Set in a four-hundred-year-old boys' boarding school in London, a chilling gothic thriller by the author of the critically acclaimed A Good and Happy Child . . .A fierce and jealous ghost . . .A young man's fight for his life . . .The Harrow School is home to privileged adolescents known as much for their distinctive dress and traditions as for their arrogance and schoolboy cruelty. Seventeen-year-old American Andrew Taylor is enrolled in the esteemed British institution by his father, who hopes that the school's discipline will put some distance between his son and his troubled past in the States.But trouble—and danger—seem to follow Andrew. When one of his schoolmates and friends dies mysteriously of a severe pulmonary illness, Andrew is blamed and is soon an outcast, spurned by nearly all his peers. And there is the pale, strange boy who begins to visit him at night. Either Andrew is losing his mind, or the house legend about his dormitory being haunted is true. When the school's poet-in-residence, Piers Fawkes, is commissioned to write a play about Byron, one of Harrow's most famous alumni, he casts Andrew in the title role. Andrew begins to discover uncanny links between himself and the renowned poet. In his loneliness and isolation, Andrew becomes obsessed with Lord Byron's story and the poet's status not only as a literary genius and infamous seducer but as a student at the very different Harrow of two centuries prior—a place rife with violence, squalor, incurable diseases, and tormented love affairs. When frightening and tragic events from that long-ago past start to recur in Harrow's present, and when the dark and deadly specter by whom Andrew's been haunted seems to be all too real, Andrew is forced to solve a two-hundred-year-old literary mystery that threatens the lives of his friends and his teachers—and, most terrifyingly, his own.

A riveting Southern mystery in which Memphis detective Billy Able descends into the bizarre world of flawed heroes, Santería voodoo, and cold-hearted killings linked to a damning photograph and a stunning betrayal by a civil rights iconBurned by his last case, Memphis detective Billy Able is at a crossroads. He doubts himself. He doubts his career. But he can't turn off instincts honed by a decade on the force. The suspicious deaths of two legendary bluesmen are ruled due to natural causes. Convinced that a crime has been committed, Billy Able and straitlaced female cop Frankie Malone refuse to let it go. A voodoo curse, a Santerían priest, and a decades-old photograph may connect the seemingly unrelated homicides. But the clues don't add up until a third victim is cruelly murdered. Guilt-ridden, Billy swears to dig into the city's dark history for answers, then finds himself caught up in a web of incriminating evidence. Hunter becomes prey. Frankie has his back as they race to solve the deadly puzzle from which Billy may not come out alive.

From the critically acclaimed author of Real Life & Liars and Things We Didn't Say comes a timely and provocative novel that asks: What happens when the things we own become more important than the people we love?Trish isn't perfect. She's divorced and raising two kids—so of course her house isn't pristine. But she's got all the important things right and she's convinced herself that she has it all under control. That is, until the day her youngest son gets hurt and Child Protective Services comes calling. It's at that moment when Trish is forced to consider the one thing she's always hoped wasn't true: that she's living out her mother's life as a compulsive hoarder.The last person Trish ever wanted to turn to for help is her sister, Mary—meticulous, perfect Mary, whose house is always spotless . . . and who moved away from their mother to live somewhere else, just like Trish's oldest child has. But now, working together to get Trish's disaster of a home into livable shape, two very different sisters are about to uncover more than just piles of junk, as years of secrets, resentments, obsessions, and pain are finally brought into the light.

A suspenseful debut novel of desire, obsession, power, and vulnerability, in which a crisis of inheritance leads to the downfall of a wealthy family of Persian Jews in early twentieth-century IranFor all his wealth and success, Asher Malacouti—the head of a prosperous Jewish family living in the Iranian town of Kermanshah—cannot have the one thing he desires above all: a son. His young wife, Rakhel, trapped in an oppressive marriage at a time when a woman's worth is measured by her fertility, is made desperate by her failure to conceive, and grows jealous and vindictive.Rakhel's despair is compounded by the pregnancy of her sister-in-law, Khorsheed, and by her husband's growing desire for Kokab, his cousin's wife. Frustrated by his own wife's inability to bear him an heir, Asher makes a fateful choice that will shatter the household and drive Rakhel to dark extremes to save herself and preserve her status within the family.Witnessed through the memories of the family's sole surviving daughter, Mahboubeh, now an elderly woman living in Los Angeles, The Girl from the Garden unfolds the complex, tragic history of the Malacouti family in a long-lost Iran of generations past. Haunting, suspenseful, and inspired by events in the author's own family, it is an evocative and poignant exploration of sacrifice, betrayal, and the indelible legacy of the families that forge us.

In late September 1993, Brooke Fielding, a thirty-eight-year-old New York investment manager and the daughter of Jewish Holocaust survivors, accepts an invitation to teach entrepreneurial skills to Russian businesswomen in Moscow. Though excited by the opportunity to be one of the first Americans to visit Russia after the fall of communism, she wonders what awaits her in the country that persecuted her mother just a generation ago. But as the Russian parliament's uprising against President Boris Yeltsin turns Moscow into a volatile war zone, Brooke finds that her involvement comes at a high cost. For in a city where "capitalism" is still a dirty word, where neighbors spy on neighbors and the new economy is in the hands of a few dangerous men, nothing Brooke does goes unnoticed—and a mistake in her past may now compromise her future.

The beloved author of Wicked reimagines Hans Christian Andersen's classic story "The Little Match Girl" for modern readers in this charming, beautifully illustrated gift bookEach year, National Public Radio asks a writer to compose a story with a Christmas theme. In 2008, Gregory Maguire offered a new twist on a classic tale, reinventing the Hans Christian Andersen classic "The Little Match Girl."When the story was first translated from Danish and published in England in the mid-nineteenth century, the match girl's dying visions of lights and a grandmother in heaven were often interpreted as metaphors of religious salvation. In Matchless, Maguire adds a different dimension to the story, intertwining the match girl's tale with that of a young boy, Frederik, whose own yearnings are the catalyst for a better future for himself and his family. Maguire uses his storytelling magic to rekindle Andersen's original intentions and to suggest transcendence, the permanence of spirit, and the continuity that links the living and the dead.

Molly Hagan is overwhelmed.Her husband left her for a younger, blonder woman; her six-year-old son is questioning her authority, and now so is she. In order to pay her Brooklyn rent and keep her son supplied with Pokémon and Legos, not to mention food and clothing, she has to get a job—fast.So when an old friend offers Molly a freelance position copywriting for a new bakery, finding romance is just about the last thing on her mind. But the sexy British pastry chef who's heading up the bakery has other thoughts. And then so does Molly, when she meets the chef's intimidating business partner—who also happens to have a secret that might prevent Molly from getting her own happily ever after.

A brilliantly crafted modern tale from acclaimed film critic and screenwriter C. Robert Cargill—part Neil Gaiman, part Guillermo Del Toro, part William S. Burroughs—that charts the lives of two boys from their star-crossed childhood in the realm of magic and mystery to their anguished adulthoodsThere is another world than our own—one no closer than a kiss and one no further than our nightmares—where all the stuff of which dreams are made is real and magic is just a step away. But once you see that world, you will never be the same.Dreams and Shadows takes us beyond this veil. Once bold explorers and youthful denizens of this magical realm, Ewan is now an Austin musician who just met his dream girl, and Colby, meanwhile, cannot escape the consequences of an innocent wish. But while Ewan and Colby left the Limestone Kingdom as children, it has never forgotten them. And in a world where angels relax on rooftops, whiskey-swilling genies argue metaphysics with foul-mouthed wizards, and monsters in the shadows feed on fear, you can never outrun your fate.Dreams and Shadows is a stunning and evocative debut about the magic and monsters in our world and in our self.

Two young women come to Maine looking for family and find more love, heartbreak, and friendship than they ever imagined one little fishing town could hold

For more than two decades, Terry Pratchett has been regaling readers with tales of Discworld—a flat world balanced on the backs of four elephants, which are standing on the back of a giant turtle, flying through space. It is a world populated by ineffectual wizards and sharp-as-tacks witches, by tired policemen and devious dictators, by reformed thieves and vampires who have sworn to drink no blood. It is a world that is vastly different from our own . . . except when it isn't.Now, in The Wit and Wisdom of Discworld, various nuggets of Pratchett's witty commentary and sagacious observations have been compiled by Pratchett expert Stephen Briggs, a man who, they say, knows even more about Discworld than Terry Pratchett.Within these pages, you'll find musings on:Interior decorating: "It's a fact known throughout the universes that no matter how carefully the colors are chosen, institutional decor ends up as either vomit green, unmentionable brown, nicotine yellow, or surgical appliance pink. By some little-understood process of sympathetic resonance, corridors painted in those colors always smell slightly of boiled cabbage—even if no cabbage is ever cooked in the vicinity." (Equal Rites)Travel: "Any seasoned traveler soon learns to avoid anything wished on them as a 'regional speciality,' because all the term means is that the dish is so unpleasant the people living everywhere else will bite off their own legs rather than eat it. But hosts still press it upon distant guests anyway: 'Go on, have the dog's head stuffed with macerated cabbage and pork noses—it's a regional speciality.'" (The Last Continent)Young men: "And then there was the young male walk. At least women swung only their hips. Young men swung everything, from the shoulders down. You have to try to occupy a lot of space. It makes you look bigger, like a tomcat fluffing his tail. The boys tried to walk big in self-defense against all those other big boys out there. I'm bad, I'm fierce, I'm cool, I'd like a pint of shandy and me mam wants me home by nine." (Monstrous Regiment)Class: "'Old money' meant that it had been made so long ago that the black deeds that had originally filled the coffers were now historically irrelevant. Funny, that; a brigand for a father was something you kept quiet about, but a slave-taking pirate for a great-great-great-grandfather was something to boast of over the port. Time turned the evil bastards into rogues, and rogue was a word with a twinkle in its eye and nothing to be ashamed of." (Making Money) . . . and more! Culled from all the Discworld novels, The Wit and Wisdom of Discworld confirms Pratchett's place in the pantheon of great satirists and proves why the Chicago Tribune has praised his Discworld as "entertaining and gloriously funny . . . an accomplishment nothing short of magical."

At just twenty-three years old, Shauna Reid weighed 351 pounds. Spurred into action by the sight of her enormous white knickers billowing on the clothesline, she created the hugely successful blog "The Amazing Adventures of Dietgirl." Hiding behind her Lycra-clad, roly-poly alter-ego, her transformation from couch potato to svelte goddess began.Today, eight thousand miles, seven years, and 175 pounds later, the gloriously gorgeous Shauna is literally half the woman she used to be. Hysterically funny and heart-wrenchingly honest, The Amazing Adventures of Dietgirl includes travel tales from Australia to Paris to Red Square, plus romance when she meets the man of her dreams in a Scottish pub. This is the uplifting true story of a young woman who defeated her demons and conquered her cravings to become a real-life superhero to inspire us all.

Orphaned as a child, Octavia Leander was doomed to grow up on the streets until Miss Percival saved her. Gifted with incredible powers, the young healer is about to embark on her first mission, visiting suffering cities in the far reaches of the war-scarred realm. But the airship on which she is traveling is plagued by a series of strange and disturbing occurrences, including murder, and Octavia herself is threatened. Suddenly, she is caught up in a flurry of intrigue: the dashingly attractive steward may be one of the infamous Clockwork Daggers the Queen's spies and assassins and her cabinmate harbors disturbing secrets. But the danger is only beginning, for Octavia discovers that the deadly conspiracy may reach the crown itself.

Full of emotion and suspense, Crooked River is an inventive and atmospheric story about family and friendship, good and evil, secrets and lies, grief and forgivenessWhere should I startWith Mom's funeralOr a week earlier on the Fourth of July, the day she diedOr should I skip all that stuff and get straight to the part where Ollie and I just wanted to go swimming and pretend our lives were ordinary again, but when we got down to the river we found another dead woman instead?Still grieving over the sudden death of their mother, fifteen-year-old Sam McAlister and her ten-year-old sister, Ollie, move from the comforts of Eugene to rural Oregon to live in a meadow in a teepee under the stars with Bear, their reclusive beekeeper father. But soon after they arrive in Terrebone, a young woman is found dead floating in Crooked River and the police arrest their eccentric father for the murder. He is not evil. I am not good.We are the same: broken and put back together again.Sam knows that Bear is not a killer, even though the evidence points to his guilt—including information that she and Ollie have uncovered. Filled with remorse and refusing to accept that her father could have hurt anyone, Sam embarks on a desperate hunt to save him and keep her damaged family together. They had mysteriously lost Bear once before and Sam is terrified they will lose him again. Only this time they won't ever get him back. She needs Ollie to help her, but Ollie has not spoken a word since their mother's death.I see things no one else does.I see them there and wish I didn't. I want to tell and I can't.Ollie, too, knows that Bear is innocent. The Shimmering have told her so. One followed her home from her mom's funeral and continues to hover, a spectrum of colors—pink and rose red, sky blue and honey gold. Now another, coiled and hissing, is following Sam. Both spirits warn Ollie: the real killer is out there, waiting. Somehow, she must warn her sister. But Ollie worries that if she tries to speak—even to write—the Shimmering will slip inside her, take control, and never leave. Sam and Ollie must find the truth quickly—a search that will lead them to unexpected secrets and terrible lies—because the danger is closer to them than either girl knows.Told in Sam's and Ollie's vibrant voices, Crooked River is a family story, a coming-of-age story, a ghost story, and a psychological mystery as haunting as the best Southern gothic fiction that will touch your heart and grip you until the final page.

How far would you go to control your own destiny?Mia Morrissey has escaped: from America, from the Registry, from the role she was raised to play—a perfect bride auctioned to the highest bidder. She's enemy number one to the world's largest power, and there's no turning back now.From the moment she and her friends Andrew and Carter cross the border into Mexico, it's clear their troubles are only beginning. Mexico may have laws to protect runaway brides, but as U.S. Army deserters, Andrew and Carter face deportation or worse. The young men are immediately picked up by a violent and omnipotent militia—the Collection—and it's Mia's turn to rescue them.With time running out, her ex-fiancé's henchman on her trail, and a dangerous tide shifting back in America, Mia will do whatever she has to. Even if that means risking everything and putting herself back on an auction block. The price of freedom is never too high . . . but what if the cost is her life?

The critically acclaimed and bestselling author of The Raising returns with a haunting and shadowy thriller about the love between a mother and daughter.Something had followed them from Russia.On a snowy Christmas morning, Holly Judge awakens, the fragments of a nightmare—something so important that she must write it down—floating on the edge of her consciousness.Something had followed them from Russia.It was thirteen years ago that she and her husband, Eric, went to Siberia to adopt the sweet, dark-haired child they had wanted so desperately. How they laughed at the nurses of Pokrovka Orphanage #2 with their garlic and superstitions, and ignored their insistent warnings. After all, their fairy princess Tatiana—Baby Tatty—was perfect.As the snow falls, enveloping the world in its white silence, Holly senses that something is not right, and has never been right in the years since they brought their daughter home. Now Tatty is a dangerously beautiful, petulant, and often erratic teenager, and Holly feels there is something evil lurking within their house.She and Tatiana are alone. Eric is stuck on the roads, and none of the other guests for Christmas dinner will be able to make it through the snow. With each passing hour, the blizzard rages and Tatiana's mood darkens, her behavior becoming increasingly disturbing . . . until, in every mother's worst nightmare, Holly finds she no longer recognizes her daughter.

The smallest of small-time criminals, Ernest Stickley Jr. figures his luck's about to change when Detroit used car salesman Frank Ryan catches him trying to boost a ride from Ryan's lot. Frank's got some surefire schemes for getting rich quick—all of them involving guns—and all Stickley has to do is follow "Ryan's Rules" to share the wealth. But sometimes rules need to be bent, maybe even broken, if one is to succeed in the world of crime, especially if the "brains" of the operation knows less than nothing.

Waris Dirie leads a double life -- by day, she is an international supermodel and human rights ambassador for the United Nations; by night, she dreams of the simplicity of life in her native Somalia and the family she was forced to leave behind. Desert Flower, her intimate and inspiring memoir, is a must-read for anyone who has ever wondered about the beauty of African life, the chaotic existence of a supermodel, or the joys of new motherhood.Waris was born into a traditional Somali family, desert nomads who engaged in such ancient and antiquated customs as genital mutilation and arranged marriage. At twelve, she fled an arranged marriage to an old man and traveled alone across the dangerous Somali desert to Mogadishu -- the first leg of an emotional journey that would take her to London as a house servant, around the world as a fashion model, and eventually to America, where she would find peace in motherhood and humanitarian work for the U.N.Today, as Special Ambassador for the U.N., she travels the world speaking out against the barbaric practice of female genital mutilation, promoting women's reproductive rights, and educating people about the Africa she fled -- but still deeply loves.Desert Flower will be published simultaneously in eleven languages throughout the world and is currently being produced as a feature film by Rocket Pictures UK.

The revised edition of From Cover to Cover offers a fresh, up-to-date look at some of the best examples of children's literature today and also includes practical advice on how to write clearly articulated, reasoned opinions so that others can learn about books they have not yet read. A brief, updated introduction explains how children's books evolve from manu*s into bound books, the importance of the many different parts of a book (jacket flaps, title page, copyright, etc.), and changes in the children's book industry, such as the creation of two new major genre awards. In addition, the author demonstrates how to think about and critically evaluate several different genres of children's books. Included are sections about books of information (and the author's responsibility to document sources); traditional literature (myths, legends, tall tales, folktales); poetry, verse, rhymes, and songs; picture books; easy readers and traditional books; and fiction and graphic novels. There is also a concluding chapter on how to write reviews that are both de*ive and analytical, as well as a segment on children's literature blogs. From Cover to Cover is an invaluable resource for all professionals who wish to write book evaluations that go beyond a simple personal response.

Courtney Farrell is a disaffected, sexually precocious fifteen-year-old. She splits her time between Manhattan, where her father works in publishing, and Los Angeles, where her mother is a still-beautiful Hollywood actress. After a boarding-school crush on a female teacher ends badly, Courtney sets out to learn everything fast. Her first drink is a very dry martini, and her first kiss the beginning of a full-blown love affair with an older man.A riveting coming-of-age story, Chocolates for Breakfast became an international sensation upon its initial publication in 1956, and it still stands out as a shocking and moving account of the way teenagers collide, often disastrously, against love and sex for the first time.

No player in the history of baseball has left such an indelible mark on the game as San Francisco Giants outfielder Barry Bonds. In his twenty-year career, Bonds has amassed an unprecedented seven MVP awards, eight Gold Gloves, and more than seven hundred home runs, an impressive assortment of feats that has earned him consideration as one of the greatest players the game has ever seen. Equally deserved, however, is his reputation as an insufferable braggart, whose mythical home runs are rivaled only by his legendary ego. From his staggering ability and fabled pedigree (father Bobby played outfield for the Giants; cousin Reggie Jackson and godfather Willie Mays are both Hall of Famers) to his well-documented run-ins with teammates and the persistent allegations of steroid use, Bonds inspires a like amount of passion from both sides of the fence. For many, Bonds belongs beside Babe Ruth and Hank Aaron in baseball's holy trinity; for others, he embodies all that is wrong with the modern athlete: aloof; arrogant; alienated.In Love Me, Hate Me , author Jeff Pearlman offers a searing and insightful look into one of the most divisive athletes of our time. Drawing on more than five hundred interviews -- with former and current teammates, opponents, managers, trainers, friends, and outspoken critics and unapologetic supporters alike -- Pearlman reveals, for the first time, a wonderfully nuanced portrait of a prodigiously talented and immensely flawed American icon whose controversial run at baseball immortality forever changed the way we look at our sports heroes.

Part sports star, part antihero, part hip-hop icon, Allen Iverson has managed to cross over into the mainstream of American culture -- without compromise. Defiantly tattooed, with his hair in cornrows, the six-foot Philadelphia 76ers point guard is one of the most recognizable and controversial stars of the sports world. His meteoric rise from a troubled childhood in the ghetto to NBA superstardom has been marked by five straight playoff appearances, including a finals berth in 2001 and an MVP award. From his rap sheet to his rap album, fans and journalists alike hound his every move. But never before has a biographer presented a full portrait of this complicated and intensely private star -- a man whose loyalty to his family, the streets, and his friends trumps any other concern. Filled with exclusive interview material and unprecedented access to many of Iverson's inner circle, Only the Strong Survive is the first in-depth look at the truth behind this newly minted legend.