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Seeing Further
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This revised e-book features all photographs, designed in beautiful full-color. Edited and introduced by Bill Bryson, with original contributions from "a glittering array of scientific writing talent" (Sunday Observer ) including Richard Dawkins, Margaret Atwood, Richard Holmes, Martin Rees, Richard Fortey, Steve Jones, James Gleick, and Neal Stephenson, among others, this incomparable book tells the spectacular story of science and the international Royal Society, from 1660 to the present. Seeing Further is also gorgeously illustrated with photographs, documents, and treasures from the Society's exclusive archives. On a damp weeknight in November three hundred and fifty years ago, a dozen men gathered in London. After hearing an obscure twenty-eight-year-old named Christopher Wren lecture on the wonders of astronomy, his rapt audience was moved to create a society to promote the accumulation of useful and fascinating knowledge. At that, the Royal Society was born, and with it, modern science. Since then, the Royal Society has pioneered global scientific exploration and discovery. Its members have split the atom, discovered the double helix and the electron, and given us the computer and the World Wide Web. Isaac Newton, Charles Darwin, Albert Einstein, Robert Hooke, Robert Boyle, Joseph Banks, Humphry Davy, John Locke, Alexander Fleming, Stephen Hawking all have been fellows. Bill Bryson's favorite fellow is the Reverend Thomas Bayes, a brilliant mathematician who devised Bayes' theorem. Its complexity meant that it had little practical use in Bayes' own lifetime, but today his theorem is used for weather forecasting, astrophysics, and even stock-market analysis. A milestone in mathematical history, it exists only because the Royal Society decided to preserve it just in case. Truly global in its outlook, the Royal Society now is credited with creating modern science. Seeing Further is an unprecedented celebration of its history and the power of ideas, bringing together the very best of science writing.
Letters of E. B. White
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Letters of E. B. White touches on a wide variety of subjects, including the New Yorker editor who became the author's wife; their dachshund, Fred, with his look of fake respectability and White's contemporaries, from Harold Ross and James Thurber to Groucho Marx and John Updike and, later, Senator Edmund S. Muskie and Garrison Keillor. Updated with newly released letters from 1976 to 1985, additional photographs, and a new foreword by John Updike, this unparalleled collection of letters from one of America's favorite essayists, poets, and storytellers now spans nearly a century, from 1908 to 1985.
Who Killed Change?
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Who Killed ChangeSolving the Mystery of Leading People Through Change Every day organizations around the world launch change initiatives often big, expensive ones designed to improve the status quo. Yet 50 to 70 percent of these change efforts fail. A few perish suddenly, but many die painful, protracted deaths that drain the organization's resources, energy and morale.Who or What Is Killing Change?That's what you'll find out in this witty whodunit. The story features a Columbo-style detective, Agent Mike McNally, who's investigating the murder of yet another change. One by one, Agent McNally interviews thirteen prime suspects, including a myopic leader named Victoria Vision; a chronically tardy manager named Ernest Urgency; an executive named Clair Communication, whose laryngitis makes communication all but impossible; and several other dubious characters.The suspects are sure to sound familiar and you're bound to relate them to your own workplace. In the end, Agent McNally solves the case in a way that will inspire you to become an effective Change Agent in your own organization.A step-by-step guide at the back of the book shows you how to apply the story's lessons to the real world. Key questions help you evaluate the health of your organization's change initiatives, and you'll learn best practices for enabling and sustaining the desired change.
SAS Survival Handbook, Third Edition
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The ultimate guide to surviving anywhere, now updated with more than 100 pages of additional materialRevised to reflect the latest in survival knowledge and technology, and covering new topics such as urban survival and terrorism, the internationally bestselling SAS Survival Handbook is the definitive resource for all campers, hikers, and outdoor adventurers. From basic campcraft and navigation to fear management and strategies for coping with any type of disaster, this complete course includes:Being prepared: Understanding basic survival skills, like reading the weather, and preparation essentials, such as a pocket survival kit.Making camp: Finding the best location, constructing the appropriate shelter, organizing camp, staying warm, and creating tools.Food: What to eat, what to avoid, where to find it, and how to prepare it.First aid: A comprehensive course in emergency/wilderness medicine, including how to maximize survival in any climate or when injured.Disaster survival: How to react in the face of natural disasters and hostile situations and how to survive if all services and supplies are cut off.Self-defense: Arming yourself with basic hand-to-hand combat techniques.Security: Protecting your family and property from intrusion, break-ins, and theft.Climate terrain: Overcoming any location, from the tropics to the poles, from the desert to the mountains and sea.
Disloyalty: #MeToo
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Disloyalty: #MeToo
Anatomia distructivit??ii umane
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Al treilea volum al seriei Clubul fetelor dependente de ciocolat? ?nc? o poveste delicioas? din seria Clubul fetelor dependente de ciocolat?, al?turi de Pasiunea lui Cherry ?i Cuf?rul lui Skye. Summer s-a visat dintotdeauna dansatoare ?i, c?nd apare un loc la ?coala de balet, ?i-l dore?te dureros de tare. Gimnaziul se termin? ?i ?ncepe vacan?a dar, spre deosebire de geam?na Skye ?i de celelalte surori, Summer nu are timp de petreceri pe plaj?. Audi?ia devine noua ei obsesie, iar lucrurile ?ncep s? scape grav de sub control... Cu c?t ?ncearc? mai mult s? ating? perfec?iunea, cu at?t se pierde mai tare. Va realiza Summer – cu ajutorul b?iatului care vrea s?-i fie mai mult dec?t prieten – c? visurile vin ?n tot felul de forme ?i m?rimi? ?Emo?ionant, tandru, de neuitat.“ – The Guardian ?Fiica mea era o cititoare foarte selectiv?, a?a c? am vrut s? scriu c?r?i pe care s? nu le lase din m?n?, pove?ti care s? o fac? s? viseze, s?-?i pun? ?ntreb?ri, s? mediteze ?i – de ce nu? – s? ?n?eleag? mai bine via?a.“ – Cathy Cassidy ?Sora mea ro?e?te p?n? ?n albul ochilor ?i pare c? ?i-a pierdut cu des?v?r?ire darul vorbirii. (...) Apoi r?de cu gura p?n? la urechi, iar Finch ?i ?ntoarce un z?mbet la fel de luminos. ?n clipa ?n care noi celelalte sim?im miros de ars, e greu de spus dac? acesta vine de la privirile lor electrizate, ori de la fierul de c?lcat pe care Skye l-a abandonat pe unul dintre cele mai bune furouri vintage ale ei.“
Claude Monet:Vol2
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对莫奈而言，艺术创作始终是一种痛苦的挣扎。较之同时代人，他更深沉地痴迷于表达情感，更强烈地渴望传达超越大自然的光线效果。用他自己的话来形容：“技巧来来去去……艺术始终如一——它是大自然的转译，需要与意志力同等的敏感性。我和太阳搏斗……（我）应该用金子和宝石作画。”
Russian Painting
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At the time when Dionysius and his sons were active, ownership of icons became increasingly common. Previously nobles and merchants had begun the practice of displaying them in a place of honour in their homes, sometimes even in a special room, but now peasant families who could afford it also began to hang icons in a krasny ugol, or“beautiful corner”.
The Art of Champa
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Evoking Champa means glorifying death, sanctifying remnants, magnifying clues, singing the praises of mourning, and reconstructing history. Champa only exists now in the memories of a diminishing collection of living people who desire eternal life, in a half-audible melody – necessarily exotic – that is hummed by a few disquieted spirits.
The Brueghels
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After an initial period of brilliance, during which time it rose to achieve perfection, Flemish art gradually fell into decline. Although thorough studies of its origins have revealed works, in particular those of the miniaturists, that are deserving of notice and which predate the artistic careers of the two Van Eycks, Hubert and Jan, the genius of the brothers remains stunningly spectacular, surpassing that of their predecessors to such a degree that it would be impossible to find an equally sudden, decisive and glorious evolution in the history of art.
Utamaro
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如果色情也有一个名字的话，那肯定是喜多川歌麿。喜多川歌麿细腻地勾画了构成江户时代的乐之园。丰富多样的画布，天鹅长长的脖颈，神秘的面孔，寥寥几笔，便是东方的肉欲之欢。
Remington
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After the New World had been settled by European immigrants landing on America’s eastern coastline, the only direction to go was west. This new country contained untold fortunes, and drew adventurers who wished to explore this vast frontier, and settlers who longed to make it their own.
Canaletto
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乔凡尼安东尼奥康纳尔（Venetian Giovanni Antonio Canal），通常被叫做卡纳莱托（Canaletto，1697-1768）受父亲的影响进入了绘画和透视的世界。他是一位剧院的装修师，他的城市景观图为有名。当时的业余爱好者从意大利旅行归来后，也带回了他们的城市绘画。卡纳莱托成为了巴洛克时代西罗尼希玛的化身。卡纳莱托在绘画中注重隔开不同位面，他也是这一技巧的先驱人物，他以精确的细节装饰绘画。为了更好地强调距离，卡纳莱托层用一架针孔照相机把摄得的画面投影到幕布上，然后在幕布上精确地描绘出风景。卡纳莱托的绘画是静态的，利用线条的准确性和调色板的不同色调，在他手中创造了艺术*美丽的全景图。 在这本引人入胜、内容丰富的著作中，Octave Uzanne激发了读者对于这位十七世纪的不同寻常的威尼斯画家的热情。
Andrea Mantegna and the Italian Renaissance
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The art of Andrea Mantegna (born c.1431, died 1506) has long maintained a broad and deep appeal. From the impressive illusionism of his earliest works (Fig. 4) to the narrative power of his mature paintings (Fig. 2), Mantegna's art remained vivid and heroic, dramatic and emotional. They are also painted in stunning detail: pebbles, blades of grass, veins, and hair are rendered with excruciating care, and he depicted even in his great narrative works the mundane particulars of earthly existence, showing laundry hanging out to dry and buildings fallen into disrepair. He had a deep interest in human nature and issues of moral character. Perhaps most strikingly, Mantegna's pictures are filled with references to classical antiquity. No other painter of the fifteenth century so thoroughly understood and abundantly included in his art the costumes, drapery folds, in*ions, architecture, subject matter, ethical attitude, and other aspects of ancient classical civilisation. And instead of t
Antoni Gaudí
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安东尼·高迪（1852-1926）是西班牙建筑师和设计师，是西班牙当代艺术史上十分重要和具有影响力的人物。他对于色彩的运用，对材料的采纳和将有机形态融入到建筑中，都是建筑领域的创新。在他的日记中，高迪自由地表达了自己对艺术的看法：“用于建筑的色彩要紧实、有序和丰富。”他已经完成的作品巴特罗公寓（Casa Batllo, 1905-1907）和米拉公寓（Casa Mila, 1905-1910）以及他尚未竣工的作品（修复巴塞罗那的波夫莱特修道院和阿雷亚祭坛）展示了这一重要的艺术哲学。他的家具设计也蕴含着同样的哲理，例如他自己的办公室（1878）或者是巴塞罗那皇家广场的灯具都体现了这一点。圣家族大教堂（Sagrada Familia, 1882-1926）是具有重大纪念意义的项目，高迪终未能见到它的竣工（在高迪去世之时，该教堂尚未完成）。
Art of Islam
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伊斯兰艺术并不是某个国家或者某个民族的艺术，而是一种宗教的艺术：伊斯兰教。从阿拉伯半岛延展开来，宗教的皈依者在几个世纪中征服了从大西洋到印度洋的领土。跨越了多文化和多种族，这种多形态和高度精神化的艺术禁止所有关于人和神的东西，发展出教规和极具装饰艺术价值多种动机。这些艺术家详细而独出心裁地表达了他们的信念，创造了诸如耶路撒冷的阿克萨清真寺、阿格拉的泰姬陵和格拉纳达的阿罕布拉宫等不朽之作。
Bauhaus
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The appendix, with its compressed chronology summarising the history of the Bauhaus and evoking parallel events in culture, politics, technology and science, allows for individual conclusions and the identification of links and references not included in the text.
Bikini Story
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The beginning of a new millennium – let alone a new century – simply demands a quick but thorough look back at the past hundred years. Different outline sketches of the history of the twentieth century might all too quickly resort to headline-style formulae about “a century of war and terrorism”, “a century of barbarism”, and omit any mention of a great number of events and triumphs that should be rightfully regarded as entirely positive. These might seem to have been of secondary significance in relation to more sombre events, but they certainly cannot be excluded if our historical round-up of a hundred years is to retain its proper balance, if it is to be truly historical, and not be reduced to checklists of damage and destruction, of wars and disasters alike and their cost of lives and property, of the numbers of casualties, and of the people, places, and things that are now as if they had never been.
Bonnard and the Nabis
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The Nabis group, assembled by Paul Sérusier, was comprised of several members from the Académie Julian. In refusing to comply with the rules of Impressionism, these artists claimed instead to be largely influenced by Gaugin. Their name, derived from the Hebrew Nahbi, signifies a prophet or a visionary, thus symbolizing their will to discover the sacred nature of writing. They were largely influenced by Japanese art, most notably wood engravings, as well as popular and primitive art and the art of the symbolic artist, Pierre Puvis de Chavannes. Although they all differed considerably from one another, there were two lines of thought in particular on which they all agreed; firstly, subjective misinterpretation, born within the artist’s emotions accentuating certain aspects of the subject that is being depicted, and secondly, objective misinterpretation ensuring the depiction finds its place in the fundamental order of the work. Their art is characterized by an absence of perspective and
Bosch
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在电子游戏发明之前，希罗尼穆斯波希（Hieronymus Bosch）的笔下就已经创作出了恐怖但丑萌的怪物，还带有一点小幽默。他的作品是自信的宣言，有力地挑战了背叛基督教教义之人的精神恐慌。波希生于1450年，死于1516年，他的出生之时正值文艺复兴的高潮时期，也见证了这一时期的宗教战争。中世纪传统和价值观轰然倒塌，为新世纪的到来开辟了道路。在这样的新世纪里，信念失去了力量和魔力。 ?波希开始警告那些不信教者和对上帝丧失了信仰的人——等待是危险的。波希相信所有人必须要有自己的道德选择，他关注地狱、天堂和欲望的主题，才华横溢地挖掘了水果和植物的象征意义，让他的意向充满了强烈的性欲色彩。这本独特的选集展示了波希为引人入胜的作品，小巧的形式也让它成为了一份完美的礼物。
Gustave Courbet
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居斯塔夫库尔贝（Gustave Courbet，1819－－1877）的出生地奥尔南（Ornans）靠近美丽的杜河峡谷的地方，也正是这个地方，让这个男孩成长为男人，并培养了他对于这片风景的热爱。 在本质上，他是个革命者，天生具有反抗现存秩序和独立的精神；他咆哮和残酷的性格使得他的革命性不仅仅体现在艺术中，也体现在政治上。在这两个方面，他的革命精神不证自明。他到巴黎去学习艺术，但是他却不属于任何一个著名的大师的工作室。在此之前在母国，他只学习了很少的绘画技巧，他更愿意去卢浮宫中学习大师的杰作。初，他的绘画作品还不足以引起任何的反对声音，并被一些美术展览馆收录。而面对之后的《奥尔南的葬礼》，批评家激烈地抨击道：“这是一场伪装的葬礼，在这六米长的画布中，只有啼笑皆非，没有痛哭流涕。”确实，对库尔贝作品真实的攻击便是鲜活的血肉。他真实地刻画了男男女女的真实面貌和他们从事的事情。他笔下的人物，绝非剥夺了个性、理想化类型的男男女女，也绝不是摆着造型来装饰画布。他宣扬真实的、原本的东西，宣称真理才是艺术家追求的目标。所以，在1855年的世界博览会上，他将他的作品从展览厅中取出，放在入口外的一个小木厅旁。在小木厅上他悬挂了一张大写的横幅，上面写着：“库尔贝——现实主义者。”和每一个革命者一样，库尔贝也是位*主义者。他忽视了这样的事实：自然的真理隐藏在不同的伪装下，不同的视角和经历都会对其有所影响。相反，他坚持认为艺术仅仅是自然的复制品，重新选择和排列也就无关紧要了。在追求美的过程中，库尔贝常常选择那些比较丑陋的主题。但是他同样也有审美观，这体现在他的风景画中。这种美感与他深厚的情感相混合，体现在了他的海景画中——他后一幅令人印象深刻的作品。不仅如此，无论是否吸引观赏者，他所有的作品都证实了他是一位强有力的画家，以宽广、自由的姿态，色彩的美感和坚固的颜料，使得他的代表作真实而震撼人心。
