"this is my book and i am writing it by my own hand."Mary and her three sisters rise every day to backbreaking farmwork that threatens to suppress their own awakening desires, whether it's Violet's pull toward womanhood or Beatrice's affinity for the Scriptures. But it's their father, whose anger is unleashed at the slightest provocation, who stands to deliver the most harm. Only Mary, fierce of tongue and a spitfire since birth, dares to stand up to him. When he sends her to work for the local vicar and his invalid wife in their house on the hill, he deals her the only blow she may not survive.Within walking distance of her family farm, the vicarage is a world away–a curious, unsettling place unlike any she has ever known. Teeming with the sexuality of the vicar's young son and the manipulations of another servant, it is also a place of books and learning–a source of endless joy. Yet as young Mary soon discovers, such precious knowledge comes at a devastating price, as is gradually made clear once she begins the task of telling her own story.Reminiscent of Alias Grace in the exploration of the power dynamics between servants and those they serve and of Celie's struggles in The Color Purple, this quietly devastating tour de force reminds us that knowledge can destroy even as it empowers.

Over the course of one year, in a charming cottage by the sea, eight people will discover love and remembrance, reconciliation and reunion, beginnings and endings in this unforgettable sequel to Georgia Bockoven's The Beach House and Another SummerAlison arrives at the beach house in June to spend a month with her restless grandson before he leaves for his first year of college. More than a decade earlier, Alison lost her beloved husband, and has faced life alone ever since. Now she discovers a new life and a possible new love.August brings together four college friends facing a milestone. During summer's final days, they share laughter, tears, and love—revealing long-held secrets and creating new and even more powerful bonds.World-class wildlife photographer Matthew and award-winning war photographer Lindsey arrive at the beach house in January, each harboring the very real fear that it will mark the end of their decade-long love affair. Alone in the house's warm peace, they are forced to truly look at who they are and what they want, discovering surprising truths that will change their lives forever.

Introduction"If you leave Opi, you'll die with strangers," Irma Vitale's mother always warned. Even after her beloved mother's passing, 20-year-old Irma longs to stay in her Abruzzo mountain village, plying her needle. But too poor and plain to marry and subject to growing danger in her own home, she risks rough passage to America and workhouse servitude to achieve her dream of making dresses for gentlewomen. In the raw immigrant quarters and with the help of an entrepreneurial Irish serving girl, ribbon-decked Polish ragman and austere Alsatian dressmaker, Irma begins to stitch together a new life . . . until her peace and self are shattered in the charred remains of the Great Chicago Fire. Enduring a painful recovery, Irma reaches deep within to find that she has even more to offer the world than her remarkable ability with a needle and threadQuestions for Discussion1. Irma's practical skills and world knowledge seem so limited, even compared to those of her brother Carlo. What abilities and traits help her navigate the difficult passages from Opi to Naples and then west?2. Irma's mother devoutly believes that "If you leave Opi, you will die with strangers." How does this assertion shape Irma's experience and how does she ultimately refine it in a way that allows her to move forward in her journeyHow does this family assertion compare to others you may have encountered?3. Opi, real and remembered, is a powerful force for Irma's self-image and world-view. How does her conception of Opi change through the novel?4. Unlike many fictional heroines and perhaps many young women, Irma initially has little interest in a romantic union. Why not and what must change for her to have a satisfying intimate relationship?5. At various times in her journey, Irma makes choices which she herself feels are at odds with the Irma Vitale that she "really is." Is she accurate in this assessment?6. Irma Vitale is surrounded by immigrants as she makes her passage west. What various ways of relating to "the Old Country" are represented by these other immigrants, her "fellow strangers"?7. Sofia gives Irma the option to leave Jake and Daisy's flat. Yet Irma stays. How does this choice reflect her course since first encountering Jake?8. Irma's profession evolves from needle worker to dressmaker and finally surgeon. What inner changes parallel this evolution?9. Today, as in Irma's time, many people live far from their birthplace for a variety of reasons. What pressures, challenges and supports seem universal about her experience?About the AuthorPamela Schoenewaldt lived for ten years in a small town outside Naples, Italy. Her short stories have appeared in literary magazines in England, France, Italy and the United States. She taught writing for the University of Maryland, European Division and the University of Tennessee and now lives in Knoxville, Tennessee with her husband, Maurizio Conti, a medical physicist, and their dog Jesse, a philosopher.

Two remarkable women, separated by more than a century, whose lives unexpectedly intertwine . . . 2004: Lina Sparrow is an ambitious young lawyer working on a historic class-action lawsuit seeking reparations for the descendants of American slaves. 1852: Josephine is a seventeen-year-old house slave who tends to the mistress of a Virginia tobacco farm an aspiring artist named Lu Anne Bell. It is through her father, renowned artist Oscar Sparrow, that Lina discovers a controversy rocking the art world: art historians now suspect that the revered paintings of Lu Anne Bell, an antebellum artist known for her humanizing portraits of the slaves who worked her Virginia tobacco farm, were actually the work of her house slave, Josephine. A descendant of Josephine would be the per-fect face for the lawsuit if Lina can find one. But nothing is known about Josephine fate following Lu Anne Bell death in 1852. In piecing together Josephine story, Lina embarks on a journey that will lead her to question her own life, including the full story of her mother mysterious death twenty years before. Alternating between antebellum Virginia and modern-day New York, this searing tale of art and history, love and secrets explores what it means to repair a wrong, and asks whether truth can be more important than justice.

In his heartbreaking yet hopeful fourth novel, award-winning author Willy Vlautin demonstrates his extraordinary talent for illuminating the disquiet of modern American life, captured in the experiences of three memorable characters looking for meaning in distressing times.Severely wounded in the Iraq war, Leroy Kervin has lived in a group home for eight years. Frustrated by the simplest daily routines, he finds his existence has become unbearable. An act of desperation helps him disappear deep into his mind, into a world of romance and science fiction, danger and adventure where he is whole once again.Freddie McCall, the night man at Leroy's group home, works two jobs yet still can't make ends meet. He's lost his wife and kids, and the house is next. Medical bills have buried him in debt, a situation that propels him to consider a lucrative—and dangerous—proposition.Pauline Hawkins, a nurse, cares for the sick and wounded, including Leroy. She also looks after her mentally ill elderly father. Yet she remains emotionally removed, until she meets a young runaway who touches something deep and unexpected inside her.In crystalline prose, both beautiful and devastating, this "major realist talent" (Seattle Post-Intelligencer) considers the issues transforming ordinary people's lives—the cost of health care, the lack of economic opportunity, the devastating scars of war—creating an extraordinary contemporary portrait that is also a testament to the resiliency of the human heart.

From the inimitable and utterly unconventional voice of Nell Zink comes a wickedly humorous and sharply observed novel that exposes all of our assumptions about race and racism, sexuality and desire, through the making and unmaking of one American family.In 1960s Virginia, college freshman and ingenue Peggy falls for professor and poet Lee, and what begins as an ill-advised affair results in an unplanned pregnancy and marriage. Mismatched from the start—she's a lesbian; he's gay—Peggy eventually finds herself in crisis and runs away with their daughter, leaving their son behind.Estranged from the rest of the family, Peggy and her daughter adopt African American identities and live in near poverty to escape detection. Meanwhile, Lee and his son carry on, enjoying all the social privileges their gender, class, and whiteness afford them. Eventually the long-lost siblings meet, setting off a series of misunderstandings that culminate in a darkly comedic finale worthy of Shakespeare.With an arch sense of humor and a witty satirical eye, Nell Zink upends the foundational categories of American life—race, class, gender, and sexuality—in a novel that is at once daring, envelope-pushing, and utterly hilarious, all the while tracing how a mother, daughter, father, and son figure out what it means to belong.

At an elite New England art school, two young women collide. Paulina is a sexually adventurous wannabe queen bee with a devastating mean- girl streak. Fran is a gifted yet reluctant painter with gorgeous curly hair and uncertain dreams. On a trip to Norway the two are drawn together, but as adult life encroaches, jealousy and unexpected love tear them apart. Rachel B. Glaser's Paulina & Fran is both a sparkling dance party of a novel and a wicked, wistful snapshot of that moment when the carefree cocoon of adolescence opens into the permanent, unknowable future.

James Stark, aka Sandman Slim, has met his share of demons and angels, on earth and beyond. Now, in this high octane seventh installment of the Sandman Slim series, he's come face to face with the one entity few care to meet: Death.Someone has tried to kill Death—ripping the heart right out of him—or rather, the body he's inhabiting. So Death wants Sandman Slim's help, because the man who can beat Lucifer and the old gods at their own game is the only one who can solve the murder of someone who can't die.Stark follows a sordid trail deep into L.A.'s subterranean world, from vampire-infested nightclubs to talent agencies specializing in mad ghosts, from Weimar Republic mystical societies to sleazy supernatural underground fight and sex clubs. Along the way he meets a mysterious girl—distinguished by a pair of graveyard eyes—as badass as Slim: she happens to be the only person who ever outwitted Death. But escaping her demise has had dire consequences for the rest of the world . . . and a few others.For years, Slim has been fighting cosmic forces bent on destroying Heaven, Hell, and Earth. This time, the battle is right here on the gritty streets of the City of Angels, where a very clever, very ballsy killer lies in wait.

In a glamorous Newport mansion filled with secrets, a debonair lawyer must separate truth from deception. . . .Spring 1921. The Great War is over, Prohibition is in full swing, the Great Depression is still years away. Wealthy families flock to the glittering "summer cottages" they built in Newport, Rhode Island.Having sheltered in Newport during his misspent youth, attorney Adrian de la Noye is no stranger to the city. Though he'd prefer to forget the place, he returns to revise the will of a well-heeled client. Bennett Chapman's offspring have the usual concerns about their father's much-younger fiancée. But when they learn of the old widower's firm belief that his late first wife, who "communicates" via séance, has chosen the stunning Catharine Walsh for him, they're shocked. And for Adrian, encountering Catharine in the last place he saw her decades ago proves to be a far greater surprise.Adrian is here to handle a will, and he intends to do so—just as soon as he unearths every last secret about the Chapmans, Catharine Walsh . . . and his own very fraught history.Vividly bringing to life the glitzy era of the 1920s, Newport is a skillful alchemy of social satire, dark humor, and finely drawn characters.

In Sucess Stories, an exceptionally varied yet coherent collection, Russell Banks proves himself one of the most astute and forceful writers in America today. Queen for a Day, Success Story, and Adultery trace fortunes of the Painter family in there pursuit of and retreat from the American dream. Banks also explores the ethos of rampant materialism in a group of contemporary moral fables. The Fish is an evocating parable of faith and greed set in a Southeast Asian village, The Gully tells of the profitability of violence and the ironies of upward mobility in a Latin American shantytown, and Chrildren's Story explores the repressed rage that boils beneath the surface of relationships between parents and children and between citizens of the first and third worlds.

World War I nurse and amateur sleuth Bess Crawford matches wits with a devious killer in this exciting and suspenseful adventure from New York Times bestselling author Charles Todd In the spring of 1918, the Spanish flu epidemic spreads, killing millions of soldiers and civilians across the globe. Overwhelmed by the constant flow of wounded soldiers coming from the French front, battlefield nurse Bess Crawford must now contend with hundreds of influenza patients as well. However, war and disease are not the only killers to strike. Bess discovers, concealed among the dead waiting for burial, the body of an officer who has been murdered. Though she is devoted to all her patients, this soldier's death touches her deeply. Not only did the man serve in her father's former regiment, he was also a family friend.Before she can report the terrible news, Bess falls ill, the latest victim of the flu. By the time she recovers, the murdered officer has been buried, and the only other person who saw the body has hanged himself. Or did heWorking her father's connections in the military, Bess begins to piece together what little evidence she can find to unmask the elusive killer and see justice served. But she must be as vigilant as she is tenacious. With a determined killer on her heels, each move Bess makes could be her last.

A suspenseful tale of free will versus fate—an extraordinary story of love and family, and the risks we take to break free from the past Newlyweds Holly and Tom have just moved into their dream home, a charming English carriage house in the London suburbs. A rising television journalist, Tom can't wait to fill the house with children. Holly, a budding artist, isn't so sure. She fears that as a mother, she will repeat the terrible mistakes of her own neglectful parents. But Holly and Tom are young and deeply in love, and they have time to decide. While renovating the house, Holly finds an unusual crystal orb—the missing top to the moondial in their garden. She soon discovers this is no ordinary timepiece. Under the full moon's brilliant light, it reveals the future—a future in which Tom cares for their baby daughter . . . alone. Holly's new friend in the village, an elderly woman named Jocelyn, reveals the cursed secret of the moondial's power. Now Holly must choose between herself and her future child—a painful decision that will ultimately teach her about motherhood and sacrifice . . . and reveal how far she will go in the name of love.

The screenplay for McCarthy's classic film, bearing in full measure his gift—the ability to fit complex and universal emotions into ordinary lives and still preserve all of their power and significanceIn the spring of 1975 the film director Richard Pearce approached Cormac McCarthy with a screenplay idea. Though already a widely acclaimed novelist, the author of such modern classics as The Orchard Keeper and Child of God, McCarthy had never before written a screenplay. Using a few photographs in the footnotes to a 1928 biography of a famous pre–Civil War industrialist as inspiration, McCarthy and Pearce roamed the mill towns of the South researching their subject. A year later McCarthy finished The Gardener's Son, a taut, riveting drama of impotence, rage, and violence spanning two generations of mill owners and workers, fathers and sons, during the rise and fall of one of America's most bizarre utopian industrial experiments. Produced as a two-hour film and broadcast on PBS in 1976, The Gardener's Son received two Emmy Award nominations and was shown at the Berlin and Edinburgh Film Festivals.Set in Graniteville, South Carolina, The Gardener's Son is the tale of two families: the wealthy Greggs, who own and operate the local cotton mill, and the McEvoys, a family of mill workers beset by misfortune. The action opens as Robert McEvoy, a young mill worker, is having his leg amputated after an accident rumored to have been caused by James Gregg, the son of the mill's founder. Crippled and consumed by bitterness, McEvoy deserts both his job and his family.Returning two years later at the news of his mother's terminal illness, McEvoy arrives only to confront the grave diggers preparing her final resting place. His father, the mill's gardener, is now working on the factory line, the gardens forgotten. These proceedings stoke the slow-burning rage McEvoy carries within him, a fury that will ultimately consume both families.

Still reeling from the death of her fiancé, Detective Anna Travis has thrown herself into her new role as the chief inspector for London's murder squad. When Scotland Yard's missing persons bureau is unable to locate the son of a court employee, the superintendent—James Langton, Anna's former lover turned sometimes friend—urges her to take on the suspicious assignment.But is this new investigation purely a missing persons case—or a full-blown murder inquiryAn ominous pool of blood with no locatable victim leads Anna on a desperate hunt for a man who has disappeared without a trace. With no body, and increasing pressure to make an arrest, Anna becomes obsessed with the smallest details of the case. Now, one man has vanished, a killer may be loose on the streets, and, as Langton looks on, Anna Travis may be losing control of the investigation—and of herself.

A Best Book Of The Year Time St. Louis Post-Dispatch Kansas City Star San Francisco Chronicle NPR Seattle Times A shy manifesto, an impractical handbook, the true story of a fabulist, an entire life in parts and pieces, Manhood for Amateurs is the first sustained work of personal writing from Pulitzer Prize-winning author Michael Chabon. In these insightful, provocative, slyly interlinked essays, one of our most brilliant and humane writers addresses with his characteristic warmth and lyric wit the all-important question: What does it mean to be a man today?

My Usual Table is a love letter to the great restaurants that have changed the way we eat—from Trader Vic’s to Chez Panisse and Spago to elBulli—and a vivid memoir of a life lived in food, from a founding editor of Saveur and James Beard Award-winning writer Colman Andrews. For reviewer, writer, and editor Colman Andrews, restaurants have been his playground, his theater, his university, his church, his refuge. The establishments he has loved have not only influenced culinary trends at home and abroad, but represent the changing history and culture of food in America and Western Europe. From his usual table, he has watched the growth of Nouvelle Cuisine and fusion cuisine; the organic and locavore movements; nose-to-tail eating; and so-called “molecular gastronomy.” In My Usual Table, Andrews interweaves his own story—from growing up in the sunset years of Hollywood’s golden age to traveling the world in pursuit of great food—with tales of the restaurants, chefs, and restaurateurs who are emblematic of the revolutions great and small that have forever changed the way we eat, cook, and think about food.

The sensational tale of the first mixed-race girl introduced to high-society England and raised as a lady...The illegitimate daughter of a captain in the Royal Navy and an enslaved African woman, Dido Belle was raised by her great-uncle, the Earl of Mansfield, one of the most powerful men of the time and a leading opponent of slavery. When the portrait he commissioned of his two wards, Dido and her white cousin, Elizabeth, was unveiled, eighteenth-century England was shocked to see a black woman and white woman depicted as equals. Inspired by the painting, Belle vividly brings to life this extraordinary woman caught between two worlds, and illuminates the great civil rights question of her age: the fight to end slavery.The feature film Belle is produced by Damian Jones (The Iron Lady, The History Boys, Welcome to Sarajevo), written by Misan Sagay, and directed by Amma Asante, and stars the extraordinary Gugu Mbatha-Raw as Dido Belle, Tom Wilkinson, Sam Reid, Miranda Richardson, Penelope Wilton, Tom Felton, Matthew Goode, and Emily Watson.

A man broken in body and spirit, Cazaril returns to the noble household he once served as page and is named secretary-tutor to the beautiful, strong-willed sister of the impetuous boy who is next in line to rule. It is an assignment Cazaril dreads, for it must ultimately lead him to the place he most fears: the royal court of Cardegoss, where the powerful enemies who once placed him in chains now occupy lofty positions.But it is more than the traitorous intrigues of villains that threaten Cazaril and the Royesse Iselle here, for a sinister curse hangs like a sword over the entire blighted House of Chalion. And only by employing the darkest, most forbidden of magics can Cazaril hope to protect his royal charge -- an act that will mark him as a tool of the miraculous . . . and trap him in a lethal maze of demonic paradox.

In 1793, a canal digger named William Smith made a startling discovery. He found that by tracing the placement of fossils, which he uncovered in his excavations, one could follow layers of rocks as they dipped and rose and fell clear across England and, indeed, clear across the world making it possible, for the first time ever, to draw a chart of the hidden underside of the earth. Smith spent twenty-two years piecing together the fragments of this unseen universe to create an epochal and remarkably beautiful hand-painted map. But instead of receiving accolades and honors, he ended up in debtors' prison, the victim of plagiarism, and virtually homeless for ten years more. The Map That Changed the World is a very human tale of endurance and achievement, of one man's dedication in the face of ruin. With a keen eye and thoughtful detail, Simon Winchester unfolds the poignant sacrifice behind this world-changing discovery.

In his wildly entertaining, winningly irreverent, New York Times bestselling Don't Know Much About series, author Kenneth C. Davis has amused and edified us with fascinating facts about history, mythology, the Bible, the universe, geography, and the Civil War.Now, the sky's the limit in his latest irresistible installment a grand tour of knowledge that carries us from the Great Smoky Mountains to the Berlin Wall, from the Salem Witch Trials to Watergate, from Michelangelo to Houdini. Brimming with busted myths, gripping true stories, and peculiar particulars about a plethora of people, places, and events, this captivating compendium is guaranteed to delight information lovers everywhere as it feeds our insatiable appetite to know everything!

As father and son John and Dan Fante shared a relationship characterized by competition, resentment, rage and silence. As men, both were driven to succeed by damaged by uncontrollable drinking. As writers, both were gifted with inextinguishable passion. In Fante, Dan Fante traces his family's history from Los Angeles, where John struggles to gain literary recognition and turns instead to the steady paycheck of Hollywood screenwriting, to New York, where Dan finds an escape from his troubled childhood in a life of words and vices.John was a writer whose literary contributions were not recognized until the end of his life. Dan was an alcoholic saved by writing, who at the age of 45 picked up his father's old typewriter in order to ease the madness in his mind. Fante is the story of the evolution of a relationship between father and son who eventually find their way back to loving each other. In straightforward unapologetic prose, Dan Fante lays bare his family's story from his point of view, with the rage and passion of a writer, which he feels was his true inheritance and his father's greatest gift.