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Persian Art
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This book consists of two sections. The wide-ranging introduction attempts to outline the basic stages in the development of Persian Art, from the first appearance of Persian peoples on the Iranian plateau during the 10th-8th centuries BCE up to the 19th century CE. Detailed commentaries on the works of art reproduced here provide not only factual information (dates, iconography, provenance, techniques, etc.), but are also, in many instances, followed by brief scholarly studies of the examples of Persian art housed in various museums of the former Soviet Union that are, in the authors’ opinion, of the greatest interest and significance. Some of these objects are reproduced and discussed here for the first time.
Paul Klee
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作为二十世纪早期的标志性人物，保罗·克利（Paul Klee）参与了德国和瑞士前卫的先锋派运动。从充满活力的青骑士运动开始，到二十世纪三十年代末的超现实主义时期，以及他在包豪斯从教的岁月里，保罗·克利研究了诗歌、文学、以及重要的音乐等其他艺术媒介，来试图抓住绘画那有机的、和谐的本质。尽管他与其他艺术家——例如奥古斯特·麦克（August Macke?）和雅弗林斯基（Alexej von Jawlensky）合作过，但他有名的合作伙伴还是抽象表现主义画家瓦西里·康定斯基（Wassily Kandinsky）。作者艾力克．薛恩斯（Eric Shanes）——她还是安迪·沃霍尔（Andy Warhol）和布朗库西（Constantin Brancusi）的专著作者——的这本专著，通过收集和展示保罗·克利重要的作品，向读者发出了探索这位画家诗人那无可替代的艺术人生的邀请。
The Art of the Shoe
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Aside from noticing a shoe for its comfort or elegance, contemporaries rarely take interest in this necessary object of daily life. However, the shoe is considerable in the history of civilization and art.
William Morris
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For us there is a violent contrast between the beauty of nature and the ugliness of man’s work which most past ages have felt little or not at all. We think of a town as spoiling the country, and even of a single modern house as a blot on the face of the earth. But in the past, until the eighteenth century, men thought that their own handiwork heightened the beauty of nature or was, at least, in perfect harmony with it. We are aware of this harmony in a village church or an old manor house or a thatched cottage, however plain these may be; and wonder at it as a secret that we have lost.
Leonardo da Vinci volume 2
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莱昂纳多·达·芬奇（1453—1519）不仅仅是位出神入化的画家，也是一位科学家、解剖师、雕塑家、建筑家、音乐家、工程师、发明家，乃至更多。那么也许该这么问：他不是什么呢？在意大利文艺复兴时期，他为意大利美第奇家族和法国王室创作了美的作品。达·芬奇深受同辈的钦佩，是个闻名全世界的少有而高尚的天才。即使是今天，人们对达·芬奇和他的作品的兴趣仍然丝毫没有消退；时代前沿的艺术家们仍然在研习他的作品和书法，希望能够揭开这位远见卓识的艺术家的秘密。
Romanesque Art
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罗马艺术指的是11世纪到13世纪的艺术史。这一时代有各种学派百家争鸣，多种多样，各具特色。在建筑和雕塑领域，罗马艺术的特色是具有原始的形式。这本著作通过丰富的插图和迷人的文字，重新发现这种在当今备受轻视的中世纪艺术仍然可与之后功成名就的哥特艺术相媲美。
Psihoneuroimunologie uman?
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Te-ai g?ndit vreodat? c? ?i-ai putea reprograma creierul astfel ?nc?t s? devii un lider mai eficient? ?i aceasta, f?r? s?-?i ?ncarci programul ?i a?a aglomerat. Doar o mic? schimbare ?n stilul t?u de via??, ?n activit??ile pe care le faci oricum zilnic, poate aduce o transformare de propor?ii ?n via?a ta profesional? ?i personal?. Iar aceast? schimbare se nume?te mindfulness, con?tientizarea momentului prezent, aten?ia concentrat? clip? de clip? pe aici ?i acum. Matt teney ?i tim gard ??i vor ar?ta c? po?i, practic?nd mindfulness, s? devii mai inovativ, s? atragi ?i s? men?ii ?n echipa ta colegi dedica?i, s?-?i dezvol?i inteligen?a emo?ional? necesar? pentru a crea o cultur? a ?nving?torului, s? fii un lider care-i inspir? pe ceilal?i. Este o carte din care vei ?nv??a c? te po?i schimba remodel?ndu-?i creierul, f?c?nd acelea?i lucruri ca ?i p?n? acum, ?ns? ?ntr-un mod diferit, ce-?i va deschide noi perspective asupra vie?ii. Matt Tenney este antreprenor, autor, speaker ?i consultant ?n mediul de afaceri. Tim Gard, doctor ?n neuro?tiin?e, speaker ?i instructor de mindfulness.
Malevich
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卡济米尔·谢韦里诺维奇·马列维奇（Kazimir Malevich, 1878-1935）是一位画家和伟大的艺术理论家。但为重要的是，他是至上主义（出现在俄国的纯几何形抽象绘画艺术运动）的奠基人。“至上主义”，马列维奇写道，“让我发现了很多过去不能理解的东西。这都潜伏在人类的潜意识中，是对于空间的迫切愿望，是逃离地球的夙愿。”这本新出版的著作收录了马列维奇*才气的作品。这位创新的艺术家，直到二十七岁时都没有接受过专业的绘画教育，但却出于好奇和好学的愿望来进行绘画创作。Gerry Souter又一次带领我们欣赏才华横溢的艺术家的作品，领略这位艺术家人格的新视点。
Caravaggio
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直到二十世纪中期，长期以来备受争议的意大利画家卡拉瓦乔（Caravaggio,1571-1610）才重新被发现。作为现实主义的倡导者，这位反宗教改革的艺术家挑战陈习旧规，回归圣人形象的人性感。这位神秘的画家赋予了圣人纵欲之情，远远超出了通常的圣人崇拜，为模糊的色情打开了一扇门，这也导致了教廷的愤怒。这位影子画家矛盾而强烈地阐释了他堕落的生活方式和放荡的道德准绳。他所创造的明暗处理技巧，在艺术史上留下了血腥的印象。
Greek Sculpture
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The study of Greek sculpture was unknown two hundred and fifty years ago. Winckelmann1 was the first to study it, and to publish a book on the subject in 1755. The excavations in Pompeii and Herculaneum, the removal of the Parthenon sculptures to London by Lord Elgin, and above all, the regeneration of Greece and the subsequent rich finds in her soil, added zest to the continually growing interest in this new study.
Hans Memling
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汉斯·梅姆林（约1433年-1494年）长期以来被认为是个小众画家，他并非宫廷画家，而是个资产阶级画家。他在十七世纪被人遗忘，而如今，梅姆林却被认为是15世纪伟大的北欧画家之一，这主要得益于他的肖像画中现实主义和理想主义的完美平衡。他的作品常常是双连画、三联画或祭坛作品，展示出了可以与凡·艾克媲美的精湛技巧。他对于细节的把控、精确的绘制、技巧的精通和对创作的灵感都在他恢宏的作品中展现得淋漓尽致，诸如《后的审判》、《圣凯瑟琳神秘的婚姻》、《圣母玛利亚的七喜》。以梅姆林毕生作品中*代表性的作品为例，他的作品通过人物细腻的面部和冷静的姿态，来表现这一重要艺术家的复杂而精湛的技艺。
Hokusai
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毫无疑问，葛饰北斋是十九世纪中期以来负盛名的日本艺术家，他的作品在西方世界广为人知。葛饰北斋的作品是对于一种被孤立的文明的艺术表达和反应，极大影响了诸如梵高之类的欧洲印象派和后印象派画家；这也使得葛饰北斋成为了跻身欧洲艺术界个日本艺术家。葛饰北斋是位日本浮世绘的大师，他的作品丰富多样、意蕴重大，创作年限长达九十年，其气势恢宏和类型缤纷的特点在本书中展现得淋漓尽致。
The ABC of Style
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你是否想过，为什么你的天花板的形状看起来像哥德式教堂的门拱？为什么你所在的办公楼看起来那么与众不同？ 《建筑风格基础》带您探索从古代源头到二十世纪四十年代期间不同的建筑和室内装饰风格。这本书将带着你畅游历史，纵观法国贵族的宫殿和城堡，饱览中世纪多明尼加君主教堂的简约设计。通常，政治变动会带来艺术风格的转变。因此，常常以君王或历史时期来命名不同的欧式风格（文艺复兴式、中世纪风格）。直到十九世纪末，时代风格的转变仍是基于皇室贵族的品味。因此，风格可以说就是一种对权力的确认。
Fra Angelico
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At the beginning of the fifteenth century, the Dominican convent of Fiesole had a lively intellectual atmosphere. The convent was founded in 1406 by the Blessed Giovanni di Dominici Bacchini, (who later became the Archbishop of Ragusa and, in 1419, a cardinal,) in order to reestablish the former discipline and strictness of the Dominican order in the spirit of Saint Dominic. Members of the observant monasteries were expected to consecrate themselves to the saving of souls not only through study, science, and preaching, but also through applied artistic labour. Exiled from Venice, Giovanni arrived in Città di Castello near Arezzo in 1399. From there he was summoned to preach in the cathedral of Florence for Lent. San Lapo Mazzei wrote to a friend after hearing one of Giovanni’s sermons, and summarized his impressions in the following terms, “I was at Santa Liparata (the cathedral) where a Dominican friar was supposed to preach, and where he did indeed preach. I assure you that I have ne
William Blake
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英国艺术家威廉·布雷克（William Blake，1757-1827）是浪漫主义运动的主要人物，也曾是一位画家、设计师、雕刻家和诗人。他一生致力于诠释他的文学作品，他的文字也随着他雕刻的线条和奇妙的绘画，成为了名副其实的手工绘本。受到圣经和先知预言的感染（《地狱的箴言》，《永远的福音书》和《天堂之门》），布雷克的艺术将他所处的时代及浪漫主义运动的现代感与他所探索的古典主义相结合。
Landscapes
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This book does not claim to be a complete history of landscape painting. The length of such a history would considerably exceed the proportions of this volume, but I have nevertheless endeavoured to give some idea of the order in which the different masters appeared, and of the relative importance of each. Having only to speak here of those who excelled, I have tried to show, in some sort of sequence, whence these artists came, the special merit of each, and his influence on the development of art.
Michelangelo
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米开朗基罗（Michelangelo）的名字不断浮现在西斯廷教堂、阿波罗、丘比特等数不计数的杰作中。在《意大利绘画》（The Italian Painting）这本书中，作者司汤达写道：“在古希腊风物和米开朗基罗之间，没有任何距离，除了或多或少技术娴熟的伪造物。”在《漫步罗马》（Promenade in Rome）一书中，沙特布莱表达了对《圣母怜子像》（Pieta）中那些精致的线条的崇敬之情。诸如司汤达等大连古欧秀的作家将米开朗基罗视为西方艺术复兴的大家之一。毫无疑问，米开朗基罗的作品经历住了时间的考验。在若干年后，米开朗基罗的作品何以能够揭示希腊先驱们的创造性来源？米开朗基罗是创造性的天才和超人，是意大利文艺复兴中无与伦比的艺术家，他的影响力和成就与达芬奇可相媲美。在这本著作中， Jean-Matthieu Gosselin探讨了米开朗基罗所有的身份：雕塑家、建筑师、画家和美术家。
Pollock
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Each of the four sections of this book refers to a span of at least ten years. Each subsection, usually covering one year, opens by noting historical events relative at least indirectly to Pollock, or offers some significant backdrop to his life. Events named within that year are not necessarily presented here in strict chronological order. This book should not be relied on for trying to create a strict chronology of details.
莫奈第一卷
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对莫奈而言，艺术创作始终是一种痛苦的挣扎。较之同时代人，他更深沉地痴迷于表达情感，更强烈地渴望传达超越大自然的光线效果。用他自己的话来形容：“技巧来来去去……艺术始终如一——它是大自然的转译，需要与意志力同等的敏感性。我和太阳搏斗……（我）应该用金 子和宝石作画。”
莫奈第二卷
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对莫奈而言，艺术创作始终是一种痛苦的挣扎。较之同时代人，他更深沉地痴迷于表达情感，更强烈地渴望传达超越大自然的光线效果。用他自己的话来形容：“技巧来来去去……艺术始终如一——它是大自然的转译，需要与意志力同等的敏感性。我和太阳搏斗……（我）应该用金 子和宝石作画。”
Titian
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这本著作不仅为我们提供了研究性和富有洞察力的视角来欣赏世界上*有天赋的艺术家之一——提香的作品，同样也邀请读者来发掘威尼斯艺术场景中熙熙攘攘的世界，这也正是提香生活和工作的地方。书中迷人的叙述既可愉悦大众，其中对十六世纪威尼斯画家的独特的交叉分析同样也会吸引艺术家和学生。
