Marcia! Marcia! Marcia! Marcia Brady, eldest daughter on television's The Brady Bunch, had it all style, looks, boys, brains, and talent. No wonder her younger sister Jan was jealous! For countless adolescents across America who came of age in the early 1970s, Marcia was the ideal American teenager. Girls wanted to be her. Boys wanted to date her. But what viewers didn't know about the always-sunny, perfect Marcia was that offscreen, her real-life counterpart, Maureen McCormick, the young actress who portrayed her, was living a very different and not-so-wonderful life. Now, for the very first time, Maureen tells the shocking and inspirational true story of the beloved teen generations have invited into their living rooms and the woman she became.In Here's the Story, Maureen takes us behind the scenes of America's favorite television family, the Bradys. With poignancy and candor, she reveals the lifelong friendships, the hurtful jealousies, the offscreen romance, the loving support her television family provided during a life-or-death moment, and the inconsolable loss of a man who had been a second father. But The Brady Bunch was only the beginning. Haunted by the perfection of her television alter ego, Maureen landed on the dark side, caught up in a fast-paced, drug-fueled, star-studded Hollywood existence that ultimately led to the biggest battle of her life.Moving from drug dens on Wonderland Avenue to wild parties at the Playboy mansion and exotic escapades on the beaches of Hawaii, this candid, hard-hitting memoir exposes a side of a beloved pop-culture icon the paparazzi missed. Yet it is also a story of remarkable success. After kicking her drug habit, Maureen battled depression, reconnected with her mother, whom she nursed through the end of her life, and then found herself in a pitched battle for her family in which she ultimately triumphed.There is no question: Maureen McCormick is a survivor. After fifty years, she has finally learned what it means to love the person you are, insight that has brought her peace in a happy marriage and as a mother. Here's the Story is the empowering, engaging, shocking, and emotional tale of Maureen McCormick's courageous struggle over adversity and her lifelong battle to come to terms with the idea of perfection and herself.

From the inimitable Campbell McGrath comes an epic poem of george shannon, the youngest member of the lewis and clark expedition, who wandered the prairie alone for sixteen days.The last of the Maha will fade from the earth Vanquished utterly by the Pawnee after the Pawnee the Sioux may perish eventually the Kentuckians and Ohioans I doubt not but my countrymen Will populate in numbers these fulsome plains But what untold count Of years men, of decades centuries What numberless generations will it require Life by life skeleton by skeleton To claim this land from the buffalo?With Shannon, a testament to both natural splendor and human courage, Campbell McGrath has created a thrilling narrative that rises from those vast, lonely spaces that continue to haunt the American consciousness.

The California condor has been described as a bird "with one wing in the grave."Flying on wings nearly ten feet wide from tip to tip, these birds thrived on the carcasses of animals like woolly mammoths. Then, as humans began dramatically reshaping North America, the continent's largest flying land bird started disappearing. By the beginning of the twentieth century, extinction seemed inevitable.But small groups of passionate individuals refused to allow the condor to fade away, even as they fought over how and why the bird was to be saved. Scientists, farmers, developers, bird lovers, and government bureaucrats argued bitterly and often, in the process injuring one another and the species they were trying to save. In the late 1980s, the federal government made a wrenching decision -- the last remaining wild condors would be caught and taken to a pair of zoos, where they would be encouraged to breed with other captive condors. Livid critics called the plan a recipe for extinction. After the zoo-based populations soared, the condors were released in the mountains of south-central California, and then into the Grand Canyon, Big Sur, and Baja California. Today the giant birds are nowhere near extinct.The giant bird with "one wing in the grave" appears to be recovering, even as the wildlands it needs keep disappearing. But the story of this bird is more than the story of a vulture with a giant wingspan -- it is also the story of a wild and giant state that has become crowded and small, and of the behind-the-scenes dramas that have shaped the environmental movement. As told by John Nielsen, an environmental journalist and a native Californian, this is a fascinating tale of survival.

From the freewheeling rush of hijacking trucks to the brutal race wars that marked his decade-long stint in jail, former Mafia insider Louis Ferrante describes his remarkable journey from rising mobster to federal prison inmate to full-time writer. As Louis Ferrante tells it, the bottom line was money and his word was good. During his teenage years, Ferrante and his crew members hijacked delivery trucks and drove them to drop-offs all over New York, reselling the merchandise and pocketing thousands of dollars per load. For a seventeen-year-old who liked fist fighting and fast cars, it was the quickest money on the street, and it soon earned Ferrante the attention of the infamous Gambino crime family, led by late Mob boss John Gotti. In the early nineties, Ferrante's growing Mafia connections enabled him to pull off some of the most lucrative heists in American history all by the age of twenty-one.But the same handshakes that once sealed deals soon could no longer be trusted, and the betrayal by several of his close friends brought the feds banging down Ferrante's door. Symptomatic of the nation's larger crackdown on organized crime, indictments came from the Secret Service, the Nassau County Organized Crime Force, and the FBI. By 1994, Ferrante faced a life sentence in prison. He pleaded guilty and would serve nearly a decade in some of the most notorious penitentiaries in America. With raucous violence teeming around him, Ferrante relied on his Mob connections and street smarts to keep him alive until an unexpected exchange with a guard propelled him to a painful self-reckoning: Who am IWhat is it that makes me this wayDo I have a purpose?Desperate to escape from his bleak surroundings, Ferrante immersed himself in the study of history and literature. Over the term of his incarceration, each book became a much-needed sanctuary from the brutal chaos of his everyday existence, each page a challenge to his rapidly expanding knowledge of the world. Ferrante read voraciously a journey of the mind that took him from philosophy and ancient classics to nineteenth-century fiction. He also learned the art of writing and studied the major world religions, eventually deciding to become an Orthodox Jew. And with only limited access to legal texts, Ferrante taught himself enough about the American justice system to successfully appeal his own conviction, in a case that is now cited in courtrooms across the country. Gritty and hard-hitting, Ferrante's memoir recounts his rapid rise to the upper echelons of the Mafia hierarchy, his time in prison, and his struggle to turn his life around. Unlocked is an astonishing journey a true story of personal transformation that is both shocking and unforgettable.

When journalist Dennis Cass was nineteen years old his stepfather, Bill, suffered from a psychotic break. Cass tried to commit him to a mental institution only to watch Bill escape from a cab en route to a Harlem hospital and run raving down the streets of Manhattan. Some fifteen years later, a bout of writer's block turned Cass's thoughts toward the brain. A complete stranger to science, Cass immersed himself in the world of neuroscience, subjecting himself to brain scans, psychological tests, and scientific conferences, as he attempted to gain a better understanding of ADHD, anxiety, stress, motivation and reward, and consciousness. Then things got a little weird. What began as a more clinical effort to understand himself soon became a personal and emotional journey into the fragile, mysterious workings of the mind and the self. Head Case is a charming, hilarious, and at times harrowing memoir of scientific experimentation. It's a story of science and society, of fathers and sons, and of how the past lives on in the present. Along the way the book asks timeless questions: What do we know about ourselvesWhat can we know about ourselvesAnd how much self-knowledge can a single person handle?

Anne Roiphe was not quite seventy years old when her husband of nearly forty years unexpectedly passed away. But it was not until her daughters placed a personal ad in a literary journal that Roiphe began to consider the previously unimagined possibility of a new man. Eloquent and astute, moving between heartbreaking memories of her marriage and the pressing needs of a new day-to-day routine, Epilogue takes us on her journey into the unknown world of life after love.

Toby Maytree first sees Lou Bigelow on her bicycle in postwar Provincetown, Massachusetts. Her laughter and loveliness catch his breath. Maytree is a Provincetown native, an educated poet of thirty. As he courts Lou, just out of college, her stillness draws him. Hands-off, he hides his serious wooing, and idly shows her his poems. In spare, elegant prose, Dillard traces the Maytrees' decades of loving and longing. They live cheaply among the nonconformist artists and writers that the bare tip of Cape Cod attracts. When their son Petie appears, their innocent Bohemian friend Deary helps care for him. But years later it is Deary who causes the town to talk.In this moving novel, Dillard intimately depicts willed bonds of loyalty, friendship, and abiding love. She presents nature's vastness and nearness. Warm and hopeful, The Maytrees is the surprising capstone of Dillard's original body of work.

A curator for the Smithsonian Museum of Natural History, Doug Owsley painstakingly rebuilds skeletons, helping to identify them and determine their cause of death. He has worked on several notorious cases -- from mass graves uncovered in Croatia to the terrorist attacks on the Pentagon -- and has examined historic skeletons tens of thousands of years old. But the discovery of Kennewick Man, a 9,600-year-old human skeleton found along the banks of Washington's Columbia River, was a find that would turn Owsley's life upside down.Days before Owsley was scheduled to study the skeleton, the government seized it to bury Kennewick Man's bones on the land of the Native American tribes who claimed him. Along with other leading scientists, Owsley sued the U.S. government over custody. Concerned that knowledge about our past and our history would be lost forever if the bones were reburied, Owsley fought a legal and political battle for six years, putting everything at risk, jeopardizing his career and his reputation.

Not all American heroes appear in the standard history texts. Their achievements aren't celebrated like the monumental exploits of presidents, generals, and founding fathers. But for as long as this great nation has existed, ordinary citizens have done extraordinary things. In Secret Heroes, author Paul Martin spotlights thirty overlooked Americans, all of whom had an impact on their world and ours, including:Hercules Mulligan, the New York tailor and spy who saved George Washington's life . . . twice!Jimmie Angel, the gold-seeking bush pilot who, in 1933, discovered the world's highest waterfall in Venezuela.Carl Akeley, a pioneering taxidermist who killed a leopard with his bare hands and inspired Africa's first national park.Eliza Scidmore, who convinced the government to plant cherry trees in Washington, D.C. . . . after twenty-four years of lobbying!

In this penetrating and provocative look at the state of contemporary Israel, acclaimed Israeli historian and journalist Gershom Gorenberg reveals how the nation's policies are undermining its democracy and existence as a Jewish state, and explains what must be done to bring it back from the brink. Refuting shrilldefenses of Israel and equally strident attacks, Gorenberg shows that the Jewish state is, in fact, unique among countries born in the postcolonial era: It began as a parliamentary democracy and has remained one. An activist judiciary has established civil rights. Despite discrimination against its Arab minority, Israel has given a political voice to everyone within its borders.Yet shortsighted policies, unintended consequences, and the refusal to heed warnings now threaten thoseaccomplishments. By keeping the territories it occupied in the Six-Day War, Israel has crippled its democracy and the rule of law. The unholy ties between state, settlement, and synagogue have promoted a new brand of extremism, transforming Judaism from a humanistic to a militant faith. And the religious right is rapidly gaining power within the Israeli army, with possibly catastrophic consequences. In order to save itself, Gorenberg argues, Israel must end the occupation, separate state from religion, and create a new civil Israeli identity that can be shared by Jews and Arabs. Based on groundbreaking historical research including documents released through the author's Israeli Supreme Court challenge to military secrecy and on a quarter century of experience reporting in the region, The Unmaking of Israel is a brilliant, deeply personal critique by a progressive Israeli, and a plea for realizing the nation's potential.

Each year, every football team sets out to play a perfect season. Only one has ever succeeded talk about beating the odds.The Miami Dolphins of the late 1960s were a laughingstock, an expansion team, and a franchise where careers went to die. Then came Coach Don Shula. In just a few short years through hard work, long practices, and his no-nonsense attitude toward the game Shula transformed the team into a championship franchise. The Dolphins were by and large unseasoned players or rejects from other teams. Even so, they made it to Super Bowl VI. They suffered a humiliating loss to the Dallas Cowboys, becoming the first team in Super Bowl history not to score a single touchdown. But Shula closed the 1971 season by telling his players to remember this loss and make sure nothing like it ever happened again. And they listened.The Miami team came back for the 1972 season determined to be winners this time, not losers. Through his tough-as-nails coaching, grueling preseason training, and inspiring message of redemption, Shula took the Dolphins, one game at a time, to their legendary Super Bowl victory. Led by such greats as Larry Csonka, Bob Griese, Nick Buoniconti, Larry Little, Mercury Morris, and Jake Scott as well as players discarded from other franchises who were transformed into key contributors once they were indoctrinated into Shula's system the team was undefeated 17-0 in the regular season and went on to win Super Bowl VII, in one of the greatest stories of toughness, perseverance, and skill the National Football League has ever seen. Along the way, the Dolphins became the team of the 1970s, with Miami as a fascinating backdrop. The city emerged as an anti–Fidel Castro hub and morphed into the city made notorious on the television show Miami Vice. The cocaine began to flow as the Dolphins rose to prominence, and the team struggled with its own drug issues. Yet the Dolphins established themselves as one of the city's most trusted entities. While the city faced racially charged riots, Shula purposely built an integrated locker room in an NFL and a city that were still extremely hostile to blacks.Based on years of research and interviews, Undefeated, by award-winning journalist and author Mike Freeman, examines what is perhaps the single greatest accomplishment in team sports history: the unforgettable NFL season in which the Dolphins didn't lose a single game. There has never been a football team like those Miami Dolphins, and there may never be again.

He's one of the most ubiquitous men on television. Certainly the most calm, cool, and collected the king of "off the cuff." And no one throws to a commercial better. Yes, Tom Bergeron is a Hollywood staple, and the role for which he is best known is . . . well . . . himself. But while he's a comforting presence to millions of people, cultivating this seemingly unshakeable positive outlook and cool persona took as much motivation, inspiration, perseverance, and experience as it would take one to prepare a classic part for the stage. I'm Hosting as Fast as I Can! is the trying, often laugh-out-loud journey it took to get to himself.Tom got into the world of entertainment by way of local radio at age seventeen, hosting what his first boss told him was and should be a "no-personality station." He said, "Tommy, just play the records and read the commercials." But the sit-down-and-shut-up attitude belied Tom's natural inclination to inject personality and a little pluck into his broadcasts. So, Tom sought other performance opportunities on radio, in improvisational theater, and even as a mime (yes, a mime), which would help him hone the expressiveness that seems to come so naturally to his presentation. His determination would result in a high-profile hosting gig on the iconic game show Hollywood Squares and guest-hosting appearances on ABC's Good Morning America and CBS's Early Show. But as is sometimes the case with enthusiastic dynamos like Tom, he had an explosive temper that he admits had the potential to derail his dreams of being not only a successful broadcaster but also a successful husband, father, and friend. How to cope"I meditated my temper into submission," says Tom with his trademark sense of humor. In I'm Hosting as Fast as I Can!, Tom elaborates on the process by which he is able to sit calmly and patiently, without being distracted, at any time, no matter how hectic, as well as respond quickly (and hilariously) when Marie Osmond faints at his feet on live TV. Haven't seen itCheck it out on YouTube. The man is always in control.

From beanballs to basebrawls, the most important rules governing the game of baseball have never been officially written down until now. They have no sanction from the Commissioner, appear nowhere in any official publication, and are generally not posted on any clubhouse wall. They represent a set of time-honored customs, rituals, and good manners that show a respect for the game, one's teammates, and one's opponents. Sometimes they contradict the official rulebook. The fans generally only hear about them when one is bent or broken, and it becomes news for a few days. Now, for the first time ever, Paul Dickson has put these unwritten rules down on paper, covering every situation, whether on the field or in the clubhouse, press box, or stands. Along with entertaining baseball axioms, quotations, and rules of thumb, this essential volume contains the collected wisdom of dozens of players, managers, and reporters on the secret rules that you break at your own risk, such as:1.7.1. In a Fight, Everyone Must Leave the Bench and the Bullpen Has to Join In1.13.3. In a Blowout Game, Never Swing as Hard as You Can at a 3-0 Pitch5.1.0. In Areas That Have Two Baseball Teams, Any Given Fan Can Only Really Root For One of Them

North Point North: New and Selected Poems showcases the work of an important contemporary American poet, winner of the prestigious Kingsley-Tufts Award for Poetry.The volume opens with twenty-one new poems, some of which have appeared in The New Yorker, American Poetry Review, the New Republic, the Paris Review, and the Kenyon Review, among other periodicals, and in The Best American Poems 2001, edited by Robert Hass and David Lehman. Following are selections from Koethe's five earlier collections of poems: Blue Vents, Domes, The Late Wisconsin Spring, The Constructor, and Falling Water. Together these poems create a remarkable and powerful new volume, a milestone in this gifted poet's career.

A crisp, passionately argued answer to the question that everyone who's grown dependent on digital devices is asking: "Where's the rest of my life?" At a time when we're all trying to make sense of our relentlessly connected lives, this revelatory book presents a bold new approach to the digital age. Part intellectual journey, part memoir, Hamlet's BlackBerry sets out to solve what William Powers calls the conundrum of connectedness. Our computers and mobile devices do wonderful things for us. But they also impose an enormous burden, making it harder for us to focus, do our best work, build strong relationships, and find the depth and fulfillment we crave.Hamlet's BlackBerry argues that we need a new way of thinking, an everyday philosophy for life with screens. To find it, Powers reaches into the past, uncovering a rich trove of ideas that have helped people manage and enjoy their connected lives for thousands of years. New technologies have always brought the mix of excitement and stress that we feel today. Drawing on some of history's most brilliant thinkers, from Plato to Shakespeare to Thoreau, he shows that digital connectedness serves us best when it's balanced by its opposite, disconnectedness. Using his own life as laboratory and object lesson, Powers demonstrates why this is the moment to revisit our relationship to screens and mobile technologies, and how profound the rewards of doing so can be. Lively, original, and entertaining, Hamlet's BlackBerry will challenge you to rethink your digital life.

Selections from The Best American Crime Reporting 2010 is yet another must read for the true crime aficionado an eye-opening compendium of the most gripping, suspenseful, and brilliant crime stories of the year by the masters of the genre. Guest editor Stephen J. Dubner (Freakonomics) joins series editors Otto Penzler and Thomas Cook for the latest annual installment in what Entertainment Weekly has praised as the best mix of the political, the macabre, and the downright brilliant, and People Magazine calls, arresting reading.Thieves, liars, and killers it's a criminal world out there, and someone has to write about it. A riveting line-up of pieces from the thrilling collection of the year's best reportage by the aces of the true-crime genre, Selections from The Best American Crime Reporting 2010 brings together the mysteries and missteps of an eclectic and unforgettable set of criminals. Gripping, suspenseful, and brilliant, this latest addition to the highly acclaimed series features guest editor Stephen J. Dubner, award-winning and megabestselling coauthor of Super Freakonomics and Freakonomics.

By far the most important figure in the history of the United States, George Washington liberated the thirteen colonies from the superior forces of the British Empire against all military odds, and presided over the production and ratification of a constitution that (suitably amended) has lasted for more than two hundred years. Yet today Washington remains a distant figure to many Americans a failing that acclaimed author Paul Johnson sets out to rectify with this brilliantly vivid, sharply etched portrait of the great hero as a young warrior, masterly commander in chief, patient lawmaker, and exceptionally wise president.

To Kill a Mockingbird may well be our national novel. It is the first adult novel that many of us remember reading, one book that millions of us have in common. It sells nearly a million copies a year, more than any other twentieth-century American classic. Harper Lee's first and only novel, published in July 1960, is a beloved classic and touchstone in American literary and social history. To mark the fiftieth anniversary of To Kill a Mockingbird, Mary McDonagh Murphy reviews its history and examines how the novel has left its mark on a broad range of novelists, historians, journalists, and artists. In compelling interviews, Anna Quindlen, Tom Brokaw, Oprah Winfrey, James Patterson, James McBride, Scott Turow, Wally Lamb, Andrew Young, Richard Russo, Adriana Trigiani, Rick Bragg, Jon Meacham, Allan Gurganus, Diane McWhorter, Lee Smith, Rosanne Cash, and others reflect on when they first read the novel, what it means to them then and now and how it has affected their lives and careers. Scout, Atticus, and Boo: A Celebration of Fifty Years of "To Kill a Mockingbird" is a lively appreciation of the many ways in which the novel has made and continues to make a difference to generations of readers.Harper Lee has not given an interview since 1964, but Murphy's reporting, research, and rare interviews with the author's sister and friends stitch together a brief history of how the novel, as well as the acclaimed 1962 movie, came to be.

An exciting first collection of poetry from an emerging talent, Gabriel Spera's The Standing Wave was a winner of the 2002 National Poetry Series Open Competition, selected by esteemed poet Dave Smith. For over twenty years, the National Poetry Series has discovered many new and emerging voices and has been instrumental in launching the careers of poets and writers such as Billy Collins, Mark Doty, Denis Johnson, Cole Swensen, Thylias Moss, Mark Levine, and Dionisio Martinez.

From the wooded road made of golden hemlock running past L. Frank Baum's childhood home to the lonely stump of Scout's oak in Harper Lee's Alabama, author Richard Horan gathers tree seeds and stories from the homes of America's most treasured authors. At once a heartfelt paean to literature and a wise, funny, and uplifting account of one man's reconnection with nature, Seeds celebrates Horan's triumphs and calamities on his quest to link trees with great writers a delightfully original meditation on the nature of inspiration and a one-of-a-kind adventure into literature. Includes an excerpt from Richard Horan's new book Harvest.

For most readers, contemporary poetry is a foreign country. And because they've barely visited poetry, let alone lived there, readers struggle to enjoy the art for what it is, rather than what they imagine it to be. In Beautiful Pointless, award-winning critic David Orr provides a riveting tour of poetry as it actually exists today. Orr argues that readers should accept the foreignness of poetry in the way that they accept the strangeness of any place to which they haven't traveled they should expect a little confusion, at least at first. Yet in the same way that we can, over time, learn to appreciate the idiosyncratic delights of, for instance, Belgium, we can learn to be comfortable with the odd pleasures of poetry by taking our time and pursuing what we like.Reading poetry, Orr suggests, is more a matter of building a relationship than proceeding systematically through a checklist. Beautiful Pointless provides the foundation for such a relationship by examining the things poets and poetry readers talk about when they discuss poetry, such as why poetry seems especially personal and what it means to write "in form." Orr, by turns acerbic, incisive, hilarious, and keen, is what every reader hopes for: that perfect guide who points the way, doesn't talk too much, and helps you see what you might have missed. Stimulating, amusing, and utterly engrossing, Beautiful Pointless allows us to see how an individual reader engages poetry, so that we may feel better equipped to appreciate it in our own way.