Kregen, that grim and beautiful, marvelous and terrible world four hundred light-years away beneath the red and green fires of Antares is a world too rich in passion and action to allow a fighting man like Dray Prescot to rest for long. Once more, then, he is launched into fresh adventures, but this time there is a hiatus which might easily break a man of lesser fire and spirit... The Tides of Kregen: Of all the honours that Dray Prescot, Earthman, has won during his fabulous adventures on Kregen, none are valued by him more than his membership in the Order of the Krozairs of Zy. The Krozairs are the highest order of chivalry on that turbulent planet, dedicated men, warriors of stern convictions and unflinching hearts. Thus, when the Krozairs in their hour of need called on all their far-flung members for aid, he should have gone. But he could not. His return from Earth was blocked by the anger of the mysterious Star Lords. And before Dray Prescot can achieve redemption, he has two armies opposed to him, two warring kingdoms naming him outlaw, and only the tides of the seven moons as a weapon... Renegade of Kregen: Never before in his adventurous career under the double suns of Antares has Dray Prescot been in as desperate a situation as he finds himself on his second entry into the city of Magdag. Magdag was the scene of one of Prescot's earliest experiences on Kregen and he recalled it with loathing as a city of power-lusting slavers, of decadent worshippers of the Green Sun. As one who had been initiated into the chivalric order of Krozairs, he despises all that the city stood for. But now Prescot is an outcast. Any Krozair, any follower of the Red Sun of his former friends, will slay him on sight. For him there is only one way to recover his home, his children, his self-respect. He would have to perform an act of valor so extreme, so fabulous, that its glory would wash away all that now stains his name. Only by reaching to the very heart of mighty Magdag could he hope to achieve such a suicidal triumph... Krozair of Kregen: Dray Prescot has been condemned by his old enemies whose battle color is the green of the sun Grodno. For while among these slavers and conquerors of the green, searching for a way to turn the tide of war to his own redemption and his friends' advantage, he had personally encountered the deadly animosity of Grodno's king, had betrayed his champion, and had shattered all he so carefully worked for. But he must soldier on. For, now, in addition to the enormous feat that alone would restore his honor, he has a blood vengeance to achieve that overrides everything. This edition contains the short story "Wizard of Scorpio", and a glossary to the Krozair Cycle.

A bundle of books from The Hounds of Annwn - Books 3-5. MORE VALUABLE AS A WEAPON THAN A KINGMAKER, HE MUST MAKE HIS OWN CHOICES TO SECURE THE FUTURE. King of the May – Book 3 of The Hounds of Annwn.? ? George Talbot Traherne, the human huntsman for the Wild Hunt, had hoped to settle into a quiet life with his new family, but it was not to be.? Gwyn ap Nudd, Prince of Annwn, has plans to secure his domain in the new world from the overbearing interference of his father Lludd, the King of Britain. The security of George's family is bound to that of his overlord, and he vows to help.? But when he and his companions stand against Lludd and his allies at court, disaster overturns all their plans and even threatens the Hounds of Annwn themselves. George and his patron, the antlered god Cernunnos, must survive a subtle attack that undermines them both.? Other gods and gods-to-be have taken an interest, but the fae are divided in their allegiances and fear the threat of deadly new powers in their unchanging lives. George and his companions must save themselves if they are to persuade their potential allies to help.? But how can they do so, attacked on so many fronts at once?? Will he put his family into greater jeopardy by trying to defend them? DISTURBING THE FAMILY SECRETS COULD BRING RUIN TO EVERYTHING HE’S WORKED SO HARD TO BUILD. Bound into the Blood – Book 4 of The Hounds of Annwn. George Talbot Traherne, the human huntsman for the Wild Hunt, is preparing for the birth of his child by exploring the family papers about his parents and their deaths.? When his improved relationship with his patron, the antlered god Cernunnos, is jeopardized by an unexpected opposition, he finds he must choose between loyalty to family and loyalty to a god. He discovers he doesn't know either of them as well as he thought.? His search for answers takes him to the human world with unsuitable companions. How will he keep a rock-wight safe from detection, or even teach her the rules of the road?? And what will he awaken in the process, bringing disaster back to his family on his own doorstep?? What if his loyalty is misplaced? Tales of Annwn – A Story Collection from The Hounds of Annwn. THE CALL: A very young Rhian discovers her beast-sense and rushes to the rescue of an errant hound. UNDER THE BOUGH: Angharad hasn’t lived with anyone for hundreds of years, but now she is ready to tie the knot with George Talbot Traherne, the human who has entered the fae otherworld to serve as huntsman for the Wild Hunt. As soon as she can make up her mind, anyway. NIGHT HUNT: George Talbot Traherne goes night hunting for fox in Virginia and thinks about the choices he has made. CARIAD: Benitoe and Luhedoc are off to fetch horses for the Golden Cockerel Inn in Edgewood. Luhedoc needs to relearn an important lesson about confidence. THE EMPTY HILLS: George Talbot Traherne shows a bit of the human world to family and friends, hoping to share some of the sense of wonder he discovered when he encountered the fae otherworld.

A complete step-by-step guide to weightlifting, including the snatch, clean and jerk, assistance exercises, mobility, nutrition and beginner training programmes.

The Publishing Architect's Blueprint: Self-Publishing Fundamentals is a no-nonsense roadmap to publishing success for the author and small publisher alike. Both fiction and nonfiction authors will utilize this book as their publishing guide for print, e-book and audio titles. It maps the most direct route to publishing success in the most cost-effective manner, providing the indie publisher with the skills and approach of a traditional publisher and marketing strategy of a bestseller.

Psihocardiologia constituie o apari?ie editorial? inedit? ?n literatura medical? ?i psihologic? rom?neasc?, eviden?iind o rela?ie legitim? ?i plin? de aplica?ii practice ?ntre cele dou? specialit??i. Asocierea reu?it? ?ntre dou? personalit??i – profesorii Ioan-Bradu Iamandescu ?i Crina Julieta Sinescu de la UMF ?Carol Davila“, Bucure?ti – a f?cut posibil? realizarea acestei lucr?ri de mare amploare care abordeaz? domeniul psihocardiologiei. Profesorul Ioan-Bradu Iamandescu, personalitate a medicinei academice rom?ne?ti, primul profesor de Psihologie medical? ?i Psihosomatic?, s-a remarcat prin contribu?ii deosebite la statutul psihocardiologiei ca o ramur? distinct? a psihosomaticii, cu un cadru nosologic bine definit ?i cunoscut. El se num?r? printre marile personalit??i care s-au preocupat de ?mbun?t??irea ?nv???m?ntului clinic bazat pe o g?ndire modern? de orientare biopsihosocial? ?n practica medicinei. Prezen?? binecunoscut? ?n cardiologia din ?ara noastr?, prof. dr. Crina Julieta Sinescu a dovedit deplin? ?n?elegere pentru problematica psihocardiologiei, ?ncuraj?nd ?i particip?nd la realizarea unor cercet?ri referitoare la etiopatogenia psihosomatic? a hipertensiunii arteriale ?i a bolii cardiace ischemice, desf??urate ?n clinica pe care o conduce la spitalul ?Bagdasar-Arseni“. A oferit numeroase sugestii rezultate din observa?ia clinic? psihologilor cu care a elaborat ?n comun c?teva capitole ale acestei c?r?i. Lucrarea se adreseaz? ?n primul r?nd psihologilor clinicieni ?i corpului medical – ?n special cardiologilor, interni?tilor ?i medicilor de familie – dar ?i publicului larg, care cuprinde un mare num?r de bolnavi cardiaci, inclusiv aceia ??n devenire“, ce ar putea beneficia de cuno?tin?ele desprinse din paginile c?r?ii spre a preveni sau ?ncetini instalarea unei boli cardiace.

“Prima edi?ie din Jurnalul lui Lev Tolstoi a ap?rut la Editura Univers, ?n dou? volume (?n anii 1975 ?i 1976 – vol. I: 1847-1895, vol. II: 1896-1910), incluse ?n colec?ia ?Coresponden??, memorii, jurnale“. Traducerea a realizat-o Janina Iano?i; prefa??, tabelul cronologic, notele ?i comentariile – Ion Iano?i. Respectiva edi?ie a reprezentat o selec?ie din textul integral al edi?iei academice ruse?ti Polnoe sobranie socinenii (iubileinoe izdanie), Opere complete (edi?ie jubiliar?). Din volumele 1-90 (Moscova-Leningrad, 1928-1958), am folosit cele treisprezece volume de jurnal, 46-58 (ap?rute ?ntre 1934 ?i 1958). Orientativ, am consultat ?i o edi?ie de Opere ?n dou?zeci de volume (din 1965) – volumele 19 ?i 20. ?n alegerea textelor am urm?rit devenirea ?i dominantele cople?itoarei personalit??i a marelui scriitor, ?in?nd seama ?i de interesele publicului cititor rom?nesc. Edi?ia a II-a i s-a datorat Editurii Elit (tip?rit?, f?r? specificarea datei, ?n 2000). Ea a urmat, cu unele renun??ri ?i c?teva complet?ri, varianta ini?ial?, dar ?i pe baza confrunt?rii textelor cu cele re?inute ?ntr-o selec?ie ruseasc? ulterioar?, ?n dou?zeci ?i dou? de volume, Sobranie socinenii v dvadtati dvux tomah (Moscova, 1985), Opere ?n dou?zeci ?i dou? de volume, volumele 21 ?i 22. Am constatat cu acel prilej coinciden?a ?ntre majoritatea textelor re?inute ini?ial de noi ?i de alc?tuitorul respectivei edi?ii ruse?ti, dar ?i unele deosebiri: sunt acolo prezente fie pasaje ?teoretice“ mai ample, fie altele cu adres? recognoscibil? doar de c?tre cititorii autohtoni familiariza?i cu mediul specific vremii – ?n schimb, sunt omise at?t detalii biografice considerate a fi prea intime (mai ales erotice, ?n genere legate de starea corporal?, de s?n?tate ori boal?), c?t ?i multe accente sociale considerate de editorul rus de atunci ca indezirabile prin ascutisul lor critic (cu deosebire, cele la adresa revolu?iei, marxismului, socialismului). ?n ceea ce ne prive?te, le-am p?strat ?i pe unele, ?i pe celelalte, ?n schimb nu am dorit – cu rare excep?ii – s? ?nc?rcam selec?ia noastr? cu expozeuri lungite, care oricum variaza idei cunoscute. Amintita edi?ie rus? ne-a servit, mai degrab?, pentru suplimentarea acribiei de care am ?ncercat s? d?m dovada ?nc? din anii ?aptezeci ai secolului trecut. Am urmat aceea?i cale ?i la revederea ?i ?mbun?ta?irea textului pentru prezenta edi?ie, a III-a, finalizat?, dup? al?i cinci ani, prin bun?voin?a Editurii Ideea European?.“ (Ion Iano?i)

Una dintre cele mai mari romanciere contemporane" -The New York Times Book Review Odat cu acest ultim volum remarcabil alTetralogiei Napolitane, Elena Ferrante transform povestea despre Lila i Elena ntr-o epopee extraordinar care se ntinde de-a lungul a ase decenii i se constituie ntr-un portret al unui cartier, al unui ora n tranziie i al unei ri ce-i croiete drum cu greu prin prima jumtate a secolului XX. -The New York Times nPovestea fetiei pierdute, Elena Lila au ajuns acum la vrsta maturitii; amndou au avut parte att de mpliniri, ct i de eecuri. Dincolo de toate, prietenia lor a rmas punctul n jurul cruia le graviteaz vieile.Au luptat s scape de cartierul srccios din Napoli n care au crescut. Elena s-a cstorit, s-a mutat la Florena i a publicat cteva cri bine primite. n acest ultim volum al tetralogiei, asistnd neputincioas la disoluia lumii pe care i-a creat-o, decide s se ntoarc la Napoli. Lila, de pe alt parte, n-a reuit niciodat s se ndeprteze de oraul copilriei. A nceput o afacere de succes, dar asta a adus-o mai aproape de conflictele violente din snul comunitii mcinate de ur, ovinism i agresivitate.Cele dou eroine se atrag, se resping, se influeneaz reciproc, se ndeprteaz i apoi se regsesc, se invidiaz i se admir la nesfrit. Viaa le supune la noi provocri, dar Lila i Elena descoper, fiecare n ea nsi, dar i n cealalt, fora necesar pentru a merge mai departe.Pe fundalul unui Napoli pe ct de seductor, pe att de periculos i al unei lumi aflate ntr-o transformare radical, povestea prieteniei de o via dintre cele dou protagoniste este spus cu un talent i o sinceritate inegalabile. Cele patru volume constituie o saga impresionant la care simi nevoia s te ntorci i care i aduce noi revelaii de fiecare dat.Acest remarcabil ultim volum confirm faptul cTetralogia Napolitaneste capodopera Elenei Ferrante. -Publishers Weekly RomaneleTetralogiei Napolitanesunt construite pe mai multe planuri, iar Ferrante mbin perfect felul de a povesti cu efectele stilistice cu totul speciale. -The Independent Elena Ferrante este pseudonimul unei romanciere italiene. A publicat ase cri, printre careL’amore molesto (dup care Mario Martone a fcut un film omonim) iZilele regsirii mele, descris ca rvitoare" deNew York Timesi ecranizat de Roberto Faenza.La Pandora M au aprut primele dou romane ale Tetralogiei Napolitane:Prietena mea genialiPovestea noului nume.Toat lumea ar trebui s citeasc orice poart semntura Elenei Ferrante.The Boston GlobePersonajele feminine ale Elenei Ferrante sunt autentice opere de art.El País

This book makes the case that many climate related scientists have provided data that confirm that burning fossil fuels has increased greenhouse gasses in the atmosphere, which has had a major impact on climate change. Each of the six chapters provides many references and questions for review. The first chapter emphasizes worldwide awareness of the relationship between climate change and disasters in the Asia Pacific region. The following chapters cover such topics as climate change mitigation measures by government and the relationship between climate change and disaster preparedness, response, and recovery, the role of EPA and FEMA, actions taken by the Asian Bank and the probable future impact of climate change on mass migrations in the future.

The divisions of the Waffen-SS were the e?lite of Hitler’s armies in World War II. SS-Totenkopf is an in-depth examination of one of the most famous – or rather, infamous – of these divisions: the ‘Death’s Head’ division. The book explores the background to the unit’s formation from the early concentration camp guards; the men it recruited and the level of brutalisation to which they became accustomed; the key figures involved in its history, such as Theodor Eicke, its founding commanding officer; and the division’s organization. It also looks at the training regimen of the Waffen-SS, and the uniforms and insignia that members of the division wore. SS-Totenkopf also provides a full combat record of the division, which fought on both fronts during World War II, increasingly serving as a ‘fire brigade’ unit as the war turned against Germany, plugging gaps wherever they appeared in the front. The book outlines the unit’s involvement in the invasion of Poland, the fall of France, the invasion of the Soviet Union, the battle of Kharkov, the defence of Warsaw, and the final fruitless attempt to relieve Budapest in the last days of the Reich. Illustrated with rare photographs and written by an acknowledged expert, SS-Totenkopf is a definitive history of one of Germany’s leading fighting units of World War II.

The struggle for naval supremacy and the naval arms race inspired by HMS Dreadnought may have captured the headlines, but the opening stages of the naval war were dominated by the threat from German cruisers stationed outside European waters, until they were hunted down and sunk by the Royal Navy, notably at the Battle of the Falkland Islands in 1914. Germany switched its focus to the U-boat, seeing it as a weapon capable of winning the war by starving Britain into surrender. Unrestricted submarine warfare led to the sinking of millions of tons of shipping, but it would also force the USA to enter the war on the Allied side in 1917. In the Mediterranean, the French fleet took the lead, while Austria-Hungary supported German actions. The Allied attempt in 1915 to use maritime power to break the strategic deadlock with an amphibious operation in the Dardanelles ultimately failed, although Allied sea power helped sustain the successful campaigns against the Ottoman Empire in the Middle East. What would prove to be the decisive naval engagement of the war took place in 1916 at the Battle of Jutland. Whilst the clash itself was inconclusive, the German High Seas Fleet would be all but confined to port for the rest of the war, handing the initiative to the Royal Navy. The resultant command of the seas allowed the Allies to carry fresh American armies and much-needed supplies to Europe in 1917. However, victory for the Allies was ultimately delivered by the naval economic blockade. By preventing the import of war materials and food, the fighting power and morale of the German armed forces was weakened. It was the mutiny of the High Seas Fleet in October 1918 that prompted the German Revolution and the subsequent abdication of the Kaiser. With the aid of over 300 photographs, complemented by full-colour maps, Naval Warfare provides a detailed guide to the background and conduct of World War I naval operations, describing the struggle to win control of the high seas around the globe.

Dray Prescot begins an entirely new phase of his adventures on Kregen, that magnificent and terrible world four hundred light years from Earth. Reared in the harsh conditions of Nelson's Navy, Dray Prescot failed to find success on Earth but has succeeded in winning fortune on Kregen. He is called the Emperor of Emperors, the Emperor of Paz, but he himself regards these titles as meaningless. Paz is a vast grouping of continents and islands and is inhabited by innumerable races and nations, so why should they band together under Prescot? The Star Lords themselves have chosen him for this heavy task. Intrigue of Antares In this, the first book of the Balintol cycle, the Star Lords have dispatched Dray Prescot to the town of Amintin in the continent of Balintol. Under the streaming mingled lights of the Suns of Scorpio, Dray Prescot sets forth on new adventures in the subcontinent of Balintol. Gangs of Antares All hell was due to break out in the country of Tolindrin, and the city of Oxonium, as the capital, was likely to receive more than its fair share. Dray Prescot is in the middle of it, and strangeness unlike any that he has previously encountered awaits him... Demons of Antares Dray Prescot's task of uniting the disparate countries so that all Paz can defend itself against the predatory, fish-headed Shanks from the other side of the world is complicated. And the megalomaniac desires of certain princes and nobles who are determined to win the crown of Tolindrin for themselves, and who are willing to destroy anyone who gets in their way, isn't helping. They have hired mercenary armies and allied themselves with the traditional enemies of the country. Prescot must travel to Prebaya, the capital of Caneldrin, and use all his strengths and all his scheming and tricks to achieve his goal with as little bloodshed as possible...

Set in the inter-war period, between the late 1920s, when Italy began solidifying its power in its new Libyan colony, and the end of World War II, when control of the country passed into British hands. Spina's chief subjects in these stories are Italian military officers who idle their time away at their club or exploring the strange lands where they have been posted, always at odds between the jingoistic education they received at home and the lessons they've learned during their time in Libya. These short stories map the transformation of the Libyan city of Benghazi from a sleepy Ottoman backwater in the 1910s to the second capital of an oil-rich kingdom in the 1960s. Employing a cosmopolitan array of characters, ranging from Ottoman functionaries, to Sanussi aristocrats and Italian officers, Spina chronicles Italy's colonial experience from the euphoria of conquest - giving us a front row seat to the rise and subsequent fall of Fascism in the aftermath of World War II - to the country's independence in the 1950s. Spina continues his narrative with the discovery of Libya's vast oil and gas reserves, which triggered the tumultuous changes that led to Muammar Gaddafi's forty-two-year dictatorship.

The first five books in the Saga of Dray Prescot of Earth and of Kregen are brought together in this omnibus edition. Together, they make up the Delian Cycle, in which Dray Prescot comes to terms with the alien world of Kregen. Here he tries to make sense of his situation: the Star Lords, the Savanti, the marvelous places, strange beasts and stranger people. And here he pursues his greatest love of two worlds, Delia of the Blue Mountains. Dray Prescot's saga has been aclaimed as the best planetary adventure series since Burroughs stopped writing about Barsoom. This edition contains a map and glossary.

On the magnificent and mysterious, beautiful and terrible world of Kregen, a planet orbiting Antares four-hundred light-years from Earth, much may be achieved and much lost. Far more than merely a strong sword arm is required for victory. Far more than a cunning and devious brain is needed to secure success. Having won his princess, Delia of Delphond, Delia of the Blue Mountains, and having become the Emperor of Vallia with Delia at his side as Empress, Dray Prescot has renounced the crown and throne. Any thoughts of a quiet life are foolish, as he well knows. Among the many problems besetting him, the most important are uniting the lands of Paz and beating off the viciously hostile raiders from over the curve of the sea, the feared and hated Shanks. Containing three novels: Scorpio Reborn Scorpio Assassin Scorpio Invasion

In April 1945, the final dramatic act of World War II in Europe was played out in Germanys capital city. Berlin 1945: The Final Reckoning is a comprehensive history of the last battle of Nazi Germany, which would see the virtual destruction of a city, and the eventual suicide of Adolf Hitler. Berlin 1945: The Final Reckoning begins with a study of the background to the battle and a description of events on the Eastern and Western Fronts before the Soviet forces reached Berlin. The city’s strategic importance to the German war effort and morale is considered, along with factors that caused the Western Allies to halt their advance on the Elbe rather than race the Soviet troops to the Reichstag. The German forces available for Berlin’s defence and their actual defensive preparations (or lack of them) are covered in depth, as is the devastating destruction caused by the ceaseless Allied bombing and remorseless shelling by the Soviet forces. The book describes in words and graphic pictures how, in a city reduced to rubble, a bitter hand-to-hand struggle developed between fanatical Nazis, SS troopers, old men and young boys of the Hitler Youth and the hard-bitten Soviet front-line troops bent on revenge. The suffering of the soldiers and civilians are revealed in full detail, with personal accounts from those involved in the battle. The book also describes the events in the bunker behind the Reichschancellery, where Hitler spent his last months. Finally the reader learns how German commanders disobey the Fuhrer’s orders to fight to the last man, and the fate of the city was sealed. The final chapter discusses the full implications of the battle for the Germans and Soviets, and briefly describes the search for Hitler’s body. Berlin 1945: The Final Reckoning is a brilliant, superbly illustrated account of the battle that ended the Nazi dream of a 100-year Reich.

Now you can enjoy the full Upheaval Series trilogy at a discounted price. Slow Walk Every journey begins with a need and a single step. SLOW WALK, the first book in the Upheaval series, introduces the reader to a new world where survival often means choosing who deserves to live—and who should die. Edge of Reality Sanity is madness put to good use. George Santayana Book Two of the Upheaval series, EDGE of REALITY takes the reader on an extraordinary and unexpected adventure in a world turned upside down. Solstice Moon Survival can be summed up in three words–Never Give Up. Bear Grylls Book Three of the Upheaval series, SOLSTICE MOON concludes Sydney’s courageous journey, traveling down twisty and challenging paths the reader never imagined.

n ultimele secole, omenirea a evoluat spectaculos la nivel intelectul i tehnic. Numai c, n planul dezvoltrii emoionale, a rmas cu multe veacuri n urm, susine Fromm. Cum se explic i cum poate fi soluionat acest decalaj socio-istoric dintre minte i inim Fcnd apel la date din istorie, psihologie social i psihanaliz, prezentul volum descrie modul n care destrmarea lumii medievale, cu ierarhiile sale stabile i securizante, a adus lumii occidentale moderne un confort material i o democratizare nesperate, ns cu preul unei anxieti venite din izolarea social, din dezrdcinare. n acest context, fuga de libertate" devine o fals soluie la alienare, prin care omul zilelor noastre e tentat s-i cedeze libertatea unor regimuri autoritariste, care, dei l transform ntr-o marionet, i ofer un sentiment de apartenen i de siguran. Ca antidot la nregimentare i extremism, Fromm mizeaz pe contientizarea resorturilor existenei noastre sociale, proces care ne poate face mai maturi la nivel afectiv i mai autonomi n gndire. Fuga de libertate apare atunci cnd eul se dovedete prea slab - sau prea slbit - pentru a-i mai asuma rspunderea propriilor alegeri, renunnd ca atare la puterea de decizie. Fromm vede n aceast capitulare o trstur inaugural pentru ceea ce el numete caracter autoritar sau sado-masochist. -- Dorin Liviu Btfoi - Romnia literarNumai dac omul va stpni societatea i va subordona angrenajul economic scopurilor fericirii umane, i numai dac va participa activ la procesul social, va putea s nving ceea ce l duce acum la disperare — singurtatea lui i sentimentul de neputin. - Erich Fromm

Simona Drgan are fora de a supune textele de autoritate asupra crora se apleac unei lecturi personale, “vede“ ideile n intricaia lor originar, le restructureaz n conformitate cu propriul ei scenariu. in sa apreciez faptul c, n ciuda tematicii sale, lucrarea de fa nu este arid, nu sufer (dect n proporii acceptabile) de acea placiditate stilistic, inevitabil analizelor teoretice. Capacitatea de sintez, spiritul critic, precizia terminologic, luciditatea i supleea, calmul operator, toate acestea atest o cert vocaie teoretic“. (Mircea Martin)Cum se ntmpl cnd o ecuaie care a umilit cerbicia multor duzini de matematicieni i afl mintea capabil s-i dea de capt, mprtim n cazul de fa bucuria unei revelaii: pare ca Foucault i consorii, cei ce n loc de scrieri i texte au inventat uzul sofisticat al scriiturii i discursului, au ntlnit n autoarea de fa un autentic partener de dialog. Avem a face cu o lucrare fr caracter compilativ, demonstrnd o amprent personal, o anumit prospeime a observaiei directe, un soi de entuziasm agreabil al dezbaterii de idei, care se transmite i cititorului, smulgndu-l reflexelor lui sceptice ori obosite“. (Paul Cornea)n opinia mea, un merit major al Simonei Drgan este acela de a reui, ntr-o manier indubitabil personal, sa exprime, cu o elegan a claritii ce se remarc de la prima la ultima pagin a lucrrii, unele dintre cele mai complicate, ca sa nu spunem “stufoase“, idei formulate vreodat n perimetrul tiinelor filologice“. (Ciu Dobrescu)

Introduction to Secrets: A Story of Addiction, Grief ＆amp; Healing ? Highly educated individuals with doctorates publish papers full of information, facts, and figures, explaining reasons for addiction. It is often good information extensively researched and properly cited. I do not have a Ph.D. or a doctorate. I am simply one who loves to teach, write, and more importantly, a mom who loves her family. I majored in motherhood. I minored in English. ? Sadly, I lost something most dear to my heart, my daughter’s voice. I only hear her voice as echoes in my mind, and as I read her journals. Her journals are full of her—her voice, worries, goals, sadness, hopes, desires, disappointments, happiness and love. Her writing identified her feelings, but they do not clearly define her as a person because her life was so much more. How to define, articulate her essence, her multi-dimensional personality? ??????????? In writing this story, I used words and prose that allow the reader to peer into the looking glass, perhaps to see beyond themselves to what lurks in the background of the human soul. How special each of us really is. We all deserve to be loved and to be recognized for the good we do, for the difference we make by just being. ? The writing of this story has been incredibly difficult. I was told that I was terribly hard on myself. Well, the truth is not always pretty. But accepting the truth as a means to better understand one’s environment and to move forward can be healing. It is not easy. Healing takes time. It can be painful. It is often long and arduous. Sometimes, the nearly healed wound is reinjured, the scab is torn loose, exposing the tender flesh beneath. It may ooze again for a time, but then the healing begins again. Grief can be like that. A year has passed; a year of grief, healing, learning, better understanding addiction. ? The road leading to addiction and the reasons one succumbs to substance use disorder is long and winding. Addiction is complex and those who struggle with it usually face other mental health challenges too. They struggle with loss, loneliness, pain, and emptiness. They long for fulfillment. They feel misunderstood, misjudged, stigmatized, unloved. These voids must be filled. The human spirit demands it. ? Society is quick to formulate judgments toward those struggling with addiction. However, is addiction a choice? Is mental illness a choice? Everyone’s story is different. I can only share mine. The effects of addiction ripple out, washing over everyone in some manner or form. Like many, I originally thought substance use was a choice, a deficit in one’s moral code, a weakness that one should be able to control. Why must tragedy occur to inspire illumination? ? As I began to write, my inner eye became focused, intent on rediscovering Sarah. The Sarah I knew as a child had long ago morphed into an adult I did not recognize or understand. I blamed myself. Where did I go wrong? In how many ways did we fail her as her parents? I wanted to understand. Will sharing my story allow others to more easily identify the symptoms of addiction and to recognize addiction as a disease? I hope so. That is why I am breaking the silence, using Sarah’s voice, as well as my own with a clear objective: To de-stigmatize addiction. ? Can we work towards removing the fear and the terrifying stigmatization attached to addiction and try something different? Let us direct positive energies toward these struggling souls. Rather than projecting fear and judgment, what would happen if society projected understanding, empathy, compassion, and acceptance? Acceptance that they have an illness, not just addiction, but often, buried beneath the surface, acute sadness, and unresolved conflict. ? As society begins to remove the stigma of addiction, boundaries to seeking recovery will lessen, improving the odds of recovery, decreasing the risk of death by overdose. Sarah’s death must not be an ending—let it be a beginning towards understanding, acceptance, and empathy.

The Art of War

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