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Tarasconi Tartarin uram
￥17.17
Tarasconi Tartarin uram
Esti dal
￥26.08
Esti dal
Kénytelen házasság
￥20.11
Kénytelen házasság
Phédra
￥25.91
Phédra
Anna Svard
￥20.11
Anna Svard
Füst
￥25.91
Füst
?llamalkotók: Warren Hastings
￥23.05
llamalkotók: Warren Hastings
Az ?rvény
￥28.86
Az ?rvény
A nagy b?rt?n
￥25.91
A nagy b?rt?n
Kelet fia
￥25.91
Kelet fia
Aki egy várost kirabolt
￥28.86
Aki egy várost kirabolt
Szerelem, diplomácia és faházak
￥34.66
Szerelem, diplomácia és faházak
A vadon szava
￥25.91
A vadon szava
A Jeannette pusztulása
￥28.86
A Jeannette pusztulása
Az órák
￥72.59
Az órák
Sátáni versek
￥75.54
Sátáni versek
A ferde ház
￥49.30
A ferde ház
A vád tanúja
￥49.30
A vád tanúja
Being Wagner: The Triumph of the Will
￥73.58
The perfect introduction to the Master. One hundred and thirty-five years after his death, Richard Wagner’s music dramas stand at the centre of the culture of classical music. They have never been more popular, nor so violently controversial and divisive. As a man, he was a walking contradiction: aggressive, flirtatious, disciplined, capricious, heroic, visionary and poisonously anti-Semitic. His ten great mature masterpieces constitute an unmatched body of work, created against a backdrop of poverty, revolution, violent controversy, critical contempt and hysterical hero-worship. His work often dealt with myth, but his own life had the character of a fable. At one point, in his early fifties, desperately poor after a life of heroic productivity, he had four lengthy operas written with no hope of seeing them done, when, as if in a fairy-tale, he was rescued by a beautiful young king with limitless wealth. When one of those works, Tristan and Isolde, was at last performed, it revolutionised classical music at a stroke. Wagner went on to create The Ring of the Nibelung: a vast epic in four massive segments, ushering gods and dwarves, heroes and thugs, dragons and rainbows onto the stage. This was the apotheosis of German art as he saw it, so extreme in its demands that he had to train a generation of singers and players to perform it, and erect a custom-built theatre to house it. Wagner died, exhausted, after creating one final piece – Parsifal – that seems to point to an even more radical new future for music. Simon Callow plunges the reader headlong into Wagner’s world, examining the intellectual and artistic climate in which Wagner, a composer like no other who ever lived, extreme in everything, creator of perhaps the most sublime and most troubling body of work in the history of music.
In the Days of Rain: WINNER OF THE 2017 COSTA BIOGRAPHY AWARD
￥73.58
WINNER OF THE 2017 COSTA BIOGRAPHY AWARD In the vein of Bad Blood and Why be Happy when you can be Normal?: an enthralling, at times shocking, and deeply personal family memoir of growing up in, and breaking away from, a fundamentalist Christian cult. As heard on Jeremey Vine ‘At university when I made new friends and confidantes, I couldn’t explain how I’d become a teenage mother, or shoplifted books for years, or why I was afraid of the dark and had a compulsion to rescue people, without explaining about the Brethren or the God they made for us, and the Rapture they told us was coming. But then I couldn’t really begin to talk about the Brethren without explaining about my father…’ As Rebecca Stott’s father lay dying he begged her to help him write the memoir he had been struggling with for years. He wanted to tell the story of their family, who, for generations had all been members of a fundamentalist Christian sect. Yet, each time he reached a certain point, he became tangled in a thicket of painful memories and could not go on. The sect were a closed community who believed the world is ruled by Satan: non-sect books were banned, women were made to wear headscarves and those who disobeyed the rules were punished. Rebecca was born into the sect, yet, as an intelligent, inquiring child she was always asking dangerous questions. She would discover that her father, an influential preacher, had been asking them too, and that the fault-line between faith and doubt had almost engulfed him. In In the Days of Rain Rebecca gathers the broken threads of her father’s story, and her own, and follows him into the thicket to tell of her family’s experiences within the sect, and the decades-long aftermath of their breaking away.
The Perfect Mile (Text Only)
￥76.22
There was a time when running the mile in four minutes was believed to be beyond the limits of human foot speed, and in all of sport it was the elusive holy grail. In 1952, after suffering defeat at the Helsinki Olympics, three world-class runners each set out to break this barrier. Roger Bannister was a young English medical student who epitomized the ideal of the amateur — still driven not just by winning but by the nobility of the pursuit. John Landy was the privileged son of a genteel Australian family, who as a boy preferred butterfly collecting to running but who trained relentlessly in an almost spiritual attempt to shape his body to this singular task. Then there was Wes Santee, the swaggering American, a Kansas farm boy and natural athlete who believed he was just plain better than everybody else. Spanning three continents and defying the odds, their collective quest captivated the world and stole headlines from the Korean War, the atomic race, and such legendary figures as Edmund Hillary, Willie Mays, Native Dancer, and Ben Hogan. In the tradition of Seabiscuit and Chariots of Fire, Neal Bascomb delivers a breathtaking story of unlikely heroes and leaves us with a lasting portrait of the twilight years of the golden age of sport.
