Thus Spake Zarathustra: Bilingual Edition (English – ?German)

Godfrey Of Bulloigne: Bilingual Edition (English – Italian)

The Scarlet Letter: Bilingual Edition (English – Spanish)

Fairy Tales: Bilingual Edition (English – Italian)

The Fall Of The House Of Usher: Bilingual Edition (English – French)

The Works Of The Edgar Allan Poe: Bilingual Edition (English – Italian)

Hamlet: Bilingual Edition (English – French)

Choking Back the Devil by Donna Lynch is an invocation, an ancient invitation that summons the darkness within and channels those lonely spirits looking for a host. It's a collection that lives in the realm of ghosts and family curses, witchcraft and urban legends, and if you're brave enough to peek behind the veil, the hauntings that permeate these pages will break seals and open doorways, cut throats and shatter mirrors. You see, these poems are small drownings, all those subtle suffocations that live in that place between our ribs that swells with panic, incubates fear. Lynch shows her readers that sometimes our shadow selves--our secrets--are our sharpest weapons, the knives that rip through flesh, suture pacts with demons, cut deals with entities looking for more than a homecoming, something better, more intimate than family. It's about the masks we wear and the reflections we choose not to look at, and what's most terrifying about the spells is these incantations show that we are the possessed, that we are our greatest monster, and if we look out of the corner of our eyes, sometimes--if we've damned ourselves enough--we can catch a glimpse of our own burnings, what monstrosities and mockeries we're to become. So cross yourselves and say your prayers. Because in this world, you are the witch and the hunter, the girl and the wolf. "Lynch mixes in childhood fables with waking nightmares, the result is electrifying; sometimes in a few razor sharp words; sometimes in longer numbered verses counting down the cycle of a damaged life. The silent cries of souls tormented to healthiness by pills and poultices, force fed by imperfect humans, echo in the silhouette of these poems. I smiled at the shadows unexpectedly delivered by her words, as will you."--Linda D. Addison, award-winning author of How to Recognize a Demon Has Become Your Friend and HWA Lifetime Achievement Award winner "This collection is not for the chronically disturbed, as fear is doled out in terse, potent portions. I got the shivers reading these unsettling poems."--Marge Simon, Bram Stoker Award winner, SFPA Grand Master Poet "Choking Back the Devil is unlike any other poetry collection you've ever read. Donna Lynch crafts beautifully terrifying worlds, packed with dense imagery and horrifying yet lush details. This collection will get your blood racing even as it breaks your heart." --Gwendolyn Kiste, Bram Stoker Award-winning author of The Rust Maidens "Some dark poets use their verse as a means to exorcise their demons. Lynch instead embraces her torment, nurtures it, and transforms it into equal parts hideous and heavenly. With a mix of wicked wit, carnal fury, and commentary that has sharpened its fangs to drain you until you're left with nothing but despair, Choking Back the Devil is essential sustenance for harrowed souls."--Chad Stroup, author of Secrets of the Weird and Sexy Leper

Hold your screams and enter a world of seasonal creatures, dreams of bones, and confessions modeled from open eyes and endless insomnia. Christina Sng’s?A Collection of Nightmares?is a poetic feast of sleeplessness and shadows, an exquisite exhibition of fear and things better left unsaid. Here are ramblings at the end of the world and a path that leads to a thousand paper cuts at the hands of a skin carver. There are crawlspace whispers, and fresh sheets gently washed with sacrifice and poison, and if you’re careful in this ghost month, these poems will call upon the succubus to tend to your flesh wounds and scars.?? ?These nightmares are sweeping fantasies that electrocute the senses as much as they dull the ache of loneliness by showing you what’s hiding under your bed, in the back of your closet, and inside your head. Sng’s poems dissect and flower, her autopsies are delicate blooms dressed with blood and syntax. Her words are charcoal and cotton, safe yet dressed in an executioner’s garb.?? ?Dream carefully.?? ?You’ve already made your bed.?? ?The nightmares you have now will not be kind.?? ?And you have no one to blame but yourself.

When Patrick McGoohan first starred in “Danger Man” in 1960 and as ‘Number 6’ in cult show “The Prisoner”, industry insiders hailed the arrival of an enigmatic genius and Hollywood beckoned. But who was this man who worked as a chicken farmer and bank clerk before becoming a hugely successful actor simply by chance? In this up-to-date biography Rupert Booth reveals the true character of a man whose off-screen behaviour matched his fiery on-screen persona. Why was he so puritanical, refusing even to kiss a woman for any part he played? Why was he so controlling over his work in “The Prisoner” and other productions? A timely exploration of the man whose declaration ‘I will not be pushed, filed, stamped, indexed, briefed, de-briefed or numbered!’ continues to resonate with audiences decades after it was first uttered with such conviction.

Mirabell and Fainall have just finished playing cards. A footman comes and tells Mirabell that Waitwell and Foible were married that morning. Mirabell tells Fainall about his love of Millamant and is encouraged to marry her. Witwoud and Petulant appear and Mirabell is informed that should Lady Wishfort marry, he will lose ?6000 of Millamant's inheritance. He will only get this money if he can make Lady Wishfort consent to his and Millamant's marriage.

Nick Lansing and Susy Branch form an alliance of convenience. They have the right connections but always short of money. They decide to spend a year or so sponging off their wealthy friends, honeymooning in their mansions and villas. And the marriage can always be dissolved if one of them meets someone who can advance them socially.

Tomorrow I shall leave by the Messina boat, which calls at Paola. It is now more than a twelvemonth since I began to think of Paola, and an image of the place has grown in my mind. I picture a little marina; a yellowish little town just above; and behind, rising grandly, the long range of mountains which guard the shore of Calabria. Paola has no special interest that I know of, but it is the nearest point on the coast to Cosenza, which has interest in abundance; by landing here I make a modestly adventurous beginning of my ramble in the South. At Paola foreigners are rare; one may count upon new impressions, and the journey over the hills will be delightful.

The Town Traveller is one of Gissing's novels which earned him more income during his lifetime than most of his other novels. The story is full of life and descriptive detail. It revolves around life of town traveller Gammon, just the sort of quarter-educated that Gissing usually despises.

A sequel to Stevenson's previous novel Kidnapped. This time the central character is kidnapped again and confined on the Bass Rock, an island. David also meets and falls in love with Catriona MacGregor Drummond, the daughter of James MacGregor Drummond, known as James More, also held in prison, whose escape she engineers.

There?is a vein of superstition in every human heart, and many men who have played a great part in the world’s history have not been ashamed to seek help from occultists, when the tangle of life seemed too involved for them to unravel with the ordinary means at their disposal. This book will take you through the basics and intricacies of fortune telling through cards. You will learn about different systems, methods, significations of the cards and mystic meanings. Everything you need to know from basics to complete Tarot layouts and understanding of the future from card readings.

The novel follows the life of Arkady Dolgoruky, a young intellectual, a child of the controversial and womanizing landowner Versilov. A focus of the novel is the recurring conflict between father and son, particularly in ideology, which represents the battles between the conventional old way of thinking and the new nihilistic point of view of the youth.

The Art of War is written by Sun Tzu, a high-ranking military general, strategist and tactician. The text is composed of 13 chapters, each of which is devoted to one aspect of warfare. It is the definitive work on classic military strategy and tactics. The book influenced Eastern and Western military thinking, business tactics, legal strategy and beyond.

After the festive dinner with its eight courses and its endless conversation, Olga Mihalovna, whose husband’s name-day was being celebrated, went out into the garden. The duty of smiling and talking incessantly, the clatter of the crockery, the stupidity of the servants, the long intervals between the courses, and the stays she had put on to conceal her condition from the visitors, wearied her to exhaustion. She longed to get away from the house, to sit in the shade and rest her heart with thoughts of the baby which was to be born to her in another two months.

For nearly ten years my health had been declining; and for some while before I set forth upon my voyage, I believed I was come to the afterpiece of life, and had only the nurse and undertaker to expect. It was suggested that I should try the South Seas; and I was not unwilling to visit like a ghost, and be carried like a bale, among scenes that had attracted me in youth and health. I chartered accordingly Dr. Merrit’s schooner yacht, the Casco, seventy-four tons register; sailed from San Francisco towards the end of June 1888, visited the eastern islands, and was left early the next year at Honolulu.

The story is set in 1757, during the French and Indian War, when France and Great Britain battled for control of North America. During this war, the French depended on its Native American allies to help fight the more numerous British colonists in the Northeast frontier areas. Many people believed that the Native Americans were disappearing, and would ultimately be assimilated or fail to survive.