James Stark, aka Sandman Slim, has met his share of demons and angels, on earth and beyond. Now, in this high octane seventh installment of the Sandman Slim series, he's come face to face with the one entity few care to meet: Death.Someone has tried to kill Death—ripping the heart right out of him—or rather, the body he's inhabiting. So Death wants Sandman Slim's help, because the man who can beat Lucifer and the old gods at their own game is the only one who can solve the murder of someone who can't die.Stark follows a sordid trail deep into L.A.'s subterranean world, from vampire-infested nightclubs to talent agencies specializing in mad ghosts, from Weimar Republic mystical societies to sleazy supernatural underground fight and sex clubs. Along the way he meets a mysterious girl—distinguished by a pair of graveyard eyes—as badass as Slim: she happens to be the only person who ever outwitted Death. But escaping her demise has had dire consequences for the rest of the world . . . and a few others.For years, Slim has been fighting cosmic forces bent on destroying Heaven, Hell, and Earth. This time, the battle is right here on the gritty streets of the City of Angels, where a very clever, very ballsy killer lies in wait.

At an elite New England art school, two young women collide. Paulina is a sexually adventurous wannabe queen bee with a devastating mean- girl streak. Fran is a gifted yet reluctant painter with gorgeous curly hair and uncertain dreams. On a trip to Norway the two are drawn together, but as adult life encroaches, jealousy and unexpected love tear them apart. Rachel B. Glaser's Paulina & Fran is both a sparkling dance party of a novel and a wicked, wistful snapshot of that moment when the carefree cocoon of adolescence opens into the permanent, unknowable future.

I fell in love with William Ashe at gunpoint, in a Circle KFor single mom Shandi Pierce, life is a juggling act. She's finishing college; raising her delightful three-year-old genius son, Nathan, aka Natty Bumppo; and keeping the peace between her eternally warring, long-divorced Christian mother and Jewish father. She's got enough to deal with before she gets caught in the middle of a stickup in a gas station mini-mart and falls in love with a great wall of a man named William Ashe, who steps between the armed robber and her son to shield the child from danger.Shandi doesn't know that her blond god has his own baggage. When he looked down the barrel of the gun in the gas station he believed it was destiny: it's been exactly one year since a tragic act of physics shattered his universe. But William doesn't define destiny the way other people do. A brilliant geneticist who believes in science and numbers, destiny to him is about choice.Now, William and Shandi are about to meet their so-called destinies head-on, making choices that will reveal unexpected truths about love, life, and the world they think they know.Someone Else's Love Story is Joshilyn Jackson's funny, charming, and poignant novel about science and miracles, secrets and truths, faith and forgiveness; about falling in love and learning that things aren't always what they seem—or what we hope they will be. It's a story about discovering what we want and ultimately finding what we need.

In Sucess Stories, an exceptionally varied yet coherent collection, Russell Banks proves himself one of the most astute and forceful writers in America today. Queen for a Day, Success Story, and Adultery trace fortunes of the Painter family in there pursuit of and retreat from the American dream. Banks also explores the ethos of rampant materialism in a group of contemporary moral fables. The Fish is an evocating parable of faith and greed set in a Southeast Asian village, The Gully tells of the profitability of violence and the ironies of upward mobility in a Latin American shantytown, and Chrildren's Story explores the repressed rage that boils beneath the surface of relationships between parents and children and between citizens of the first and third worlds.

World War I nurse and amateur sleuth Bess Crawford matches wits with a devious killer in this exciting and suspenseful adventure from New York Times bestselling author Charles Todd In the spring of 1918, the Spanish flu epidemic spreads, killing millions of soldiers and civilians across the globe. Overwhelmed by the constant flow of wounded soldiers coming from the French front, battlefield nurse Bess Crawford must now contend with hundreds of influenza patients as well. However, war and disease are not the only killers to strike. Bess discovers, concealed among the dead waiting for burial, the body of an officer who has been murdered. Though she is devoted to all her patients, this soldier's death touches her deeply. Not only did the man serve in her father's former regiment, he was also a family friend.Before she can report the terrible news, Bess falls ill, the latest victim of the flu. By the time she recovers, the murdered officer has been buried, and the only other person who saw the body has hanged himself. Or did heWorking her father's connections in the military, Bess begins to piece together what little evidence she can find to unmask the elusive killer and see justice served. But she must be as vigilant as she is tenacious. With a determined killer on her heels, each move Bess makes could be her last.

In a glamorous Newport mansion filled with secrets, a debonair lawyer must separate truth from deception. . . .Spring 1921. The Great War is over, Prohibition is in full swing, the Great Depression is still years away. Wealthy families flock to the glittering "summer cottages" they built in Newport, Rhode Island.Having sheltered in Newport during his misspent youth, attorney Adrian de la Noye is no stranger to the city. Though he'd prefer to forget the place, he returns to revise the will of a well-heeled client. Bennett Chapman's offspring have the usual concerns about their father's much-younger fiancée. But when they learn of the old widower's firm belief that his late first wife, who "communicates" via séance, has chosen the stunning Catharine Walsh for him, they're shocked. And for Adrian, encountering Catharine in the last place he saw her decades ago proves to be a far greater surprise.Adrian is here to handle a will, and he intends to do so—just as soon as he unearths every last secret about the Chapmans, Catharine Walsh . . . and his own very fraught history.Vividly bringing to life the glitzy era of the 1920s, Newport is a skillful alchemy of social satire, dark humor, and finely drawn characters.

From the inimitable and utterly unconventional voice of Nell Zink comes a wickedly humorous and sharply observed novel that exposes all of our assumptions about race and racism, sexuality and desire, through the making and unmaking of one American family.In 1960s Virginia, college freshman and ingenue Peggy falls for professor and poet Lee, and what begins as an ill-advised affair results in an unplanned pregnancy and marriage. Mismatched from the start—she's a lesbian; he's gay—Peggy eventually finds herself in crisis and runs away with their daughter, leaving their son behind.Estranged from the rest of the family, Peggy and her daughter adopt African American identities and live in near poverty to escape detection. Meanwhile, Lee and his son carry on, enjoying all the social privileges their gender, class, and whiteness afford them. Eventually the long-lost siblings meet, setting off a series of misunderstandings that culminate in a darkly comedic finale worthy of Shakespeare.With an arch sense of humor and a witty satirical eye, Nell Zink upends the foundational categories of American life—race, class, gender, and sexuality—in a novel that is at once daring, envelope-pushing, and utterly hilarious, all the while tracing how a mother, daughter, father, and son figure out what it means to belong.

Introduction"If you leave Opi, you'll die with strangers," Irma Vitale's mother always warned. Even after her beloved mother's passing, 20-year-old Irma longs to stay in her Abruzzo mountain village, plying her needle. But too poor and plain to marry and subject to growing danger in her own home, she risks rough passage to America and workhouse servitude to achieve her dream of making dresses for gentlewomen. In the raw immigrant quarters and with the help of an entrepreneurial Irish serving girl, ribbon-decked Polish ragman and austere Alsatian dressmaker, Irma begins to stitch together a new life . . . until her peace and self are shattered in the charred remains of the Great Chicago Fire. Enduring a painful recovery, Irma reaches deep within to find that she has even more to offer the world than her remarkable ability with a needle and threadQuestions for Discussion1. Irma's practical skills and world knowledge seem so limited, even compared to those of her brother Carlo. What abilities and traits help her navigate the difficult passages from Opi to Naples and then west?2. Irma's mother devoutly believes that "If you leave Opi, you will die with strangers." How does this assertion shape Irma's experience and how does she ultimately refine it in a way that allows her to move forward in her journeyHow does this family assertion compare to others you may have encountered?3. Opi, real and remembered, is a powerful force for Irma's self-image and world-view. How does her conception of Opi change through the novel?4. Unlike many fictional heroines and perhaps many young women, Irma initially has little interest in a romantic union. Why not and what must change for her to have a satisfying intimate relationship?5. At various times in her journey, Irma makes choices which she herself feels are at odds with the Irma Vitale that she "really is." Is she accurate in this assessment?6. Irma Vitale is surrounded by immigrants as she makes her passage west. What various ways of relating to "the Old Country" are represented by these other immigrants, her "fellow strangers"?7. Sofia gives Irma the option to leave Jake and Daisy's flat. Yet Irma stays. How does this choice reflect her course since first encountering Jake?8. Irma's profession evolves from needle worker to dressmaker and finally surgeon. What inner changes parallel this evolution?9. Today, as in Irma's time, many people live far from their birthplace for a variety of reasons. What pressures, challenges and supports seem universal about her experience?About the AuthorPamela Schoenewaldt lived for ten years in a small town outside Naples, Italy. Her short stories have appeared in literary magazines in England, France, Italy and the United States. She taught writing for the University of Maryland, European Division and the University of Tennessee and now lives in Knoxville, Tennessee with her husband, Maurizio Conti, a medical physicist, and their dog Jesse, a philosopher.

"this is my book and i am writing it by my own hand."Mary and her three sisters rise every day to backbreaking farmwork that threatens to suppress their own awakening desires, whether it's Violet's pull toward womanhood or Beatrice's affinity for the Scriptures. But it's their father, whose anger is unleashed at the slightest provocation, who stands to deliver the most harm. Only Mary, fierce of tongue and a spitfire since birth, dares to stand up to him. When he sends her to work for the local vicar and his invalid wife in their house on the hill, he deals her the only blow she may not survive.Within walking distance of her family farm, the vicarage is a world away–a curious, unsettling place unlike any she has ever known. Teeming with the sexuality of the vicar's young son and the manipulations of another servant, it is also a place of books and learning–a source of endless joy. Yet as young Mary soon discovers, such precious knowledge comes at a devastating price, as is gradually made clear once she begins the task of telling her own story.Reminiscent of Alias Grace in the exploration of the power dynamics between servants and those they serve and of Celie's struggles in The Color Purple, this quietly devastating tour de force reminds us that knowledge can destroy even as it empowers.

Over the course of one year, in a charming cottage by the sea, eight people will discover love and remembrance, reconciliation and reunion, beginnings and endings in this unforgettable sequel to Georgia Bockoven's The Beach House and Another SummerAlison arrives at the beach house in June to spend a month with her restless grandson before he leaves for his first year of college. More than a decade earlier, Alison lost her beloved husband, and has faced life alone ever since. Now she discovers a new life and a possible new love.August brings together four college friends facing a milestone. During summer's final days, they share laughter, tears, and love—revealing long-held secrets and creating new and even more powerful bonds.World-class wildlife photographer Matthew and award-winning war photographer Lindsey arrive at the beach house in January, each harboring the very real fear that it will mark the end of their decade-long love affair. Alone in the house's warm peace, they are forced to truly look at who they are and what they want, discovering surprising truths that will change their lives forever.

Still reeling from the death of her fiancé, Detective Anna Travis has thrown herself into her new role as the chief inspector for London's murder squad. When Scotland Yard's missing persons bureau is unable to locate the son of a court employee, the superintendent—James Langton, Anna's former lover turned sometimes friend—urges her to take on the suspicious assignment.But is this new investigation purely a missing persons case—or a full-blown murder inquiryAn ominous pool of blood with no locatable victim leads Anna on a desperate hunt for a man who has disappeared without a trace. With no body, and increasing pressure to make an arrest, Anna becomes obsessed with the smallest details of the case. Now, one man has vanished, a killer may be loose on the streets, and, as Langton looks on, Anna Travis may be losing control of the investigation—and of herself.

His name was Rob Castor. Quite possibly, you've heard of him. He became a minor cult celebrity in his early twenties for writing a book of darkly pitch-perfect stories set in a stupid upstate New York town. About a dozen years later, he murdered his writer-girlfriend and committed suicide. . . .The deaths of Rob Castor and his girlfriend begin a wrenching and enthrallingly suspenseful story that mines the explosive terrains of love and paternity, marriage and its delicate intricacies, family secrets and how they fester over time, and ultimately the true nature of loyalty and trust, friendship and envy, deception and manipulation.As the media takes hold of this sensational crime, a series of unexpected revelations unleashes hidden truths in the lives of those closest to Rob. At the center of this driving narrative is Rob's childhood best friend, Nick Framingham, whose ten-year marriage to his college sweetheart is faltering. Shocked by Rob's death, Nick begins to reevaluate his own life and his past, and as he does so, a fault line opens up beneath him, leading him all the way to the novel's startling conclusion.In this ambitious and thrilling novel, award-winning author Eli Gottlieb—with extraordinarily luxuriant and evocative prose—takes us deep into the human psyche, where the most profound of secrets are kept.

Armand Degas is a Mafia hit man the guys call Blackbird. He is cool and composed and knows a good score. So when punk crook Richie Nix tells him about his surefire scheme to extort $10,000 from a middle-of-nowhere Michigan real estate agent, Armand signs on. What the two thugs don't count on is Carmen Colson and her ironworker husband, Wayne, being in the real estate office when they go in to collect. Now Carmen and Wayne know too much and Armand has no intention of letting them survive to tell about it. But Wayne's sure the local cops are going to fumble the manhunt, and the best the feds can offer is the Witness Security Program. Now it's come down to one man, one woman, and two killers ... and someone's bound to end up on the wrong end of the gun.

Sunshine State trivia buff Serge A. Storms loves eliminating jerks and pests. His drug-addled partner Coleman loves cartoons. Hot stripper Sharon Rhodes loves cocaine, especially when purchased with rich dead men's money.On the other hand, there's Sean and David, who love fishing and are kind to animals -- and who are about to cross paths with a suitcase filled with $5 million in stolen insurance money. Serge wants the suitcase. Sharon wants the suitcase. Coleman wants more drugs . . . and the suitcase. In the meantime, there's murder by gun, Space Shuttle, Barbie doll, and Levi's 501s.In other words, welcome to Tim Dorsey's Florida -- where nobody gets out unscathed and untanned!

Menaker State Hospital is a curse, a refuge, a prison, a necessity, a nightmare, a salvation When Dr. Lise Shields arrived at the correctional psychiatric facility five years ago, she was warned that many of its patients—committed by Maryland's judicial system for perpetrating heinous crimes—would never leave.But what happens when a place like Menaker is corrupted, when it becomes a tool to silence the innocent, conceal injustice, contain secretsWhy is it that the newest patient does not seem to belong there, that the hospital administrator has fallen silent, and that Lise is being watched by two men with seemingly lethal intentThe answers are closer than she realizes and could cost her everything she holds dear. In this chilling follow-up to The Absence of Mercy, author John Burley—a master of medical and psychological detail—showcases the many ways in which the dangers of the outside world pale in comparison to the horrors of the human mind.

From gifted new writer Tasha Alexander comes a stunning novel of historical suspense set in Victorian England, meticulously researched and with a twisty plot that involves stolen antiquities, betrayal, and murder And Only to Deceive For Emily, accepting the proposal of Philip, the Viscount Ashton, was an easy way to escape her overbearing mother, who was set on a grand society match. So when Emily's dashing husband died on safari soon after their wedding, she felt little grief. After all, she barely knew him. Now, nearly two years later, she discovers that Philip was a far different man from the one she had married so cavalierly. His journals reveal him to have been a gentleman scholar and antiquities collector who, to her surprise, was deeply in love with his wife. Emily becomes fascinated with this new image of her dead husband and she immerses herself in all things ancient and begins to study Greek.Emily's intellectual pursuits and her desire to learn more about Philip take her to the quiet corridors of the British Museum, one of her husband's favorite places. There, amid priceless ancient statues, she uncovers a dark, dangerous secret involving stolen artifacts from the Greco-Roman galleries. And to complicate matters, she's juggling two very prominent and wealthy suitors, one of whose intentions may go beyond the marrying kind. As she sets out to solve the crime, her search leads to more surprises about Philip and causes her to question the role in Victorian society to which she, as a woman, is relegated.

It's New Year's Eve, 1919. Scotland Yard Inspector Ian Rutledge has accompanied his sister to the home of mutual friends for dinner but gets a call from the office and has to leave. On the steps outside, he sees a brass cartridge casing, like countless others he's seen during the war. But this one has an engraving in the metal. Curious, he pockets it. Soon after, Rutledge is on the southern coast of England helping the local police capture a murderer. Work done, on a whim he drives along the cliffs overlooking the Atlantic and takes a walk out on the headland. Returning to his car, he finds another engraved cartridge casing on the driver's seat. He's been followed. The cartridge casing seems to point to the war and unfinished business there. To stay alive in the face of an unknown and unseen adversary, Rutledge is pressed to the limits of his skills. He's the prey. But who is the hunter?

Two remarkable women, separated by more than a century, whose lives unexpectedly intertwine . . . 2004: Lina Sparrow is an ambitious young lawyer working on a historic class-action lawsuit seeking reparations for the descendants of American slaves. 1852: Josephine is a seventeen-year-old house slave who tends to the mistress of a Virginia tobacco farm an aspiring artist named Lu Anne Bell. It is through her father, renowned artist Oscar Sparrow, that Lina discovers a controversy rocking the art world: art historians now suspect that the revered paintings of Lu Anne Bell, an antebellum artist known for her humanizing portraits of the slaves who worked her Virginia tobacco farm, were actually the work of her house slave, Josephine. A descendant of Josephine would be the per-fect face for the lawsuit if Lina can find one. But nothing is known about Josephine fate following Lu Anne Bell death in 1852. In piecing together Josephine story, Lina embarks on a journey that will lead her to question her own life, including the full story of her mother mysterious death twenty years before. Alternating between antebellum Virginia and modern-day New York, this searing tale of art and history, love and secrets explores what it means to repair a wrong, and asks whether truth can be more important than justice.

Fourteen-year-old Candace Ong is wasting away in wonderland—Eggroll Wonderland, the restaurant where her under-Americanized family toils in San Francisco. She loves rock candy and rock music, jelly beans and jelly shoes—and hangs with her best friend Ruby, whose wild life she envies. Candace wants more than another stifling summer stuck in the kitchen. So when a new opportunity arises, she leaps at the chance—even though it means leaving home to experience a tantalizing, dangerous life far beyond the dim sum ho hum. But the waiting world may be a lot more than one brainiac Chinese Lolita can safely handle.

A blackout brought on by a Mad Dog binge that ended with a self-inflicted steak knife wound bought Bruno Dante another stint in the nuthouse, no different from all the rest. Now it's done, and his wife, Agnes—taking time off from her personal-trainer lover—has come to pick Bruno up and to deliver a message from the West Coast: his screenwriter father is in the hospital in a coma and is not expected to live. So Bruno heads back to Los Angeles for a fraught family reunion, where the tension and stress force him to dull the pain the only way he knows how—with alcohol. And when he wakes up naked in a stolen car with an underage hooker whose pimp has stolen his wallet, Bruno realizes the trip has just begun.

Welcome to the world of a grown-up Timothy Cratchit, as created by the astonishing imagination of author Louis Bayard.Mr. Timothy Cratchit has just buried his father. He's also struggling to bury his past as a cripple and shed his financial ties to his benevolent "Uncle" Ebenezer by losing himself in the thick of London's underbelly. He boards at a brothel in exchange for teaching the mistress how to read and spends his nights dredging the Thames for dead bodies and the treasures in their pockets.Timothy's life takes a sharp turn when he discovers the bodies of two dead girls, each seared with the same cruel brand on the upper arm. The sight of their horror-struck faces compels Timothy to become the protector of another young girl, the enigmatic Philomela. Spurred on by the unwavering enthusiasm of a street-smart, fast-talking homeless boy who calls himself Colin the Melodious, Timothy soon finds that he's on the trail of something far worse -- and far more dangerous -- than an ordinary killer.This breathless flight through the teeming markets, shadowy passageways, and rolling brown fog of 1860s London is wrought with remarkable depth and intelligence, complete with surprising twists and extraordinary heart.