Take Me Home is a powerful story about friendship and love set against the stunning backdrop of 1880's Wyoming and based in the pages of history.Like many classic stories, Brian Leung’s new novel begins with a journey home. Adele “Addie” Maine is returning to Dire, a Wyoming coal-mining town, forty years after the deadly events that nearly took her life and drove her away without a word to her husband. Years earlier: Headed West to stay with her brother Tommy, a young and feisty Addie arrives in Wyoming having been convinced along the way that the Chinese who work alongside the white men in the small Wyoming town are half-man, half-beast—devious creatures to be wary of. When Tommy falters at homesteading, the siblings look to the coal mines and Addie comes into close contact with one Chinese man in particular, Wing Lee. The bond between the two is a mere spark at first, hampered by the reality for both that a friendship would be impossible, forbidden, even in a territory where almost everyone is an immigrant. Together, Addie and Wing harbor a secret. Ultimately Addie must protect Wing’s life and fight for what she knows is right, but she still can’t find the answers to life’s most important questions. It’s only as a much older woman, returning to Dire to bid farewell to a friend from decades ago, that Addie comes face-to-face with the man she’s certain tried to kill her, and at last confronts the surprises and losses that await at the end of a difficult journey. Take Me Home is a searing, redemptive novel that explores justice in a time of violence, and the sweeping landscape between friendship and love.

As a teenager, Hannah Benson ran away from home in order to save herself. Now, twenty years later, the past comes calling and delivers life-changing news: her mother and sister have passed away, leaving Hannah the guardian of her fifteen-year-old niece.Returning home to bitter memories and devastating secrets, Hannah must overcome her painful past to pave a future with her niece, the last best chance at a family for both of them. She begins to create a new, happier life with her niece and rekindles a relationship with Grady Steadman, one of the few people she’s ever called a friend. But she can’t forget what she cannot forgive, or lay to rest those ghosts that will not die. Will love and trust—and the truth—give her the strength to stand her ground and fight for what she deserves?

In Sucess Stories, an exceptionally varied yet coherent collection, Russell Banks proves himself one of the most astute and forceful writers in America today. Queen for a Day, Success Story, and Adultery trace fortunes of the Painter family in there pursuit of and retreat from the American dream. Banks also explores the ethos of rampant materialism in a group of contemporary moral fables. The Fish is an evocating parable of faith and greed set in a Southeast Asian village, The Gully tells of the profitability of violence and the ironies of upward mobility in a Latin American shantytown, and Chrildren's Story explores the repressed rage that boils beneath the surface of relationships between parents and children and between citizens of the first and third worlds.

World War I nurse and amateur sleuth Bess Crawford matches wits with a devious killer in this exciting and suspenseful adventure from New York Times bestselling author Charles Todd In the spring of 1918, the Spanish flu epidemic spreads, killing millions of soldiers and civilians across the globe. Overwhelmed by the constant flow of wounded soldiers coming from the French front, battlefield nurse Bess Crawford must now contend with hundreds of influenza patients as well. However, war and disease are not the only killers to strike. Bess discovers, concealed among the dead waiting for burial, the body of an officer who has been murdered. Though she is devoted to all her patients, this soldier's death touches her deeply. Not only did the man serve in her father's former regiment, he was also a family friend.Before she can report the terrible news, Bess falls ill, the latest victim of the flu. By the time she recovers, the murdered officer has been buried, and the only other person who saw the body has hanged himself. Or did heWorking her father's connections in the military, Bess begins to piece together what little evidence she can find to unmask the elusive killer and see justice served. But she must be as vigilant as she is tenacious. With a determined killer on her heels, each move Bess makes could be her last.

A suspenseful tale of free will versus fate—an extraordinary story of love and family, and the risks we take to break free from the past Newlyweds Holly and Tom have just moved into their dream home, a charming English carriage house in the London suburbs. A rising television journalist, Tom can't wait to fill the house with children. Holly, a budding artist, isn't so sure. She fears that as a mother, she will repeat the terrible mistakes of her own neglectful parents. But Holly and Tom are young and deeply in love, and they have time to decide. While renovating the house, Holly finds an unusual crystal orb—the missing top to the moondial in their garden. She soon discovers this is no ordinary timepiece. Under the full moon's brilliant light, it reveals the future—a future in which Tom cares for their baby daughter . . . alone. Holly's new friend in the village, an elderly woman named Jocelyn, reveals the cursed secret of the moondial's power. Now Holly must choose between herself and her future child—a painful decision that will ultimately teach her about motherhood and sacrifice . . . and reveal how far she will go in the name of love.

Welcome to the world of a grown-up Timothy Cratchit, as created by the astonishing imagination of author Louis Bayard.Mr. Timothy Cratchit has just buried his father. He's also struggling to bury his past as a cripple and shed his financial ties to his benevolent "Uncle" Ebenezer by losing himself in the thick of London's underbelly. He boards at a brothel in exchange for teaching the mistress how to read and spends his nights dredging the Thames for dead bodies and the treasures in their pockets.Timothy's life takes a sharp turn when he discovers the bodies of two dead girls, each seared with the same cruel brand on the upper arm. The sight of their horror-struck faces compels Timothy to become the protector of another young girl, the enigmatic Philomela. Spurred on by the unwavering enthusiasm of a street-smart, fast-talking homeless boy who calls himself Colin the Melodious, Timothy soon finds that he's on the trail of something far worse -- and far more dangerous -- than an ordinary killer.This breathless flight through the teeming markets, shadowy passageways, and rolling brown fog of 1860s London is wrought with remarkable depth and intelligence, complete with surprising twists and extraordinary heart.

Sunshine State trivia buff Serge A. Storms loves eliminating jerks and pests. His drug-addled partner Coleman loves cartoons. Hot stripper Sharon Rhodes loves cocaine, especially when purchased with rich dead men's money.On the other hand, there's Sean and David, who love fishing and are kind to animals -- and who are about to cross paths with a suitcase filled with $5 million in stolen insurance money. Serge wants the suitcase. Sharon wants the suitcase. Coleman wants more drugs . . . and the suitcase. In the meantime, there's murder by gun, Space Shuttle, Barbie doll, and Levi's 501s.In other words, welcome to Tim Dorsey's Florida -- where nobody gets out unscathed and untanned!

A blackout brought on by a Mad Dog binge that ended with a self-inflicted steak knife wound bought Bruno Dante another stint in the nuthouse, no different from all the rest. Now it's done, and his wife, Agnes—taking time off from her personal-trainer lover—has come to pick Bruno up and to deliver a message from the West Coast: his screenwriter father is in the hospital in a coma and is not expected to live. So Bruno heads back to Los Angeles for a fraught family reunion, where the tension and stress force him to dull the pain the only way he knows how—with alcohol. And when he wakes up naked in a stolen car with an underage hooker whose pimp has stolen his wallet, Bruno realizes the trip has just begun.

Introduction"If you leave Opi, you'll die with strangers," Irma Vitale's mother always warned. Even after her beloved mother's passing, 20-year-old Irma longs to stay in her Abruzzo mountain village, plying her needle. But too poor and plain to marry and subject to growing danger in her own home, she risks rough passage to America and workhouse servitude to achieve her dream of making dresses for gentlewomen. In the raw immigrant quarters and with the help of an entrepreneurial Irish serving girl, ribbon-decked Polish ragman and austere Alsatian dressmaker, Irma begins to stitch together a new life . . . until her peace and self are shattered in the charred remains of the Great Chicago Fire. Enduring a painful recovery, Irma reaches deep within to find that she has even more to offer the world than her remarkable ability with a needle and threadQuestions for Discussion1. Irma's practical skills and world knowledge seem so limited, even compared to those of her brother Carlo. What abilities and traits help her navigate the difficult passages from Opi to Naples and then west?2. Irma's mother devoutly believes that "If you leave Opi, you will die with strangers." How does this assertion shape Irma's experience and how does she ultimately refine it in a way that allows her to move forward in her journeyHow does this family assertion compare to others you may have encountered?3. Opi, real and remembered, is a powerful force for Irma's self-image and world-view. How does her conception of Opi change through the novel?4. Unlike many fictional heroines and perhaps many young women, Irma initially has little interest in a romantic union. Why not and what must change for her to have a satisfying intimate relationship?5. At various times in her journey, Irma makes choices which she herself feels are at odds with the Irma Vitale that she "really is." Is she accurate in this assessment?6. Irma Vitale is surrounded by immigrants as she makes her passage west. What various ways of relating to "the Old Country" are represented by these other immigrants, her "fellow strangers"?7. Sofia gives Irma the option to leave Jake and Daisy's flat. Yet Irma stays. How does this choice reflect her course since first encountering Jake?8. Irma's profession evolves from needle worker to dressmaker and finally surgeon. What inner changes parallel this evolution?9. Today, as in Irma's time, many people live far from their birthplace for a variety of reasons. What pressures, challenges and supports seem universal about her experience?About the AuthorPamela Schoenewaldt lived for ten years in a small town outside Naples, Italy. Her short stories have appeared in literary magazines in England, France, Italy and the United States. She taught writing for the University of Maryland, European Division and the University of Tennessee and now lives in Knoxville, Tennessee with her husband, Maurizio Conti, a medical physicist, and their dog Jesse, a philosopher.

The screenplay for McCarthy's classic film, bearing in full measure his gift—the ability to fit complex and universal emotions into ordinary lives and still preserve all of their power and significanceIn the spring of 1975 the film director Richard Pearce approached Cormac McCarthy with a screenplay idea. Though already a widely acclaimed novelist, the author of such modern classics as The Orchard Keeper and Child of God, McCarthy had never before written a screenplay. Using a few photographs in the footnotes to a 1928 biography of a famous pre–Civil War industrialist as inspiration, McCarthy and Pearce roamed the mill towns of the South researching their subject. A year later McCarthy finished The Gardener's Son, a taut, riveting drama of impotence, rage, and violence spanning two generations of mill owners and workers, fathers and sons, during the rise and fall of one of America's most bizarre utopian industrial experiments. Produced as a two-hour film and broadcast on PBS in 1976, The Gardener's Son received two Emmy Award nominations and was shown at the Berlin and Edinburgh Film Festivals.Set in Graniteville, South Carolina, The Gardener's Son is the tale of two families: the wealthy Greggs, who own and operate the local cotton mill, and the McEvoys, a family of mill workers beset by misfortune. The action opens as Robert McEvoy, a young mill worker, is having his leg amputated after an accident rumored to have been caused by James Gregg, the son of the mill's founder. Crippled and consumed by bitterness, McEvoy deserts both his job and his family.Returning two years later at the news of his mother's terminal illness, McEvoy arrives only to confront the grave diggers preparing her final resting place. His father, the mill's gardener, is now working on the factory line, the gardens forgotten. These proceedings stoke the slow-burning rage McEvoy carries within him, a fury that will ultimately consume both families.

"this is my book and i am writing it by my own hand."Mary and her three sisters rise every day to backbreaking farmwork that threatens to suppress their own awakening desires, whether it's Violet's pull toward womanhood or Beatrice's affinity for the Scriptures. But it's their father, whose anger is unleashed at the slightest provocation, who stands to deliver the most harm. Only Mary, fierce of tongue and a spitfire since birth, dares to stand up to him. When he sends her to work for the local vicar and his invalid wife in their house on the hill, he deals her the only blow she may not survive.Within walking distance of her family farm, the vicarage is a world away–a curious, unsettling place unlike any she has ever known. Teeming with the sexuality of the vicar's young son and the manipulations of another servant, it is also a place of books and learning–a source of endless joy. Yet as young Mary soon discovers, such precious knowledge comes at a devastating price, as is gradually made clear once she begins the task of telling her own story.Reminiscent of Alias Grace in the exploration of the power dynamics between servants and those they serve and of Celie's struggles in The Color Purple, this quietly devastating tour de force reminds us that knowledge can destroy even as it empowers.

Over the course of one year, in a charming cottage by the sea, eight people will discover love and remembrance, reconciliation and reunion, beginnings and endings in this unforgettable sequel to Georgia Bockoven's The Beach House and Another SummerAlison arrives at the beach house in June to spend a month with her restless grandson before he leaves for his first year of college. More than a decade earlier, Alison lost her beloved husband, and has faced life alone ever since. Now she discovers a new life and a possible new love.August brings together four college friends facing a milestone. During summer's final days, they share laughter, tears, and love—revealing long-held secrets and creating new and even more powerful bonds.World-class wildlife photographer Matthew and award-winning war photographer Lindsey arrive at the beach house in January, each harboring the very real fear that it will mark the end of their decade-long love affair. Alone in the house's warm peace, they are forced to truly look at who they are and what they want, discovering surprising truths that will change their lives forever.

I fell in love with William Ashe at gunpoint, in a Circle KFor single mom Shandi Pierce, life is a juggling act. She's finishing college; raising her delightful three-year-old genius son, Nathan, aka Natty Bumppo; and keeping the peace between her eternally warring, long-divorced Christian mother and Jewish father. She's got enough to deal with before she gets caught in the middle of a stickup in a gas station mini-mart and falls in love with a great wall of a man named William Ashe, who steps between the armed robber and her son to shield the child from danger.Shandi doesn't know that her blond god has his own baggage. When he looked down the barrel of the gun in the gas station he believed it was destiny: it's been exactly one year since a tragic act of physics shattered his universe. But William doesn't define destiny the way other people do. A brilliant geneticist who believes in science and numbers, destiny to him is about choice.Now, William and Shandi are about to meet their so-called destinies head-on, making choices that will reveal unexpected truths about love, life, and the world they think they know.Someone Else's Love Story is Joshilyn Jackson's funny, charming, and poignant novel about science and miracles, secrets and truths, faith and forgiveness; about falling in love and learning that things aren't always what they seem—or what we hope they will be. It's a story about discovering what we want and ultimately finding what we need.

With the passing of a new state law, it becomes a felony to harbor an undocumented immigrant in Oklahoma. So when Robert John Brown, a churchgoing family man and respected community member, is caught hiding a barnful of migrant workers with no papers, he is arrested and sent to prison. Meanwhile, his ten-year-old grandson Dustin tries to help the sole escapee of the raid reunite with his family, and his granddaughter, Misty, is struggling to raise her daughter alone after her husband, an illegal immigrant himself, has been deported. Then there's Brown's daughter Sweet, who finds her life unraveling: her father is refusing to speak in court to defend himself, her nephew is missing, her niece is in need of shelter, and the stress of it all is destroying her marriage.Rilla Askew's brilliant, hilarious, and heartfelt novel follows a handful of complicated lawmakers and lawbreakers as workers are exiled, friends turn informers, and families are torn apart in a statewide exodus of Hispanics. In the end, Kind of Kin reveals how an ad hoc family, and an entire town, will unite to do anything necessary to protect its own.

Welcome to a land Ray Bradbury calls "the Undiscovered Country" of his imagination--that vast territory of ideas, concepts, notions and conceits where the stories you now hold were born. America's premier living author of short fiction, Bradbury has spent many lifetimes in this remarkable place--strolling through empty, shadow-washed fields at midnight; exploring long-forgotten rooms gathering dust behind doors bolted years ago to keep strangers locked out.. and secrets locked in. The nights are longer in this country. The cold hours of darkness move like autumn mists deeper and deeper toward winter. But the moonlight reveals great magic here--and a breathtaking vista.The October Country is many places: a picturesque Mexican village where death is a tourist attraction; a city beneath the city where drowned lovers are silently reunited; a carnival midway where a tiny man's most cherished fantasy can be fulfilled night after night. The October Country's inhabitants live, dream, work, die--and sometimes live again--discovering, often too late, the high price of citizenship. Here a glass jar can hold memories and nightmares; a woman's newborn child can plot murder; and a man's skeleton can war against him. Here there is no escaping the dark stranger who lives upstairs...or the reaper who wields the world. Each of these stories is a wonder, imagined by an acclaimed tale-teller writing from a place shadows. But there is astonishing beauty in these shadows, born from a prose that enchants and enthralls. Ray Bradbury's The October Country is a land of metaphors that can chill like a long-after-midnight wind...as they lift the reader high above a sleeping Earth on the strange wings of Uncle Einar.

Two remarkable women, separated by more than a century, whose lives unexpectedly intertwine . . . 2004: Lina Sparrow is an ambitious young lawyer working on a historic class-action lawsuit seeking reparations for the descendants of American slaves. 1852: Josephine is a seventeen-year-old house slave who tends to the mistress of a Virginia tobacco farm an aspiring artist named Lu Anne Bell. It is through her father, renowned artist Oscar Sparrow, that Lina discovers a controversy rocking the art world: art historians now suspect that the revered paintings of Lu Anne Bell, an antebellum artist known for her humanizing portraits of the slaves who worked her Virginia tobacco farm, were actually the work of her house slave, Josephine. A descendant of Josephine would be the per-fect face for the lawsuit if Lina can find one. But nothing is known about Josephine fate following Lu Anne Bell death in 1852. In piecing together Josephine story, Lina embarks on a journey that will lead her to question her own life, including the full story of her mother mysterious death twenty years before. Alternating between antebellum Virginia and modern-day New York, this searing tale of art and history, love and secrets explores what it means to repair a wrong, and asks whether truth can be more important than justice.

Your project went off without a hitch--but somebody else got the credit...You averted a crisis brilliantly--but no one noticed...You came to the meeting with a sensational idea--but it was ignored until someone else said the same thing... HOW CAN YOU GET CREDIT & GET AHEAD?In her extraordinary international bestseller, You Just Don't Understand, Deborah Tannen transformed forever the way we look at intimate relationships between women and men. Now she turns her keen ear and observant eye toward the workplace--where the ways in which men and women communicate can determine who gets heard, who gets ahead, and what gets done. An instant classic, Talking From 9 to 5 brilliantly explains women's and men's conversational rituals--and the language barriers we unintentionally erect in the business world. It is a unique and invaluable guide to recognizing the verbal power games and miscommunications that cause good work to be underappreciated or go unnoticed--an essential tool for promoting more positive and productive professional relationships among men and women.

From gifted new writer Tasha Alexander comes a stunning novel of historical suspense set in Victorian England, meticulously researched and with a twisty plot that involves stolen antiquities, betrayal, and murder And Only to Deceive For Emily, accepting the proposal of Philip, the Viscount Ashton, was an easy way to escape her overbearing mother, who was set on a grand society match. So when Emily's dashing husband died on safari soon after their wedding, she felt little grief. After all, she barely knew him. Now, nearly two years later, she discovers that Philip was a far different man from the one she had married so cavalierly. His journals reveal him to have been a gentleman scholar and antiquities collector who, to her surprise, was deeply in love with his wife. Emily becomes fascinated with this new image of her dead husband and she immerses herself in all things ancient and begins to study Greek.Emily's intellectual pursuits and her desire to learn more about Philip take her to the quiet corridors of the British Museum, one of her husband's favorite places. There, amid priceless ancient statues, she uncovers a dark, dangerous secret involving stolen artifacts from the Greco-Roman galleries. And to complicate matters, she's juggling two very prominent and wealthy suitors, one of whose intentions may go beyond the marrying kind. As she sets out to solve the crime, her search leads to more surprises about Philip and causes her to question the role in Victorian society to which she, as a woman, is relegated.

The Wilder sisters fall in love with men when they least expect it—and most need it. Rose, the older, more practical one, is a widow who lives in New Mexico and has two ungrateful kids, a bored dog, and a horse with a bad back. Lily, the younger, more daring sister, lives in Southern California, where she has put her career before everything else—including love. Lily and Rose flee to their parents' ranch, for some emotional detox. But the two haven't spoken in five long years, and spending time togther is the last thing they'd planned on. Nor had either anticipated being so actively pusued by lovestruck men. Readers will be in their corner all the way as they rediscover the bonds of sisterhood and slowly open their hearts to love.

Menaker State Hospital is a curse, a refuge, a prison, a necessity, a nightmare, a salvation When Dr. Lise Shields arrived at the correctional psychiatric facility five years ago, she was warned that many of its patients—committed by Maryland's judicial system for perpetrating heinous crimes—would never leave.But what happens when a place like Menaker is corrupted, when it becomes a tool to silence the innocent, conceal injustice, contain secretsWhy is it that the newest patient does not seem to belong there, that the hospital administrator has fallen silent, and that Lise is being watched by two men with seemingly lethal intentThe answers are closer than she realizes and could cost her everything she holds dear. In this chilling follow-up to The Absence of Mercy, author John Burley—a master of medical and psychological detail—showcases the many ways in which the dangers of the outside world pale in comparison to the horrors of the human mind.

Armand Degas is a Mafia hit man the guys call Blackbird. He is cool and composed and knows a good score. So when punk crook Richie Nix tells him about his surefire scheme to extort $10,000 from a middle-of-nowhere Michigan real estate agent, Armand signs on. What the two thugs don't count on is Carmen Colson and her ironworker husband, Wayne, being in the real estate office when they go in to collect. Now Carmen and Wayne know too much and Armand has no intention of letting them survive to tell about it. But Wayne's sure the local cops are going to fumble the manhunt, and the best the feds can offer is the Witness Security Program. Now it's come down to one man, one woman, and two killers ... and someone's bound to end up on the wrong end of the gun.