve McCall's kitchen table to Carnegie Hall, A Power Stronger Than Itself uncovers a vibrant, multicultural universe and brings to light a major piece of the history of avant-garde music and art.
Theory of Rules
Karl N. Llewellyn was one of the founders and major figures of legal realism, and his many keen insights have a central place in American law and legal understanding. Key to Llewellyn's thinking was his conception of rules, put forward in his numerous writings and most famously in his often mischaracterized declaration that they are "pretty playthings." Previously unpublished, The Theory of Rules is the most cogent presentation of his profound and insightful thinking about the life of rules.This book frames the development of Llewellyn's thinking and describes the difference between what rules literally prescribe and what is actually done, with the gap explained by a complex array of practices, conventions, professional skills, and idiosyncrasies, most of which are devoted to achieving a law's larger purpose rather than merely following the letter of a particular rule. Edited, annotated, and with an extensive analytic introduction by leading contemporary legal scholar Frederick Schauer, this rediscovered work contains material not found elsewhere in Llewellyn's writings and will prove a valuable contribution to the existing literature on legal realism.